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Author: Jennie Ford
Publisher: CreateSpace
ISBN: 9781497464742
Category : Performing Arts
Languages : en
Pages : 162
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Book Description
There are thousands of performing arts schools grooming students for Broadway. Broadway is revered as the pinnacle of every performer's career. It's the “Olympics” of our sport that we have trained and worked so hard for. Would you be confident if you received a Broadway contract that said you were going to be a swing, a dance captain or an understudy? Hopefully you would reply, “yes”...after all, you have a college degree in the arts right? Half of the Broadway swings this season made their Broadway debut! These are fundamental jobs in every Broadway musical, so why aren't graduates prepared to do these jobs? The problem is that there is “book knowledge” from school and “learned knowledge” from being on the job. This book series is here to bridge the gap between the two. Students are taught how to pick songs for the roles they are right for, how to perform them, how to study scripts, how to audition and how to show the best of themselves. They study the history of theatre and graduate with confidence that they can nail that audition and land a job. What happens when a talented performer actually books a job? What skill-set do they have to prepare them for the responsibilities that come along with performing under a union contract? It's a rude awakening for some performers to find out that about 85% of Broadway performers are not principal performers. Even those principals are not always principals! The career choices are endless on Broadway and the idea is to prepare yourself for all opportunities. “Be the best on Broadway” is a how-to-series that will demystify and teach those who really want a career on Broadway, no matter how much schooling you may (or may not) have. Each book is written by a Broadway professional with first-hand experience and is regarded as an expert. Each writer is respected by their peers for the work they contribute on a daily basis on Broadway. The series breaks down the different job particulars in depth and provides tangible Broadway show examples. The goal is to combine valuable insight and resources into one book series to strengthen the chance of success for those who have the Broadway dream! “Be The Best on Broadway” series is intended to be the newest “gold standard” of this industry. It will become one of those “must have” book series similar to “Audition” by Michael Shurtleff, “Meisner on Acting” by Sanford Meisner”, and “Respect for Acting” by Uta Hagen. This particular book will prove to be invaluable to swings as well as any performer who wants to learn through this special “lens” ...the eye of a swing! This book looks at Broadway through the unique perspective of a swing. It will help you understand the chorus better and you will gain an appreciation for the old Broadway adage “the show must go on”. Swings are the very reason that the show can go on and you will soon see why. It is a job function on Broadway that is not widely written about or taught in schools. Until now, it's been every actor fending for themselves when offered a swing contract. I have been there! It took me many years of being a Broadway swing to figure out what works and what doesn't. I wish I had someone or some book to give me guidance at the beginning of my career. Think of this book as a “book of secrets” to give you the chance to be an outstanding swing. There is nothing more rewarding than being recognized by your peers for doing your job well. There is a high percentage of performers on Broadway that, at one time or another, have been asked to be a swing. The tips in this book will make you stand out as a swing. It also deals with relationship skills needed for a career on Broadway. “Talent” doesn't give you opportunities, relationships do! The goal is not to just do it well, but to become “the best” at it! The ultimate goal is to have it be the only book you will ever need to be the best swing on Broadway.
Author: Jennie Ford
Publisher: CreateSpace
ISBN: 9781497464742
Category : Performing Arts
Languages : en
Pages : 162
Get Book Here
Book Description
There are thousands of performing arts schools grooming students for Broadway. Broadway is revered as the pinnacle of every performer's career. It's the “Olympics” of our sport that we have trained and worked so hard for. Would you be confident if you received a Broadway contract that said you were going to be a swing, a dance captain or an understudy? Hopefully you would reply, “yes”...after all, you have a college degree in the arts right? Half of the Broadway swings this season made their Broadway debut! These are fundamental jobs in every Broadway musical, so why aren't graduates prepared to do these jobs? The problem is that there is “book knowledge” from school and “learned knowledge” from being on the job. This book series is here to bridge the gap between the two. Students are taught how to pick songs for the roles they are right for, how to perform them, how to study scripts, how to audition and how to show the best of themselves. They study the history of theatre and graduate with confidence that they can nail that audition and land a job. What happens when a talented performer actually books a job? What skill-set do they have to prepare them for the responsibilities that come along with performing under a union contract? It's a rude awakening for some performers to find out that about 85% of Broadway performers are not principal performers. Even those principals are not always principals! The career choices are endless on Broadway and the idea is to prepare yourself for all opportunities. “Be the best on Broadway” is a how-to-series that will demystify and teach those who really want a career on Broadway, no matter how much schooling you may (or may not) have. Each book is written by a Broadway professional with first-hand experience and is regarded as an expert. Each writer is respected by their peers for the work they contribute on a daily basis on Broadway. The series breaks down the different job particulars in depth and provides tangible Broadway show examples. The goal is to combine valuable insight and resources into one book series to strengthen the chance of success for those who have the Broadway dream! “Be The Best on Broadway” series is intended to be the newest “gold standard” of this industry. It will become one of those “must have” book series similar to “Audition” by Michael Shurtleff, “Meisner on Acting” by Sanford Meisner”, and “Respect for Acting” by Uta Hagen. This particular book will prove to be invaluable to swings as well as any performer who wants to learn through this special “lens” ...the eye of a swing! This book looks at Broadway through the unique perspective of a swing. It will help you understand the chorus better and you will gain an appreciation for the old Broadway adage “the show must go on”. Swings are the very reason that the show can go on and you will soon see why. It is a job function on Broadway that is not widely written about or taught in schools. Until now, it's been every actor fending for themselves when offered a swing contract. I have been there! It took me many years of being a Broadway swing to figure out what works and what doesn't. I wish I had someone or some book to give me guidance at the beginning of my career. Think of this book as a “book of secrets” to give you the chance to be an outstanding swing. There is nothing more rewarding than being recognized by your peers for doing your job well. There is a high percentage of performers on Broadway that, at one time or another, have been asked to be a swing. The tips in this book will make you stand out as a swing. It also deals with relationship skills needed for a career on Broadway. “Talent” doesn't give you opportunities, relationships do! The goal is not to just do it well, but to become “the best” at it! The ultimate goal is to have it be the only book you will ever need to be the best swing on Broadway.
Author: J. Austin Eyer
Publisher: Bloomsbury Publishing
ISBN: 1472590023
Category : Drama
Languages : en
Pages : 225
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Book Description
In this textbook for performers, the position of a Swing-an Understudy for the Ensemble-on Broadway is examined from every angle, showing just how vital Swings are to the success of any musical theatre production. Authors J. Austin Eyer and Lyndy Franklin Smith draw on their own experiences as performers, and gather first-hand stories from other Swings about the glories and hardships of their industry. The book features interviews with over 100 Broadway pros-Swing veterans, Stage Managers, Casting Directors, Choreographers, and Directors-including Rob Ashford, Susan Stroman, Jerry Mitchell, Larry Fuller, Tony Stevens, Beverley Randolph, and Frank DiLella. Broadway Swings is the ideal guide for anyone considering a career in this most unique of positions, or anyone curious about what really goes on, behind-the- scenes, in a long-running show.
Author: Jennie Ford
Publisher: Createspace Independent Publishing Platform
ISBN: 9781534858947
Category :
Languages : en
Pages : 204
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Book Description
There are thousands of performing arts schools grooming students for Broadway. Broadway is revered as the pinnacle of every performer's career. It's the "Olympics" of our sport that we have trained and worked so hard for. Would you be confident if you received a Broadway contract that said you were going to be a swing, a dance captain or an understudy? Hopefully you would reply, "yes"...after all, you have a college degree in the arts right? These are fundamental jobs in every Broadway musical, so why aren't graduates prepared to do these jobs? The problem is that there is "book knowledge" from school and "learned knowledge" from being on the job. This book series is here to bridge the gap between the two. Students are taught how to pick songs for the roles they are right for, how to perform them, how to study scripts, how to audition and how to show the best of themselves. They study the history of theatre and graduate with confidence that they can nail that audition and land a job. What happens when a talented performer actually books a job? What skill-set do they have to prepare them for the responsibilities that come along with performing under a union contract? It's a rude awakening for some performers to find out that about 85% of Broadway performers are not principal performers. Even the small percentage of principals on Broadway are not always principals! Sometimes, throughout their careers, they are part of the chorus, an understudy, an alternate, a stand-by, a swing, or a dance captain. The career choices are endless on Broadway and the idea is to prepare yourself for all opportunities. "Be the best on Broadway" is a how-to-series that will demystify and teach those who really want a career on Broadway, no matter how much schooling you may (or may not) have. Each book is written by a Broadway professional with first-hand experience and is regarded as an expert. Each writer is respected by their peers for the work they contribute on a daily basis on Broadway. The series breaks down the different job particulars in depth and provides tangible Broadway show examples. The goal is to combine valuable insight and resources into one book series to strengthen the chance of success for those who have the Broadway dream! "Be The Best on Broadway" series is intended to be the newest "gold standard" of this industry. It will become one of those "must have" book series similar to "Audition" by Michael Shurtleff, "Meisner on Acting" by Sanford Meisner", and "Respect for Acting" by Uta Hagen. This particular book will prove to be invaluable to a dance captain as well as any performer who wants to learn through this special "lens" ...the eye of a dance captain! This book looks at Broadway through the unique perspective of a dance captain. It will help you understand what a dance captain does and why they are the backbones of any Broadway musical. It is a job function on Broadway that is not widely written about or taught in schools. Until now, it's been every actor fending for themselves when offered a dance captain contract. I have been there! It took me many years of being a Broadway dance captain to figure out what works and what doesn't. I wish I had someone or some book to give me guidance at the beginning of my career. Think of this book as a "book of secrets" to give you the chance to be an outstanding dance captain. There is nothing more rewarding than being recognized by your peers for doing your job well. The tips in this book will make you stand out as a dance captain. It also deals with relationship skills needed for a career on Broadway. "Talent" doesn't give you opportunities, relationships do! The goal is not to just do it well, but to become "the best" at it! The ultimate goal is to have it be the only book you will ever need to be the best dance captain on Broadway.
Author: Rupert Holmes
Publisher: Random House
ISBN: 0307431894
Category : Fiction
Languages : en
Pages : 386
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Book Description
Two-time Edgar Award winner Rupert Holmes–author of the critically acclaimed Where the Truth Lies and creator of the Tony Award—winning musical whodunit The Mystery of Edwin Drood–now fuses gripping suspense and evocative music in an innovative novel of intrigue set in 1940, during the very heart of the Big Band era. Jazz saxophonist and arranger Ray Sherwood, touring with the Jack Donovan Orchestra, is haunted by personal tragedy. But when a beautiful and talented Berkeley student named Gail Prentice seeks his help in orchestrating a highly original composition called Swing Around the Sun, which is slated to premiere at the Golden Gate Exposition on the newly created Treasure Island in San Francisco Bay, Ray finds himself powerfully drawn to the beguiling coed. Within moments of first setting eyes on her, Ray also witnesses a horrifying sight: a young woman plunging to her death from the island’s emblematic Tower of the Sun. As the captivated Ray learns more about Gail and her unusual family, he finds himself trapped in a tightening coil of spiraling secrets– some personally devastating, all dangerous and deadly– in which from moment to moment nothing is certain, including Gail’s intentions toward him and her connection to the dead woman who made such a grisly impact upon the stunning island. As events speed toward a shocking climax, Ray must use all his physical daring and improvisational skills to unlock an ominous puzzle whose sinister implications stretch far beyond anything he could imagine.
Author: Richard Oberacker
Publisher: Concord Theatricals
ISBN: 0573706751
Category : Drama
Languages : en
Pages : 135
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Book Description
It’s 1945. American soldiers return home to ticker tape parades and overjoyed families; Private First Class Donny Novitski, singer and songwriter, returns with the hope of rebuilding his life with just the shirt on his back and a dream in his heart. When NBC announces a national competition to find the nation’s next swing band sensation, Donny joins forces with a motley group of fellow veterans, and together they form a band unlike any the nation has ever seen. However, complicated relationships, the demands of the competition, and the challenging after-effects of war may break these musicians. But, when Donny meets a beautiful, young singer named Julia, he finds the perfect harmony in words and music that could take this band of brothers all the way to the live radio broadcast finale in New York City. Victory will require every ounce of talent, stamina, and raw nerve that these musicians possess.
Author: Jaye J. Elster
Publisher: Taylor & Francis
ISBN: 1000913430
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
How to Swing in Musical Theatre shines a light on the most universal techniques used by cast members who, in response to absence, can perform multiple roles across an ensemble. This entertaining guide can be used not only to build a step-by-step understanding of what swinging is and how it can be approached, but also as a constant point of reference throughout a career in musical theatre. Providing a suite of practical, technical advice on everything from quick and easy notation to compiling one’s own personal swing ‘bible’, everything that an aspiring or experienced musical theatre performer will need is clearly arranged and thoughtfully explained. This book also teaches the SAFE Strategy, which is recognised as the most functional swing method and introduces the SAFE Principles of Swinging: Safety, Awareness, Function and Evolution. The principles are an original construct, devised to ward off stress and invite positive experience through reasoned behaviours. Musical theatre performers at every level of the profession will find this an invaluable guide that elevates their craft no matter what their previous training, experience or success in the industry.
Author: Michael Riedel
Publisher: Avid Reader Press / Simon & Schuster
ISBN: 1501166638
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers—shows that changed the history of the American theater. The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent. American musical comedy made its grand return, culminating in The Producers, while plays, always an endangered species on Broadway, staged a powerful comeback with Tony Kushner’s Angels in America. A different breed of producers rose up to challenge the grip theater owners had long held on Broadway, and corporations began to see how much money could be made from live theater. And just as Broadway had clawed its way back into the mainstream of American popular culture, the September 11 attacks struck fear into the heart of Americans who thought Times Square might be the next target. But Broadway was back in business just two days later, buoyed by talented theater people intent on bringing New Yorkers together and supporting the economics of an injured city. Michael Riedel presents the drama behind every mega-hit or shocking flop, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on.
Author: Hal Leonard Corporation
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781617741654
Category : Musicals
Languages : en
Pages : 48
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Book Description
(Music Express Books). Do you hear that beat? It's the sound of people entering the theater on the most famous street in the world. It's the sound of dancing feet and orchestras tuning up. It's the sound dreams are made of. It's the sound of Broadway! Celebrate musical theatre with hits from Hairspray , The Music Man , The King and I , Wicked , Rent and Grease , and a medley of favorites from George M. Cohan! This unique musical collection for upper elementary and middle school students features seven kid-friendly arrangements for unison voices, piano accompaniments, and fun facts about Broadway by John Jacobson. Extend learning further with a Broadway timeline, board game, and recorded history with music excerpts spanning over a century of song and dance. It's the beat of Broadway and nobody can stop it! Available separately: Teacher Edition, Singer Edition 20-Pak (full color), Performance/Accompaniment CD, Classroom Kit (teacher, Singer 20-Pak, P/A CD). Duration: ca. 25 minutes. Suggested for grades 4-8.
Author: Charlotte Greenspan
Publisher: Oxford University Press
ISBN: 0199779791
Category : Music
Languages : en
Pages : 338
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Book Description
In a career that spanned nearly five decades, Dorothy Fields penned the words to more than four hundred songs, among them mega-hits such as "On the Sunny Side of the Street," "I Can't Give You Anything But Love," "The Way You Look Tonight," and "If My Friends Could See Me Now." While Fields's name may be known mainly to connoisseurs, her contributions to our popular culture--indeed, our national consciousness--have been remarkable. In Pick Yourself Up, Charlotte Greenspan offers the most complete, serious treatment of Fields's life and work to date, tracing her rise to prominence in a male-dominated world.
Author:
Publisher: Hal Leonard Corporation
ISBN: 1480383864
Category : Music
Languages : en
Pages : 274
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Book Description
(Vocal Selections). "This show has guts!" proclaimed Richard Zoglin of Time magazine about this 2012 revival, which won the Off-Broadway Alliance Award for Best Musical Revival. It features music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D. Cohen (based on the novel by Stephen King). Our folio features vocal selections for 18 songs from that revival, including: Alma Mater * And Eve Was Weak * Carrie * Carrie (Reprise) * Do Me a Favor * Dreamer in Disguise * Epilogue * Evening Prayers * I Remember How Those Boys Could Dance * In * A Night We'll Never Forget * Once You See * Open Your Heart * Unsuspecting Hearts * When There's No One * Why Not Me? * The World According to Chris * You Shine.
