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Author: Giuseppe Sgarzini
Publisher:
ISBN: 9788875712082
Category : Art
Languages : it
Pages : 48
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Book Description
Author: Giuseppe Sgarzini
Publisher:
ISBN: 9788875712082
Category : Art
Languages : it
Pages : 48
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Book Description
Author: Paola Della Pergola
Publisher:
ISBN: 9788876217142
Category : Architecture
Languages : es
Pages :
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Book Description
Author: Giuseppe Sgarzini
Publisher:
ISBN: 9788875712099
Category : Art
Languages : it
Pages : 48
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Book Description
Author: Gian Lorenzo Bernini
Publisher:
ISBN:
Category :
Languages : de
Pages : 110
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Book Description
Author: Robert DOHME (Art Historian.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Xavier Bray
Publisher:
ISBN: 9788461686582
Category : Sculpture, Baroque
Languages : en
Pages : 213
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Book Description
Though wonderfully reexamined recently in London's and Washington's National Gallery, the art of Spanish polychrome sculpture has usually taken second place where plastic creation is concerned. Historically considered to be a lesser art form this publication aims to clear any reservations from the public regarding its quality examining the virtuous creations of Pedro de Mena, probably the most important sculptor of the Spanish Golden Age together with Gregorio Fernandez. 00Exhibition: Coll & Cortés at TEFAF, Maastricht, The Netherlands (17.03-30.03.2014).
Author: Gian Lorenzo Bernini
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Wolfgang Lotz
Publisher:
ISBN:
Category :
Languages : it
Pages : 10
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Book Description
Author: Anna Forlani Tempesti
Publisher: Galleria
ISBN:
Category : Art
Languages : it
Pages : 544
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Book Description
Author: Stefania Tutino
Publisher: Oxford University Press
ISBN: 0197578802
Category : History
Languages : en
Pages : 209
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Book Description
"This book uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the Kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni's wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni's case to the Roman Curia. The Catholic authorities immediately realized that the sources were forged and that Giovanni was not real (let alone holy). Yet, it took more than two decades before the forgery was exposed: why? Vividly reconstructing the intricate case of the supposed saint, the book reveals the tensions between historical and theological truth. How much could the truth of doctrine depend on the truth of the facts before religion lost its connection with the supernatural? To what extent could theology ignore the truth of history without ending up engulfed in falsity and deceit? This story of a fake saint illuminates early modern tensions. But the struggles to distinguish between facts, opinions, and beliefs remain with us. Examining how our predecessors dealt with the relationship between truth and authenticity guides us too in thinking through what is true and what is not"--
