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Author: Ludwig Van Beethoven
Publisher: Performer's Edition
ISBN: 1450518656
Category : Music
Languages : en
Pages : 58
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Book Description
Originally written as the finale of Beethoven's 13th Quartet (Op. 130), the Grosse Fuge was later published as a separate work following the poor reception of that quartet by the public. In its current form, the Grosse Fuge (Op. 134), has become much loved among Beethoven afficianados and is seen as one of his most "contemporary" works.
Author: Ludwig Van Beethoven
Publisher: Performer's Edition
ISBN: 1450518656
Category : Music
Languages : en
Pages : 58
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Book Description
Originally written as the finale of Beethoven's 13th Quartet (Op. 130), the Grosse Fuge was later published as a separate work following the poor reception of that quartet by the public. In its current form, the Grosse Fuge (Op. 134), has become much loved among Beethoven afficianados and is seen as one of his most "contemporary" works.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Robert S. Kahn
Publisher: Rowman & Littlefield
ISBN: 0810874180
Category : Beethoven, Ludwig van, 1770-1827
Languages : en
Pages : 180
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Book Description
This book looks closely at both Beethoven and the Grosse Fuge, placing both in their historical and social contexts. It considers interesting questions about whether absolute music--music without words--can have meaning and speculates that some works of Western music can evoke synesthesia in listeners--a sense of motion through three-dimensional volumes of space. The author also speculates that Beethoven's long creative dry spell in his late 40s was caused by an extended bout with clinical depression.
Author: William Kinderman
Publisher: University of Illinois Press
ISBN: 0252091620
Category : Music
Languages : en
Pages : 361
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Book Description
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Author: Glenn Stanley
Publisher: Cambridge University Press
ISBN: 1107494044
Category : Music
Languages : en
Pages : 268
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Book Description
This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
Author: Joseph de Marliave
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 412
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Book Description
Author: Jonah Winter
Publisher: Schwartz & Wade
ISBN: 0307554007
Category : Juvenile Fiction
Languages : en
Pages : 74
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Book Description
How hard is it to move 5 legless pianos 39 times? Beethoven owned five legless pianos and composed great works on the floor. His first apartment was in the center of Vienna's theater district... but he forgot to pay rent, so he had to move. (And it's very hard to move a piano. Even harder to move five). Beethoven's next apartment was in a dangerous part of town... so he moved, and the pianos followed on a series of pulleys. Then came an apartment with a view of the Danube (but he made too much noise and the neighbors complained), followed by an attic apartment (where he made even MORE of a rukus), and so Beethoven moved again and again. Each time, pianos were bought, left behind, transported on pulleys, slides, and by movers, all so that gifted Beethoven could compose great works of music for the world.
Author: Robert Winter
Publisher: Univ of California Press
ISBN: 9780520082113
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
"Reading The Beethoven Quartet Companion made me want to listen to the quartets again from a new sociological as well as musical perspective. It is an invaluable guide not only for professional and amateur musicians but also for anyone who is curious about culture and wants to find out more."--Yo-Yo Ma "These essays are the most readable, useful, and well-informed commentary available today on these masterworks. Michael Steinberg's 'program notes' to each quartet, directed at once to the musical beginner and to the expert, are as eloquent and persuasive as popular writing about music can get. . . . His essays are followed by equally expert and accessible contributions by other masters on The Master, providing literate music lovers with the context and equipment for a richer enjoyment and clearer understanding of these sixteen unique conversations among two violins, a viola, and a cello."--David Littlejohn, author of The Ultimate Art: Essays Around and About Opera "A fine collection of essays to assist the music lover in the seemingly endless quest to illuminate the Beethoven string quartets."--Arnold Steinhardt, The Guarneri String Quartet "This book delivers on the implied promise of its title--it provides a lively, readable, and wide-ranging introduction to the quartets. Readers at many levels of experience will find it profitable."--Lewis Lockwood, author of Beethoven: Studies in the Creative Process
Author: Joseph Kerman
Publisher: W. W. Norton & Company
ISBN: 9780393009095
Category : Music
Languages : en
Pages : 412
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Book Description
A critical study of the structure, style, and significance of the sixteen string quartets.
Author: Wayne M. Senner
Publisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296
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Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ΓΈ The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
