Textual Patronage in English Drama, 1570-1640

Textual Patronage in English Drama, 1570-1640 PDF Author: David Moore Bergeron
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654056
Category : Literary Criticism
Languages : en
Pages : 276

Get Book Here

Book Description
Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, David Bergeron recuperates the richness of these prefaces and connects them to the practice of patronage. The study includes discussion of plays by Shakespeare and his contemporaries, among them Marston, Jonson, and Heywood, as well as a chronological checklist of the dramatic prefaces here analyzed. The book contains an Appendix that lists the plays with prefatory dedications and addresses analyzed.

Textual Patronage in English Drama, 1570-1640

Textual Patronage in English Drama, 1570-1640 PDF Author: David Moore Bergeron
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654056
Category : Literary Criticism
Languages : en
Pages : 276

Get Book Here

Book Description
Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, David Bergeron recuperates the richness of these prefaces and connects them to the practice of patronage. The study includes discussion of plays by Shakespeare and his contemporaries, among them Marston, Jonson, and Heywood, as well as a chronological checklist of the dramatic prefaces here analyzed. The book contains an Appendix that lists the plays with prefatory dedications and addresses analyzed.

Ben Jonson and the Poetics of Patronage

Ben Jonson and the Poetics of Patronage PDF Author: Robert C. Evans
Publisher:
ISBN: 9780083875139
Category : Authors and patrons
Languages : en
Pages : 334

Get Book Here

Book Description


The Women of Ben Jonson's Poetry

The Women of Ben Jonson's Poetry PDF Author: Barbara Smith
Publisher: Routledge
ISBN: 135188039X
Category : Literary Criticism
Languages : en
Pages : 126

Get Book Here

Book Description
Ben Jonson (1572-1637) is recognised as one of the major poets and dramatists of his time. It is surprising, therefore, that this should be the first study to look specifically at the role of women in his poetry. Barbara Smith challenges previously held conceptions of Jonson as a misogynist, upholding the patronage system that allowed him to work. Through detailed examination of his poetic structures, the influence of Juvenal, Martial and Horace, and Jonson's attitudes to his own female patrons, the Countess of Bedford and Lady Mary Wroth, The Women of Ben Jonson's Poetry demonstrates how seventeenth century cultural values and ideas of gender are both supported and subverted in the poems. ’If we "survey Jonson in his works and know him there", we will find the independence of spirit and originality that made him a rarity in his time and ours.'

Jonson and the Contexts of His Time

Jonson and the Contexts of His Time PDF Author: Robert C. Evans
Publisher: Bucknell University Press
ISBN: 9780838752685
Category : Drama
Languages : en
Pages : 252

Get Book Here

Book Description
"Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry." "This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings." "The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville." "Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia" - and its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme." "Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion." "Chapters 7 and 8 focus on the closing years of Jonson's career. They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Cambridge Companion to English Poets

The Cambridge Companion to English Poets PDF Author: Claude Julien Rawson
Publisher: Cambridge University Press
ISBN: 0521874343
Category : Literary Criticism
Languages : en
Pages : 581

Get Book Here

Book Description
This volume provides essays by twenty-nine leading scholars and critics on the best English poets from Chaucer to Larkin.

Traditions and Innovations

Traditions and Innovations PDF Author: David G. Allen
Publisher: University of Delaware Press
ISBN: 9780874133554
Category : History
Languages : en
Pages : 284

Get Book Here

Book Description
This collection considers a wide range of texts, authors, and concerns--from the Man of Law's Tale to Tis Pity She's a Whore; from the mysterious Thomas Malory to the widely visible Ben Jonson; from the image of St. Paul's thorn in Troilus and Criseyde to the Renaissance iconography of Ganymede.

Patronage, Politics, and Literary Traditions in England, 1558-1658

Patronage, Politics, and Literary Traditions in England, 1558-1658 PDF Author: Cedric Clive Brown
Publisher: Wayne State University Press
ISBN: 9780814324172
Category : History
Languages : en
Pages : 318

Get Book Here

Book Description


Patrons and Patron Saints in Early Modern English Literature

Patrons and Patron Saints in Early Modern English Literature PDF Author: Alison Chapman
Publisher: Routledge
ISBN: 1135132313
Category : Literary Criticism
Languages : en
Pages : 251

Get Book Here

Book Description
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.

Sociable Criticism in England, 1625-1725

Sociable Criticism in England, 1625-1725 PDF Author: Paul Trolander
Publisher: University of Delaware Press
ISBN: 9780874139693
Category : History
Languages : en
Pages : 242

Get Book Here

Book Description
Sociable Criticism in England explores how from 1625 to 1725 cultural practices and discourses of sociability (rules for small-group discussion, friendship discourse, and patron-client relationships) determined the venues within which critical judgments were rendered, disseminated, and received. It establishes how individuals operating in small groups were authorized to circulate critical judgments and commentary, why certain modes of critical exchange were treated as beyond the ken of good social manners, and how such expectations were subverted or manipulated to avoid the imputation that individuals had violated the standards for offering public criticism. Philips, George Villiers, John Dryden, Lady Margaret Cavendish, John Dennis, and Joseph Addison, this study argues that seventeenth- and early eighteenth-century criticism could circulate either orally, in manuscript, or in print so long as it appeared to originate in interpersonal encounters considered appropriate to critical discussion.

Authoring the Self

Authoring the Self PDF Author: Scott Hess
Publisher: Routledge
ISBN: 1135875162
Category : Literary Criticism
Languages : en
Pages : 325

Get Book Here

Book Description
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.