Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Beethovens Diabelli Variations
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Beethoven's Diabelli Variations
Author: William Kinderman
Publisher: Oxford University Press, USA
ISBN: 9780198161981
Category : Music
Languages : en
Pages : 252
Book Description
This extended study of the compositional origins of Beethoven's Diabelli Variations explores the piece in the context of his other late period works and demonstrates how the composer transforms, parodies, and transcends Diabelli's waltz. Providing insight into his working method, this discussion illuminates the structure of the finished work, and the nature of Beethoven's creative process.
Publisher: Oxford University Press, USA
ISBN: 9780198161981
Category : Music
Languages : en
Pages : 252
Book Description
This extended study of the compositional origins of Beethoven's Diabelli Variations explores the piece in the context of his other late period works and demonstrates how the composer transforms, parodies, and transcends Diabelli's waltz. Providing insight into his working method, this discussion illuminates the structure of the finished work, and the nature of Beethoven's creative process.
Beethoven's Diabelli Variations
Author: William Kinderman
Publisher: Oxford University Press, USA
ISBN: 9780195342369
Category : Music
Languages : en
Pages : 248
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethoven's compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations.The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Publisher: Oxford University Press, USA
ISBN: 9780195342369
Category : Music
Languages : en
Pages : 248
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethoven's compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations.The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
33 Variations
Author: Moisés Kaufman
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822223924
Category : Parenthood
Languages : en
Pages : 116
Book Description
THE STORY: A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822223924
Category : Parenthood
Languages : en
Pages : 116
Book Description
THE STORY: A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama
Late Beethoven
Author: Maynard Solomon
Publisher: Univ of California Press
ISBN: 9780520237469
Category : Art
Languages : en
Pages : 356
Book Description
This "multitude of productive images," writes Solomon, "provides kindling for the blaze of his imagination.""--BOOK JACKET.
Publisher: Univ of California Press
ISBN: 9780520237469
Category : Art
Languages : en
Pages : 356
Book Description
This "multitude of productive images," writes Solomon, "provides kindling for the blaze of his imagination.""--BOOK JACKET.
Music as Philosophy
Author: Michael Spitzer
Publisher: Indiana University Press
ISBN: 0253060885
Category : Music
Languages : en
Pages : 437
Book Description
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.
Publisher: Indiana University Press
ISBN: 0253060885
Category : Music
Languages : en
Pages : 437
Book Description
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.
Beethoven
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445
Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445
Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
The String Quartets of Beethoven
Author: William Kinderman
Publisher: University of Illinois Press
ISBN: 0252091620
Category : Music
Languages : en
Pages : 361
Book Description
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Publisher: University of Illinois Press
ISBN: 0252091620
Category : Music
Languages : en
Pages : 361
Book Description
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Beethoven's Piano Music
Author: Victor Lederer
Publisher: Limelight Editions
ISBN: 9781574671940
Category : Music
Languages : en
Pages : 165
Book Description
(Unlocking the Masters). Beethoven's works for solo piano the sonatas, variations, and bagatelles and the five concertos for piano and orchestra stand at the heart of the repertory. Beethoven's Piano Music: A Listener's Guide , by Victor Lederer, will help the motivated reader understand this popular but often knotty music. The bulk of the text consists of a movement-by-movement analysis of the 32 sonatas, fascinating for their individuality and for the way they trace the master's development. In addition to the sonatas, Lederer also takes the reader through the most significant of the variations. The greatest is the Diabelli , Beethoven's monumental takeoff on a trivial theme, but three more sets, the 32 Variations in C minor , the Variations on an Original Theme , Op. 34, and the "Eroica" Variations , Op. 35, are also of the highest quality. And the Bagatelles, Opp. 33, 119, and 126, are short but strong studies that display different aspects of Beethoven's musical personality. Finally, Lederer discusses the five piano concertos in detail, showing the influence of the sublime models of Mozart in the first three concertos, with Beethoven boldly finding his own voice with the beloved Fourth and Fifth Concertos. The book comes with a Naxos CD containing performances by pianist Jeno Jando that illustrate the text.
Publisher: Limelight Editions
ISBN: 9781574671940
Category : Music
Languages : en
Pages : 165
Book Description
(Unlocking the Masters). Beethoven's works for solo piano the sonatas, variations, and bagatelles and the five concertos for piano and orchestra stand at the heart of the repertory. Beethoven's Piano Music: A Listener's Guide , by Victor Lederer, will help the motivated reader understand this popular but often knotty music. The bulk of the text consists of a movement-by-movement analysis of the 32 sonatas, fascinating for their individuality and for the way they trace the master's development. In addition to the sonatas, Lederer also takes the reader through the most significant of the variations. The greatest is the Diabelli , Beethoven's monumental takeoff on a trivial theme, but three more sets, the 32 Variations in C minor , the Variations on an Original Theme , Op. 34, and the "Eroica" Variations , Op. 35, are also of the highest quality. And the Bagatelles, Opp. 33, 119, and 126, are short but strong studies that display different aspects of Beethoven's musical personality. Finally, Lederer discusses the five piano concertos in detail, showing the influence of the sublime models of Mozart in the first three concertos, with Beethoven boldly finding his own voice with the beloved Fourth and Fifth Concertos. The book comes with a Naxos CD containing performances by pianist Jeno Jando that illustrate the text.
Variations, Volume I
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457472398
Category : Music
Languages : en
Pages : 104
Book Description
Titles: * 6 Variations, Opus 34 * 15 Variations with Fugue, Opus 35 * 6 Variations, Opus 76 * 33 Variations (Diabelli Variations), Opus 120 * 12 Variations on the Russian Dance from the ballet "Das Waldmädchen" * 24 Variations on "Vieni amore" by Righini * 32 Variations in C Major
Publisher: Alfred Music
ISBN: 9781457472398
Category : Music
Languages : en
Pages : 104
Book Description
Titles: * 6 Variations, Opus 34 * 15 Variations with Fugue, Opus 35 * 6 Variations, Opus 76 * 33 Variations (Diabelli Variations), Opus 120 * 12 Variations on the Russian Dance from the ballet "Das Waldmädchen" * 24 Variations on "Vieni amore" by Righini * 32 Variations in C Major