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Author: Eugene W. Holland
Publisher: Cambridge University Press
ISBN: 9780521419802
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This is the first book to apply the principles of schizoanalysis to literary history and cultural studies. By resituating psychoanalysis in its socio-economic and cultural context, this framework provides a new and illuminating approach to Baudelaire's poetry and art criticism. Professor Holland demonstrates the impact of military authoritarianism and the capitalist market (as well as Baudelaire's much-discussed family circumstances) on the psychology and poetics of the writer, who abandoned his romantic idealism in favor of a modernist cynicism that has characterized modern culture ever since.
Author: Eugene W. Holland
Publisher: Cambridge University Press
ISBN: 0521419808
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
This study of Baudelaire's writings applies the principles of socioanalysis to literary history and cultural studies.
Author: Ian Buchanan
Publisher: Bloomsbury Publishing
ISBN: 147252635X
Category : Philosophy
Languages : en
Pages : 225
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Book Description
In 1972, the French theorists Deleuze and Guattari unleashed their collaborative project-which they termed schizoanalysis-upon the world. Today, few disciplines in the humanities and social sciences have been left untouched by its influence. Through a series of groundbreaking applications of Deleuze and Guattari's work to a diverse range of literary contexts, from Shakespeare to science fiction, this collection demonstrates how schizoanalysis has transformed and is transforming literary scholarship. Intended for upper-level undergraduates, postgraduates and scholars with an interest in continental philosophy, literary theory and critical and cultural theory, Deleuze and the Schizoanalysis of Literature is a cutting edge volume, featuring some of the most original voices in the field, setting the agenda for future research.
Author: MariaC. Scott
Publisher: Routledge
ISBN: 1351574353
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.
Author: Sonya Stephens
Publisher: OUP Oxford
ISBN: 9780198158776
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
The aim of this book is to offer a new reading of Baudelaire's Petits Poemes en prose which demonstrates the significance of ironic otherness for the theory and functioning of the work and for the genre of the prose poem itself. The book considers Baudelaire's choice of this genre and the wayin which he seeks to define it, both paratextually and textually. It examines the ways in which the prose poem depends on dualities and deboublements as forms of lyrical and narrative difference which, in their turn, reveal ideological otherness and declare the oppositionality of the prose poem.Finally, the book demonstrates a relationship between these forms of otherness and Baudelaire's theory of the popular comic arts and, in doing so, proposes that the prose poems should be read as literary caricature.
Author: Leo Bersani
Publisher: University of California Press
ISBN: 0520368762
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Author: Eugene W. Holland
Publisher: Routledge
ISBN: 1134829469
Category : Psychology
Languages : en
Pages : 178
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Book Description
Eugene W. Holland provides an excellent introduction to Gilles Deleuze and Felix Guattari's Anti-Oedipus which is widely recognized as one of the most influential texts in philosophy to have appeared in the last thirty years. He lucidly presents the theoretical concerns behind Anti-Oedipus and explores with clarity the diverse influences of Marx, Freud, Nietzsche and Kant on the development of Deleuze & Guattari's thinking. He also examines the wider implications of their work in revitalizing Marxism, environmentalism, feminism and cultural studies.
Author: Michael R. Finn
Publisher: Cambridge University Press
ISBN: 0521641896
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This 1999 study examines Proust's involvement with fin-de-siècle 'hysteria', and its impact on the writing of his great novel.
Author: René Laforgue
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 198
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Book Description
Author: Sotirios Paraschas
Publisher: Routledge
ISBN: 1351191853
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
"The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as 'copies' of reality. He was a celebrity who found himself subservient to publishers and the public, in a newly-industrialised literary marketplace. He was the owner of his work who was divested of his property by imperfect copyright laws, playwrights who adapted his novels for the stage, and sequel-writers. This combination of a conspicuous yet precarious status with a self-effacing attitude was expressed by an image of the author as a plural, Protean subject, possessing the faculty of sympathetic imagination - which the realists incorporated in their works in the form of a series of fictional characters who functioned as 'doubles' of the author. Paraschas focuses on two realists, Honorede Balzac and George Eliot, and traces this authorial scenario from its origins in the late eighteenth century to its demise in the early twentieth century, examining its presence in the works of E.T.A. Hoffmann, Friedrich Schlegel, Charles Baudelaire and Andre Gide."
Author: Ross Chambers
Publisher: U of Nebraska Press
ISBN: 9780803214675
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
The fabric of the western literary tradition is not always predictable. In one wayward strand, waywardness itself is at work, delay becomes almost predictable, triviality is auspicious, and failure is cheerfully admired. This is loiterature. Loiterature is the first book to identify this strand, to follow its path through major works and genres, and to evaluate its literary significance. ø By offering subtle resistance to the laws of "good social order," loiterly literature blurs the distinctions between innocent pleasure and harmless relaxation on the one hand, and not-so-innocent intent on the other. The result is covert social criticism that casts doubt on the values good citizens hold dear?values like discipline, organization, productivity, and, above all, work. It levels this criticism, however, under the guise of innocent wit or harmless entertainment. Loiterature distracts attention the way a street conjurer diverts us with his sleight of hand.øøø If the pleasurable has critical potential, may not one of the functions of the critical be to produce pleasure? The ability to digress, Ross Chambers suggests, is at the heart of both, and loiterature?s digressive waywardness offers something to ponder for critics of culture as well as lovers of literature.
