Beholding Violence in Medieval and Early Modern Europe PDF Download
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Author: Allie Terry-Fritsch
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409442868
Category : Art
Languages : en
Pages : 306
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Book Description
Interrogating how medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this collection explore the experience of individual or collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, objects, texts, and performances, the contributors examine the complexities of viewing and the production of knowledge across temporal moments.
Author: Allie Terry-Fritsch
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409442868
Category : Art
Languages : en
Pages : 306
Get Book Here
Book Description
Interrogating how medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this collection explore the experience of individual or collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, objects, texts, and performances, the contributors examine the complexities of viewing and the production of knowledge across temporal moments.
Author: Allie Terry-Fritsch
Publisher: Routledge
ISBN: 135157423X
Category : Art
Languages : en
Pages : 496
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Book Description
Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Author: Susan Broomhall
Publisher: Routledge
ISBN: 1317424190
Category : History
Languages : en
Pages : 231
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Book Description
Violence and Emotions in Early Modern Europe examines the purposes for which specific forms of violence and particular emotional states functioned, how they operated in relation to each other, or indeed how one provoked, sustained or diminished the other. These twelve original essays demonstrate the complexities of violence and emotions and the myriad possibilities of their inter-relationships. They emphasize the great efforts that were made by early modern societies to control modes of violence and emotional regimes to achieve positive as well as negative effects, such as creating order, healing, and bringing individuals and communities together around productive identities. Authors consider legal documents, news reports, memoirs, letters, confraternity statutes, and medical consultations to investigate the bodily and textual practices in which violent and emotional acts were created, supported and disseminated to investigate the power, aims, effect and outcomes of relationships between violence and emotions. The chapters look at a range of topics and countries including Renaissance Italy and sixteenth-century Germany, France in the grip of the religious wars, and England’s Civil Wars as well as a wide range of topics including murder, punishment, community healing, insults, threats, prophecy and medical and devotional practices. This collection will be essential reading for students and scholars of the history of emotions or violence.
Author: Aleksandra Koutny-Jones
Publisher: BRILL
ISBN: 9004305254
Category : History
Languages : en
Pages : 275
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Book Description
In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.
Author: ErinE. Benay
Publisher: Routledge
ISBN: 1351567284
Category : Art
Languages : en
Pages : 305
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Book Description
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ?s post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.
Author: Susan Broomhall
Publisher: BRILL
ISBN: 9004461817
Category : History
Languages : en
Pages : 408
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Book Description
In The Identities of Catherine de' Medici, Susan Broomhall provides an innovative analysis of the representational strategies that constructed Catherine de’ Medici and sought to explain her behaviour and motivations. Through her detailed exploration of the identities that the queen, her allies, supporters, and clients sought to project, and how contemporaries responded to them, Broomhall establishes a new vision of this important sixteenth-century protagonist, a clearer understanding of the dialogic and dynamic nature of identity construction and reception, and its consequences for Catherine de' Medici’s legacy, memory, and historiography.
Author:
Publisher: BRILL
ISBN: 9004395695
Category : History
Languages : en
Pages : 321
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Book Description
The World of the Siege examines relations between the conduct and representations of early modern sieges. The volume offers case studies from various regions in Europe (England, France, the Low Countries, Germany, the Balkans) and throughout the world (the Chinese, Ottoman and Mughal Empires), from the 15th century into the 18th. The international contributors analyse how siege narratives were created and disseminated, and how early modern actors as well as later historians made sense of these violent events in both textual and visual artefacts. . The volume's chronological and geographical breadth provides insight into similarities and differences of siege warfare and military culture across several cultures, countries and centuries, as well as its impact on both combatants and observers. See inside the book.
Author: Laura Weigert
Publisher: Cambridge University Press
ISBN: 1107040477
Category : Art
Languages : en
Pages : 311
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Book Description
This book revives the variety of performances that took place in the realms of the French kings and Burgundian dukes.
Author: Joanna Bellis
Publisher: Boydell & Brewer
ISBN: 1783271558
Category : History
Languages : en
Pages : 236
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Book Description
An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century. War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged. The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience. JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London. Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,
Author: Tomas Macsotay
Publisher: Manchester University Press
ISBN: 152611352X
Category : Art
Languages : en
Pages : 358
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Book Description
This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. The volume’s two-fold approach to the hurt body, defining ‘hurt’ from the perspectives of both victim and beholder - as well as their combined creation of a gaze - is unique. It establishes a double perspective about the riddle of ‘cruel’ viewing by tracking the shifting cultural meanings of victims’ bodies and confronting them with the values of audiences, religious and popular institutional settings and practices of punishment. It encompasses both the victim’s presence as an image or performed event of pain and the conundrum of the look – the transmitted ‘pain’ experienced by the watching audience.
