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Author: Mary Bryden
Publisher: Palgrave MacMillan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This book is an encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
Author: Mary Bryden
Publisher: Palgrave MacMillan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This book is an encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
Author: M. Bryden
Publisher: Springer
ISBN: 0230239471
Category : Philosophy
Languages : en
Pages : 257
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Book Description
An encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
Author: S.E. Wilmer
Publisher: Springer
ISBN: 1137481145
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
Deleuze and Beckett is a collection of essays on specific aspects of the Deleuze and Beckett interface. Some of the world's leading Beckett and Deleuze specialists apply different concepts of Deleuzian philosophy to a wide range of Beckett's oeuvre, including his novels, short stories, and stage, film and television work.
Author: Daniel Koczy
Publisher: Springer
ISBN: 3319956183
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Author: S.E. Gontarski
Publisher: Edinburgh University Press
ISBN: 1474468551
Category : LITERARY CRITICISM
Languages : en
Pages : 256
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Book Description
The Reader makes readily available for the first time 17 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present.
Author: Mark Nixon
Publisher: Bloomsbury Publishing
ISBN: 1441160027
Category : Literary Criticism
Languages : en
Pages : 669
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Book Description
Over the last decade, Samuel Beckett's popularity has rocketed around the world and he is increasingly recognised as one of the most important and influential writers of the twentieth century but there has been very little scholarly work on Beckett's reception outside Europe. This comprehensive volume brings together essays from leading critics on Beckett's international critical reception. Due to Beckett's linguistic and artistic abilities, he was intimately involved in the translation and production of his writings in German, French, English and Spanish; and consequently countries using these languages have sophisticated critical traditions. However, many other countries have adopted Beckett as their own, from places where he lived for lengthy periods of his life (England, France, Ireland and Germany), to those finding directly applicable political messages in his work (such as ex-Soviet states including the Czech Republic and Romania), and those countries whose national literary traditions bear heavily upon his work (e.g. Norway and Italy). This fascinating volume reveals Beckett's evolving critical reception from contemporary reviews to the present.
Author: Sara Jane Bailes
Publisher: Routledge
ISBN: 1317175905
Category : Music
Languages : en
Pages : 302
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Book Description
Discussion concerning the ’musicality’ of Samuel Beckett’s writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett’s engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett’s work. In Beckett’s drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be ’scored’. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is ’musical’? The essays included in this book explore a number of ways in which Beckett’s writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Beckett’s work.
Author: Miguel de Beistegui
Publisher: Routledge
ISBN: 0415584310
Category : Literary Criticism
Languages : en
Pages : 136
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Book Description
Marcel Proust's In Search of Lost Time has long fascinated philosophers for its complex accounts of time, personal identity and narrative, amongst many other themes. Proust as Philosopher is the first book to properly explore Proust from a philosophical angle and argues that the key to understanding Proust is the concept of experience.
Author: Tim Lawrence
Publisher: Springer
ISBN: 3319753991
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
This book considers how Samuel Beckett’s critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recalls and develops figures and themes in his critical writing. By providing a long-overdue assessment of Beckett’s work as a critic, this study shows how Beckett developed a new aesthetic in knowing dialogue with ideas including phenomenology, Kandinsky’s theories of abstraction, and avant-garde movements such as Surrealism. This book will be illuminating for students and researchers interested not just in Beckett, but in literary modernism, the avant-garde, European visual culture and philosophy.
Author: Catherine Laws
Publisher: Rodopi
ISBN: 9401210276
Category : Literary Criticism
Languages : en
Pages : 500
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Book Description
Samuel Beckett produced some of the most powerful writing – some of the funniest but most devastating – of the twentieth century. He described his plays, prose and poetry as ‘an unnecessary stain on the silence’, but the extraordinary combination of concision and richness in his writing stems from his peculiar sensitivity to the sounds and rhythms of words. Moreover, music forms a part of Beckett’s comic aesthetics of failure: it plays a role in his exploration of the possibilities and failures of the imagination, and the ever-failing attempt to forge a sense of self. No wonder, then, that so many composers have taken inspiration from Beckett, setting his words to music or translating into music the dramatic themes or contexts of his work. Headaches Among the Overtones considers both music in Beckett and Beckett’s significance in contemporary music. In doing so, it explores the relationship between words, music and meaning, examining how comparable philosophical concerns and artistic effects appear in literature and music of the twentieth and twenty-first centuries.
