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Author: Robert Springer
Publisher: Univ. Press of Mississippi
ISBN: 162846996X
Category : Music
Languages : en
Pages : 320
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Book Description
Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. “High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood,” by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In “Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire,” Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. “Lookin’ for the Bully: An Enquiry into a Song and Its Story,” by Paul Oliver traces the origins and the many avatars of the Bully song. In “That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s,” Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. “Coolidge’s Blues: African American Blues from the Roaring Twenties” is Guido van Rijn’s survey of blues of that decade. Robert Springer's “On the Electronic Trail of Blues Formulas” presents a number of conclusions about the spread of patterns in blues narratives. In “West Indies Blues: An Historical Overview 1920s-1950s,” John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in “Ethel Waters: ‘Long, Lean, Lanky Mama,’” Randall Cherry reappraises the early career of this blues and vaudeville singer
Author: Robert Springer
Publisher: Univ. Press of Mississippi
ISBN: 162846996X
Category : Music
Languages : en
Pages : 320
Get Book Here
Book Description
Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. “High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood,” by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In “Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire,” Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. “Lookin’ for the Bully: An Enquiry into a Song and Its Story,” by Paul Oliver traces the origins and the many avatars of the Bully song. In “That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s,” Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. “Coolidge’s Blues: African American Blues from the Roaring Twenties” is Guido van Rijn’s survey of blues of that decade. Robert Springer's “On the Electronic Trail of Blues Formulas” presents a number of conclusions about the spread of patterns in blues narratives. In “West Indies Blues: An Historical Overview 1920s-1950s,” John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in “Ethel Waters: ‘Long, Lean, Lanky Mama,’” Randall Cherry reappraises the early career of this blues and vaudeville singer
Author: Julie Aronson
Publisher: Ohio University Press
ISBN: 0821418009
Category : Women in art
Languages : en
Pages : 152
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Book Description
In the Gilded Age, when most sculptors aspired to produce monuments, Bessie Potter Vonnoh (1872-1955) made significant contributions to small bronze sculpture and garden statuary designed for the embellishment of the home. Her work commanded admiration for her fluid and suggestive modeling, graceful lines, and sculptural form. In 1904 Bessie Potter Vonnoh won the gold medal for sculpture at the St. Louis World's Fair for bronzes of contemporary American women and children that delighted all who saw them. Although Vonnoh's work is represented today in museums throughout the United States, Bessie Potter Vonnoh: Sculptor of Women provides for the first time an intimate and engaging encounter with one of the most widely respected sculptors of her day. Julie Aronson explores how, by concentrating on sculpture for domestic settings that expertly combined naturalism with elegance, Vonnoh negotiated a male-dominated field to create a pathway to professional success and made high-quality sculpture accessible to a wider audience. In an essay that examines Vonnoh's relationship with her foundries and scrutinizes bronze castings, Janis Conner demystifies baffling issues of authenticity and quality in turn-of-the-century bronzes. This copiously illustrated book, indispensable for all sculpture enthusiasts, accompanies the first exhibition since 1930 dedicated to the art of Bessie Potter Vonnoh.
Author:
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 728
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Book Description
Author: Ishmael Reed
Publisher: Open Road Media
ISBN: 1453287973
Category : Fiction
Languages : en
Pages : 358
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Book Description
DIVDIVIshmael Reed’s inspired fable of the ragtime era, in which a social movement threatens to suppress the spread of black culture—hailed by Harold Bloom as one of the five hundred greatest books of the Western canon/divDIV In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the “Jes Grew” epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they’ll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a “Talking Android,” an African American who will infiltrate the unruly black communities and help crush the outbreak. But PaPa LaBas, a houngan voodoo priest, is determined to keep his ancient culture—including a key spiritual text—alive. /divDIV /divDIVSpanning a dizzying host of genres, from cinema to academia to mythology, Mumbo Jumbo is a lively ride through a key decade of American history. In addition to ragtime, blues, and jazz, Reed’s allegory draws on the Harlem Renaissance, the Back to Africa movement, and America’s occupation of Haiti. His style throughout is as avant-garde and vibrant as the music at its center./divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div/div
Author: Edward Albee
Publisher: New Amer Library
ISBN: 9780452260832
Category : Drama
Languages : en
Pages : 96
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Book Description
Two modern plays explore the spiritual and tragic aspects of the human struggle with death
Author: Walter Lord
Publisher: Macmillan
ISBN: 9780805077643
Category : History
Languages : en
Pages : 212
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Book Description
A cloth bag containing eight copies of the title.
Author: Lyn Millner
Publisher: University Press of Florida
ISBN: 0813072964
Category : Religion
Languages : en
Pages : 314
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Book Description
Wall Street Journal’s Five Best Books About Cults The true story of cult leader Cyrus Teed and his hollow earth theory For five days in December 1908 the body of Cyrus Teed lay in a bathtub at a beach house just south of Fort Myers, Florida. His followers, the Koreshans, waited for signs that he was coming back to life. They watched hieroglyphics emerge on his skin and observed what looked like the formation of a third arm. They saw his belly fall and rise with breath, even though his swollen tongue sealed his mouth. As his corpse turned black, they declared that their leader was transforming into the Egyptian god Horus. Teed was a charismatic and controversial guru who at the age of 30 had been "illuminated" by an angel in his electro-alchemical laboratory. At the turn of the twentieth century, surrounded by the marvels of the Second Industrial Revolution, he proclaimed himself a prophet and led 200 people out of Chicago and into a new age. Or so he promised. The Koreshans settled in a mosquito-infested scrubland and set to building a communal utopia inside what they believed was a hollow earth--with humans living on the inside crust and the entire universe contained within. According to Teed’s socialist and millennialist teachings, if his people practiced celibacy and focused their love on him, he would return after death and they would all become immortal. Was Teed a visionary or villain, savior or two-bit charlatan? Why did his promises and his theory of "cellular cosmogony" persuade so many? Now comes the bombshell news that David Koresh, apocalyptic leader of the Waco Branch Davidians, plagiarized Teed, and did so unwittingly. Released on the 30th anniversary of the deadly events in Waco, this edition of The Allure of Immortality includes a preface about this astonishing discovery. In this book, Lyn Millner weaves the many bizarre strands of Teed's life and those of his followers into a riveting story of angels, conmen, angry husbands, yellow journalism, and ultimately, hope.
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 1700
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Book Description
Author: Erin D. Chapman
Publisher: Oxford University Press
ISBN: 0199877203
Category : History
Languages : en
Pages : 202
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Book Description
In the wake of the Great Migration of thousands of African Americans from the scattered hamlets and farms of the rural South to the nation's burgeoning cities, a New Negro ethos of modernist cultural expression and potent self-determination arose to challenge white supremacy and create opportunities for racial advancement. In Prove It On Me, Erin D. Chapman explores the gender and sexual politics of this modern racial ethos and reveals the constraining and exploitative underside of the New Negro era's vaunted liberation and opportunities. Chapman's cultural history documents the effects on black women of the intersection of primitivism, New Negro patriarchal aspirations, and the early twentieth-century consumer culture. As U.S. society invested in the New Negroes, turning their expressions and race politics into entertaining commodities in a sexualized, primitivist popular culture, the New Negroes invested in the idea of black womanhood as a pillar of stability against the unsettling forces of myriad social and racial transformations. And both groups used black women's bodies and identities to "prove" their own modern notions and new identities. Chapman's analysis brings together advertisements selling the blueswoman to black and white consumers in a "sex-race marketplace," the didactic preachments of New Negro reformers advocating a conservative gender politics of "race motherhood," and the words of the New Negro women authors and migrants who boldly or implicitly challenged these dehumanizing discourses. Prove It On Me investigates the uses made of black women's bodies in 1920s popular culture and racial politics and black women's opportunities to assert their own modern, racial identities.
Author: Robin D.G. Kelley
Publisher: Beacon Press
ISBN: 0807009784
Category : Social Science
Languages : en
Pages : 264
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Book Description
Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.
