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Author: Diana L. Linden
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
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Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Diana L. Linden
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
Get Book Here
Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Frances Kathryn Pohl
Publisher: Pomegranate
ISBN: 1566403138
Category : Artists
Languages : en
Pages : 180
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Book Description
BEN SHAHN offers a comprehensive look at the art work of one of the leading social realists of our time. The book includes pieces done in the 1930s depicting the effects of the Depression, urban decay, labor strikes & poverty. Brilliant posters created for the Office of War Information during World War II describe Shahn's work in the 1940s. The book explores the artist's post-war transition from a social realism to a "personal realism," employing allegory & symbolism. Through discussions of his political views, his struggles to maintain artistic integrity, as well as through selections of Shahn's own writings, the author weaves a compelling portrait of the man & his work. BEN SHAHN includes an extensive bibliography. Other Pomegranate books dedicated to twentieth-century American artists: CHILDE HASSAM'S NEW YORK, by Ilene Susan Fort, ISBN 1-55640-317-0, $21.95; EDWARD HOPPER'S NEW ENGLAND, by Carl Little, ISBN 1-55640-315-4, $21.95; & STEWARD DAVIS'S ABSTRACT ARGOT, by William Wilson, ISBN 1-55640-316-2.
Author: John Raeburn
Publisher: University of Illinois Press
ISBN: 0252056183
Category : Photography
Languages : en
Pages : 333
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Book Description
The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Author: Susan Chevlowe
Publisher:
ISBN: 9780691004075
Category : Art
Languages : en
Pages : 194
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Book Description
A survey of the long and varied career of the great American Social Realist painter Ben Shahn, featuring striking reproductions of paintings, begins with his well-known Depression-era works and goes on to include an appreciation of his lesser-known later paintings. UP.
Author: Frances K. Pohl
Publisher: Austin : University of Texas Press
ISBN:
Category : Art
Languages : en
Pages : 258
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Book Description
In the first, most intense years of the Cold War (1947–1954), New Deal liberals often found themselves in great disfavor. Ben Shahn's experience presents something of a paradox, however, since his paintings appealed in different ways to both liberals and conservatives. Blacklisted by CBS during the McCarthy era and yet, ironically, incorporated into presidential "campaigns of truth" aimed at improving the U.S. image abroad, Ben Shahn is a pivotal figure, revealing the complexities and contradictions inherent in this highly polarized moment in American history. In this pathbreaking study, Frances Pohl traces the political and artistic struggles Ben Shahn became embroiled in as he tried to remain a socially concerned artist during the early Cold War period. She shows how he rejected the argument, voiced by many Abstract Expressionists, that art and politics should not mix, yet at the same time searched for a way to depict, in universal and allegorical terms, the broad human condition rather than simply specific instances of injustice. Perhaps most important, she makes critical connections between U.S. social and political history and the art it provoked, thus illuminating both the later career of Ben Shahn and the Cold War era in American cultural history.
Author: James Thrall Soby
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 68
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Book Description
Author: Ben Shahn
Publisher: Harvard University Press
ISBN: 9780674805705
Category : Art
Languages : en
Pages : 148
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Book Description
"A modern painter discusses meaning and form in contemporary painting and offers advice to aspiring artists."--
Author: Cynthia Levinson
Publisher: Abrams
ISBN: 1647003202
Category : Juvenile Nonfiction
Languages : en
Pages : 48
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Book Description
A lyrically told, exquisitely illustrated biography of influential Jewish artist and activist Ben Shahn “The first thing I can remember,” Ben said, “I drew.” As an observant child growing up in Lithuania, Ben Shahn yearns to draw everything he sees—and, after seeing his father banished by the Czar for demanding workers’ rights, he develops a keen sense of justice, too. So when Ben and the rest of his family make their way to America, Ben brings both his sharp artistic eye and his desire to fight for what’s right. As he grows, he speaks for justice through his art—by disarming classmates who bully him because he’s Jewish, by defying his teachers’ insistence that he paint beautiful landscapes rather than true stories, by urging the US government to pass Depression-era laws to help people find food and jobs. In this moving and timely portrait, award-winning author Cynthia Levinson and illustrator Evan Turk honor an artist, immigrant, and activist whose work still resonates today: a true painter for the people.
Author: Jody Patterson
Publisher: Yale University Press
ISBN: 0300241399
Category : Art
Languages : en
Pages : 265
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Book Description
A mural renaissance swept the United States in the 1930s, propelled by the New Deal Federal Art Project and the popularity of Mexican muralism. Perhaps nowhere more than in New York City, murals became a crucial site for the development of abstract painting Artists such as Stuart Davis, Arshile Gorky, Willem de Kooning, and Lee Krasner created ambitious works for the Williamsburg Housing Project, Floyd Bennett Field Airport, and the 1939 World’s Fair. Modernism for the Masses examines the public murals (realized and unrealized) of these and other abstract painters and the aesthetic controversy, political influence, and ideological warfare that surrounded them. Jody Patterson transforms standard narratives of modernism by reasserting the significance of the 1930s and explores the reasons for the omission of the mural’s history from chronicles of American art. Beautifully illustrated with the artists’ murals and little-known archival photographs, this book recovers the radical idea that modernist art was a vital part of everyday life.
Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
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Book Description
