Béla Bartók in Italy PDF Download
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Author: Nicolò Palazzetti
Publisher: Boydell & Brewer
ISBN: 1783276207
Category : History
Languages : en
Pages : 320
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Book Description
Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
Author: Nicolò Palazzetti
Publisher: Boydell & Brewer
ISBN: 1783276207
Category : History
Languages : en
Pages : 320
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Book Description
Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
Author: David Cooper
Publisher: Yale University Press
ISBN: 0300213077
Category : Biography & Autobiography
Languages : en
Pages : 451
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Book Description
"This deeply researched biography of Béla Bartók (1881–1945) provides a more comprehensive view of the innovative Hungarian musician than ever before. David Cooper traces Bartók’s international career as an ardent ethno-musicologist and composer, teacher, and pianist, while also providing a detailed discussion of most of his works. Further, the author explores how Europe’s political and cultural tumult affected Bartók’s work, travel, and reluctant emigration to the safety of America in his final years. Cooper illuminates Bartók’s personal life and relationships, while also expanding what is known about the influence of other musicians—Richard Strauss, Zoltán Kodály, and Yehudi Menuhin, among many others. The author also looks closely at some of the composer’s actions and behaviors which may have been manifestations of Asperger syndrome. The book, in short, is a consummate biography of an internationally admired musician."
Author: László Somfai
Publisher: Univ of California Press
ISBN: 0520914619
Category : Biography & Autobiography
Languages : en
Pages : 434
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Book Description
This long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music. For Bèla Bartók, composition often began with improvisation at the piano. Làszló Somfai maintains that Bartók composed without preconceived musical theories and refused to teach composition precisely for this reason. He was not an analytical composer but a musical creator for whom intuition played a central role. These conclusions are the result of Somfai's three decades of work with Bartók's oeuvre; of careful analysis of some 3,600 pages of sketches, drafts, and autograph manuscripts; and of the study of documents reflecting the development of Bartók's compositions. Included as well are corrections preserved only on recordings of Bartók's performances of his own works. Somfai also provides the first comprehensive catalog of every known work of Bartók, published and unpublished, and of all extant draft, sketch, and preparatory material. His book will be basic to all future scholarly work on Bartók and will assist performers in clarifying the problems of Bartók notation. Moreover, it will be a model for future work on other major composers.
Author: Benjamin Suchoff
Publisher: Scarecrow Press
ISBN: 9780810840768
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Overview: This compilation of essays, lectures, and scholarly papers on Bartok studies from 1953 to the present includes insights obtained by the author over a half-century career as a Bartok specialist. Divided into three parts, chapters examine Bartok as a multifaceted music figure: composer, folklorist, pianist, and teacher. As composer, it includes program notes, an introduction to his principles of composition, and theoretic-analytical discussion of selected works, including Mikrokosmos. As folklorist, it examines the outcome of Bartok's fieldwork, methodology, and findings in East European, Arabic, and Turkist autochthonous folk music materials. Bartok's American years are also discussed. The narrative is supported by a substantial number of musical examples and references.
Author: József Ujfalussy
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 476
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Book Description
Author: David D. Hume
Publisher: PublishingWorks
ISBN: 9781933002439
Category : History
Languages : en
Pages : 376
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Book Description
In his latest travelogue, Hume and his wife visit the lesser known towns in Italy, and share descriptions of ancient cathedrals, local histories, and fine bottles of Chianti.
Author: Georges Jean-Aubry
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 488
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Book Description
Author: Ernő Lendvai
Publisher: Pro Am Music Resources
ISBN: 9780912483337
Category : Music
Languages : en
Pages : 115
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Book Description
Author: Francesco Leone
Publisher: Glissato Edizioni Musicali
ISBN: 8835387183
Category : Music
Languages : en
Pages : 26
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Book Description
Guitar 2 part from a selection of 10 beginner-to-intermediate compositions from "For Children" Sz.42 - Book I, drawing inspiration from Hungarian folk melodies, penned by Béla Bartók. These compositions have been reimagined for Guitar Quartet by Francesco Leone. The entire score, along with individual parts, is part of the series. Interestingly, the collection includes detailed informational sheets about each composition, provided in several languages: English, French, German, Italian, Spanish, Portuguese, Korean, Japanese, and Chinese. Béla Bartók's "For Children" Sz.42 - Book I offers piano compositions deeply rooted in Hungarian folk melodies. This work underscores Bartók's profound fascination with ethnomusicology and his commitment to celebrating and preserving the musical treasures of Eastern Europe. Through these unique pieces, Bartók desired to familiarize emerging pianists with the enchanting realm of Hungarian folk tunes, aptly suited for their technical proficiency while upholding their genuine allure.
Author: Francesco Leone
Publisher: Glissato Edizioni Musicali
ISBN: 8835386853
Category : Music
Languages : en
Pages : 26
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Book Description
Guitar 3 part from a selection of 10 beginner-to-intermediate compositions from "For Children" Sz.42 - Book I, drawing inspiration from Hungarian folk melodies, penned by Béla Bartók. These compositions have been reimagined for Guitar Quartet by Francesco Leone. The entire score, along with individual parts, is part of the series. Interestingly, the collection includes detailed informational sheets about each composition, provided in several languages: English, French, German, Italian, Spanish, Portuguese, Korean, Japanese, and Chinese. Béla Bartók's "For Children" Sz.42 - Book I offers piano compositions deeply rooted in Hungarian folk melodies. This work underscores Bartók's profound fascination with ethnomusicology and his commitment to celebrating and preserving the musical treasures of Eastern Europe. Through these unique pieces, Bartók desired to familiarize emerging pianists with the enchanting realm of Hungarian folk tunes, aptly suited for their technical proficiency while upholding their genuine allure.
