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Author: Mary Fitch WATKINS
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Mary Fitch WATKINS
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Mary Watkins Cushing
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
Author:
Publisher: Applause Theatre & Cinema
ISBN: 9781493047932
Category : Music
Languages : en
Pages : 192
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Book Description
This beautiful, official and fully authorized book explores The Phantom of the Opera from its inception to the present day, with unparalleled insight and authority.
Author: Sarah Lenton
Publisher: Robson Books Limited
ISBN:
Category : Music
Languages : en
Pages : 242
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Book Description
Chronicles the production of Handel's Xerxes at the English National Opera.
Author: Rose Heylbut
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 372
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Book Description
Author: Joan Chatfield-Taylor
Publisher: Chronicle Books (CA)
ISBN:
Category : Music
Languages : en
Pages : 148
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Book Description
This is a glimpse backstage into one of the world's great opera houses: San Francisco Opera House. It is also and insider's look at the process of creating what is probably the world's most complicated art form. Behind each superstar on stage is a support staff of hundreds, even thousands of people, most of whom are highly specialized. In following the process, the authors watched productions grow from telephone negotiations through intensive rehearslas into the full-scale extravaganza the audience sees. --from Preface.
Author: Marcus Tylor
Publisher: Lulu Enterprises Uk Limited
ISBN: 9780955682001
Category : Art
Languages : en
Pages : 244
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Book Description
This is a catalogue of photographs taken behind the scenes during the first year of the musical 'Phantom of the Opera'. The photographs contained give a unique insight into life backstage at Her Majesty's theatre, London, and include images of the original cast members, from the principals, Michael Crawford, Sarah Brightman and Steve Barton, to the chorus. These photos capture the ambiance, and eeriness, of a production that takes the audience back to 19th century Paris, as well as including many shots of real life backstage. Over 80 million people have seen 'Phantom' worldwide, but it is this original London cast which made the only available recording of the show, so it is this cast that is known best to the worldwide audience. Few of these photos have even been seen by others, although Hal Prince, the original director of the show, said these were the best photographs of the show he had ever seen. This publication is intended primarily as a source of the prints. But is a valuable archive in itself.
Author: William Murray
Publisher: Crown Archetype
ISBN: 0307525066
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
H. L. Mencken declared that “the opera is to music what a bawdy house is to a cathedral.” It was not meant as a compliment, but to William Murray, former New Yorker staff writer and aspiring opera singer, a bawdy house is an apt metaphor for the opera: a place of confusion, high and low drama, fleshly pleasures and raucous song. In Fortissimo, Murray follows twelve young singers in the Lyric Opera of Chicago’s training program, the prestigious Opera Center for American Artists, through the 2003–2004 season. In the course of the year, these singers attend countless coaching sessions, inspiring master classes, nerve-racking auditions and grueling rehearsals—and finally perform with some of the most celebrated names (and spectacular egos) in opera, from Samuel Ramey to José Cura and Natalie Dessay. While chronicling their progress, Murray offers an insider’s look at the different aspects of the opera world that influence a young singer’s success, a world filled with temperamental maestros, ambitious directors, old-world tradition and sacred monsters. Weaving recollections of his own days training in New York, Rome and Milan in the 1950s with the personal and artistic struggles of the young singers in Chicago today, Murray lays bare the staggering ambition and relentless will required to achieve a career in the arts. As he writes, “Becoming a successful opera singer—stepping out on a huge stage to try to fill the house with your voice, to bring an audience of thirty-six hundred people to its feet—is as risky in its own peculiar way as embarking on a career as a matador. You can triumph, you can struggle to survive or you can perish from your wounds.” Fortissimo is a delicious tale of rising talents, angst and heartache and small triumphs, and the music that inspires it all.
Author: Olive Logan
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 696
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Book Description
Author: Linda Kitchen
Publisher: Spiramus Press Ltd
ISBN: 1910151564
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
What makes an opera singer? And where in the making of a performance is the identity of the singer themselves? Linda Kitchen goes behind the scenes with prominent voices who have valuable insight about the world of opera, discussing what it means to be a performer, how they got into the profession and how who they are affects how they perform. Illustrated with photos of the artists in places that lend meaning to their lives by renowned photographer Nobby Clark. Contents Biographies - La favorite, Donizetti Prologue - Noises, Sounds & Sweet Airs, Nyman Act One ‘Shoving us from the jetty’ Scene One - Family background The Captain’s Daughter, Cui Scene Two - School days The Wandering Scholar, Holst Scene Three - Defining moment Sonntag aus Licht, Stockhausen Scene Four - Singing study Les arts florissants, Charpentier Scene Five - Preparing Bang!, Rutter Act Two ‘Carry on – it’s going very well’ Scene One - The unfolding The Rake’s Progress, Stravinsky Scene Two - Learning the score La Conquista, Ferrero Scene Three - Warming up La Sonnambula, Bellini Scene Four - The feeling of singing La Rondine, Puccini Act Three ‘No good playing Mime as if you’re Brad Pitt’ Scene One - Character, text, drama The Jewels of the Madonna, Wolf-Ferrari Scene Two - Body work The Nose, Shostakovich Scene Three - The essence The Lighthouse, Maxwell Davies Scene Four - Problems Trouble in Tahiti, Bernstein Scene Five - Humour Comedy on the Bridge, Martinů Intermission - by Thomas Allen Paradise Lost, Penderecki Act Four ‘Goodies and Baddies’ Scene One - People around you The Dangerous Liaisons, Susa Scene Two - Composers From Morning to Midnight, Sawer Scene Three - Conductors Der Corregidor, Wolf Scene Four - Directors Der Schauspieldirektor, Mozart Scene Five - Designers Powder her Face, Adès Scene Six - Agents Les Pêcheurs de Perles, Bizet Scene Seven - Reviewing reviewers War and Peace, Prokofiev Act Five ‘Bowls of sushi on a conveyor belt’ Scene One - Changing paths The New Moon, Romberg Scene Two - Legacy Il ritorno d’Ulisse in patria, Monteverdi Scene Three - Family The Man Who Mistook His Wife for a Hat, Nyman Scene Four - Life beyond the job Il rè pastore, Mozart Scene Five - The future The Medium, Menotti Scene Six - Advice Le donne curiose, Wolf-Ferrari Epilogue - Hänsel und Gretel, Humperdinck
