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Author: Don Bruns
Publisher: Oceanview Publishing
ISBN: 1933515376
Category : Fiction
Languages : en
Pages : 267
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Book Description
USA Today best-selling author Rock and roll journalist Mick Sever is back with a new assignment: interview music legend Danny Murtz. Murtz's walls are lined with platinum records, but his closet is full of skeletons. Known for producing an unbelievable string of hits, Murtz is also tied to a string of disappearances. Seems a number of Murtz's romantic conquests have vanished into thin air. After his latest incident, Murtz conveniently retreats to his secluded St. Bart villa.Before Mick can hop a plane to the island, he's nearly run down by a speeding car. Coincidence? Maybe, but hitmaker Danny Murtz and near misses go hand in hand.After receiving anonymous threats, Murtz is convinced: someone wants to bring him down. Even his longtime secretary Nancy, and attorney/manager/cleaner-upper Harvey Schwartz are suspect. And that meddlesome Mick Sever is digging too deep. If Danny Murtz has his way, Mick will only need a one-way ticket to paradise. Because if Mick isn't careful, his next column will be an obituary—his obituary. Sun, sand and a psychopath: it's a deadly mix.
Author: Don Bruns
Publisher: Oceanview Publishing
ISBN: 1933515376
Category : Fiction
Languages : en
Pages : 267
Get Book Here
Book Description
USA Today best-selling author Rock and roll journalist Mick Sever is back with a new assignment: interview music legend Danny Murtz. Murtz's walls are lined with platinum records, but his closet is full of skeletons. Known for producing an unbelievable string of hits, Murtz is also tied to a string of disappearances. Seems a number of Murtz's romantic conquests have vanished into thin air. After his latest incident, Murtz conveniently retreats to his secluded St. Bart villa.Before Mick can hop a plane to the island, he's nearly run down by a speeding car. Coincidence? Maybe, but hitmaker Danny Murtz and near misses go hand in hand.After receiving anonymous threats, Murtz is convinced: someone wants to bring him down. Even his longtime secretary Nancy, and attorney/manager/cleaner-upper Harvey Schwartz are suspect. And that meddlesome Mick Sever is digging too deep. If Danny Murtz has his way, Mick will only need a one-way ticket to paradise. Because if Mick isn't careful, his next column will be an obituary—his obituary. Sun, sand and a psychopath: it's a deadly mix.
Author: Edwin Osgood Grover
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 316
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Book Description
Author: Lindsay Grattan Cooper
Publisher: Troubador Publishing Ltd
ISBN: 1783061693
Category : Fiction
Languages : en
Pages : 656
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Book Description
This is a story of people you might know. Some kindly men, a few hysterical women, sons who cause exasperation... It is a story of halted dreams, of new dreams dreamed, of love and loyalty, and love and disloyalty. Our Kind of Music follows one man’s journey along a highway initially perceived to be clear of obstacles but which, inevitably, presents hurdles he could not anticipate. It is also the story of his son, whose bravado leads him along a different path to the soul-searching that this ultimately entails. Set against shifting backgrounds – some as exotic as the Seychelles and Tahiti, some as safely domestic as New England’s Vermont and old England’s Dorset, and others as vibrant as Sydney and New York, this story is rich in personality, fostering an innate knowledge of who the characters are and how they feel. Not all are liked, but some are so deeply loved that they linger in the senses, and by the end you might almost expect to bump into them, like old friends, on Main Street. This novel is set over four decades, starting in 1937 and culminating in early 1982, less driven by the events of those years than merely touched by them, just as world events are experienced by ordinary lives. But always, always, running through those years, there is music… Our Kind of Music is a book about ordinary people attempting to lead ordinary lives (not always successfully), and though it is not without doses of light trauma, readers will discover a strong sense of place all around the world, and a nostalgic theme of music running throughout.
Author: Lynne Sullivan
Publisher: Hunter Publishing, Inc
ISBN: 1588437655
Category : Travel
Languages : en
Pages : 245
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Book Description
Provides a detailed guide to every aspect of the destination: history, culture, foods, restaurants, hotels, sightseeing, things to do. This guide covers St. Martin and St. Barts.
Author:
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 1172
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Book Description
Author: Alexander Whitelaw
Publisher: BoD – Books on Demand
ISBN: 3368732978
Category : Fiction
Languages : en
Pages : 626
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Book Description
Reprint of the original, first published in 1843.
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 758
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Book Description
Author: William MACCARTY
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
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Book Description
Author: William McCarty
Publisher:
ISBN:
Category :
Languages : en
Pages : 528
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Book Description
Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 0812201124
Category : History
Languages : en
Pages : 262
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Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
