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Author: Philipp Ekardt
Publisher: Bloomsbury Publishing
ISBN: 1350076007
Category : Philosophy
Languages : en
Pages : 304
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Book Description
Benjamin on Fashion reconstructs and redefines Walter Benjamin's complex, fragmentary and yet influential fashion theory that he developed in the Arcades Project (1927-1940) and beyond, while situating it within the environment from which it emerged - 1930s Parisian couture. In this insightful new book, Philipp Ekardt brings Benjamin into discussion with a number of important, but frequently overlooked sources. Amongst many others, these include the German fashion critic Helen Grund, who introduced him to the contemporary fashion scene; Georg Simmel's fashion sociology; Henri Focillon's morphological art history; designs by Elsa Schiaparelli and Madeleine Vionnet; films by L'Herbier and others starring Mae West; and the photography of George Hoyningen-Huene and Man Ray. In doing so, Ekardt demonstrates how fashion and silhouettes became grounded in sex; how an ideal of the elegant animation of matter was pitted against the concept of an obdurate fashion form; and how Benjamin's idea of 'fashion's tiger's leap into the past' paralleled the return of 1930s couture to the depths of (fashion) history. The use of such relevant sources makes this crucial for understanding Benjamin both as a thinker and a cultural theorist.
Author: Philipp Ekardt
Publisher: Bloomsbury Publishing
ISBN: 1350076007
Category : Philosophy
Languages : en
Pages : 304
Get Book Here
Book Description
Benjamin on Fashion reconstructs and redefines Walter Benjamin's complex, fragmentary and yet influential fashion theory that he developed in the Arcades Project (1927-1940) and beyond, while situating it within the environment from which it emerged - 1930s Parisian couture. In this insightful new book, Philipp Ekardt brings Benjamin into discussion with a number of important, but frequently overlooked sources. Amongst many others, these include the German fashion critic Helen Grund, who introduced him to the contemporary fashion scene; Georg Simmel's fashion sociology; Henri Focillon's morphological art history; designs by Elsa Schiaparelli and Madeleine Vionnet; films by L'Herbier and others starring Mae West; and the photography of George Hoyningen-Huene and Man Ray. In doing so, Ekardt demonstrates how fashion and silhouettes became grounded in sex; how an ideal of the elegant animation of matter was pitted against the concept of an obdurate fashion form; and how Benjamin's idea of 'fashion's tiger's leap into the past' paralleled the return of 1930s couture to the depths of (fashion) history. The use of such relevant sources makes this crucial for understanding Benjamin both as a thinker and a cultural theorist.
Author: Ulrich Lehmann
Publisher: MIT Press
ISBN: 9780262621717
Category : Architecture
Languages : en
Pages : 586
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Book Description
The history of modernity written as a philosophy if fashion, set in the cultural framework of Paris.
Author: A. M. Pusca
Publisher: Springer
ISBN: 0230277969
Category : History
Languages : en
Pages : 211
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Book Description
Following the spirit of Benjamin's Arcades Project, this book acts as a kaleidoscope of change in the 21st century, tracing its different reflections in the international contemporary while seeking to understand individual/collective reactions to change through a series of creative methodologies.
Author: Andrew Benjamin
Publisher: A&C Black
ISBN: 1847144543
Category : Philosophy
Languages : en
Pages : 310
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Book Description
Walter Benjamin's most famous and influential essay remains The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin and the Work of Art is the first book to provide a broad and dedicated analysis of this canonical work and its effect upon core contemporary concerns in the visual arts, aesthetics and the history of philosophy. The book is structured around three distinct areas: the extension of Benjamin's work; the question of historical connection; the importance of the essay in the development of criticism of both the visual arts and literature. Contributors to the volume include major Benjamin commentators, whose work has very much defined the reception of the essay, and leading philosophers, historians and aesthetician, whose approaches open up new areas of interest and relevance.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674022225
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
Not an autobiography in the customary sense, Benjamin's recollection of his childhood in an upper-middle-class Jewish home in Berlin's West End at the turn of the century is translated into English for the first time in book form.
Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1784783994
Category : Philosophy
Languages : en
Pages : 356
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Book Description
The Benjamin Files offers a comprehensive new reading of all of Benjamin's major works and a great number of his shorter book reviews, notes and letters. Its premise is that Benjamin was an anti-philosophical, anti-systematic thinker whose conceptual interests also felt the gravitational pull of his vocation as a writer. What resulted was a coexistence or variety of language fields and thematic codes which overlapped and often seemed to contradict each other: a view which will allow us to clarify the much-debated tension in his works between the mystical or theological side of Benjamin and his political or historical inclination. The three-way tug of war over his heritage between adherents of his friends Scholem, Adorno and Brecht, can also be better grasped from this position, which gives the Brechtian standpoint more due than most influential academic studies. Benjamin's corpus is an anticipation of contemporary theory in the priority it gives language and representation over philosophical or conceptual unity; and its political motivations are clarified by attention to the omnipresence of History throughout his writing, from the shortest articles to the most ambitious projects. His explicit program - "to transfer the crisis into the heart of language" or, in other words, to detect class struggle at work in the most minute literary phenomena - requires the reader to translate the linguistic or representational literary issues that concerned him back into the omnipresent but often only implicitly political ones. But the latter are those of another era, to which we must gain access, to use one of Benjamin's favorite expressions.
Author: Susan Buck-Morss
Publisher: MIT Press
ISBN: 9780262521642
Category : Philosophy
Languages : en
Pages : 512
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Book Description
Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time—from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons—as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south—Moscow Paris, Berlin-Naples—and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin's insights but then allows a set of "afterimages" to have the last word.
Author: Malcolm Barnard
Publisher:
ISBN: 9780415413404
Category : Fashion
Languages : en
Pages : 0
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Book Description
This collection of essays surveys and contextualises the ways in which a wide range of disciplines have used different theoretical approaches to explain, and sometimes to explain away, the variety, complexity and beauty of fashion.
Author: Samuel Weber
Publisher: Harvard University Press
ISBN: 0674033957
Category : Philosophy
Languages : en
Pages : 374
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Book Description
“There is no world of thought that is not a world of language,” Walter Benjamin remarked, “and one only sees in the world what is preconditioned by language.” In this book, Samuel Weber, a leading theorist on literature and media, reveals a new and productive aspect of Benjamin’s thought by focusing on a little-discussed stylistic trait in his formulation of concepts. Weber’s focus is the critical suffix “-ability” that Benjamin so tellingly deploys in his work. The “-ability” (-barkeit, in German) of concepts and literary forms traverses the whole of Benjamin’s oeuvre, from “impartibility” and “criticizability” through the well-known formulations of “citability,” “translatability,” and, most famously, the “reproducibility” of “The Work of Art in the Age of Its Technological Reproducibility.” Nouns formed with this suffix, Weber points out, refer to a possibility or potentiality, to a capacity rather than an existing reality. This insight allows for a consistent and enlightening reading of Benjamin’s writings. Weber first situates Benjamin’s engagement with the “-ability” of various concepts in the context of his entire corpus and in relation to the philosophical tradition, from Kant to Derrida. Subsequent chapters deepen the implications of the use of this suffix in a wide variety of contexts, including Benjamin’s Trauerspiel book, his relation to Carl Schmitt, and a reading of Wagner’s Ring. The result is an illuminating perspective on Benjamin’s thought by way of his language—and one of the most penetrating and comprehensive accounts of Benjamin’s work ever written.
Author: Howard Caygill
Publisher: Routledge
ISBN: 1000158756
Category : Art
Languages : en
Pages : 188
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Book Description
This book analyzes the development of Walter Benjamin's concept of experience in his early writings showing that it emerges from an engagement with visual experience, and in particular the experience of colour. It represents Benjamin as primarily a thinker of the visual field.
