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Author: Nikolaus Harnoncourt
Publisher: Helm
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
Author: Nikolaus Harnoncourt
Publisher: Helm
ISBN:
Category : Music
Languages : en
Pages : 214
Get Book Here
Book Description
Author: Nikolaus Harnoncourt
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
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Book Description
Author: Nikalous Harnoncourt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 205
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Book Description
Author: Mary Cyr
Publisher: Routledge
ISBN: 1351554654
Category : Music
Languages : en
Pages : 255
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Book Description
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Author: Peter Walls
Publisher: Routledge
ISBN: 135157471X
Category : Music
Languages : en
Pages : 688
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Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Author: Anthony Ruff
Publisher: LiturgyTrainingPublications
ISBN: 9781595250216
Category : Music
Languages : en
Pages : 716
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Book Description
Anthony Ruff, osb has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages : 1066
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Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Author: Martha Elliott
Publisher: Yale University Press
ISBN: 9780300109320
Category : Music
Languages : en
Pages : 380
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Book Description
Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.
Author: David Milsom
Publisher: Routledge
ISBN: 1351571753
Category : History
Languages : en
Pages : 528
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Book Description
This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
Author: Bruce Haynes
Publisher:
ISBN: 9780198166467
Category : Music
Languages : en
Pages : 576
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Book Description
This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, as well as how and where it was played, and who listened to it.
