Jesuit Art and Czech Lands, 1556–1729 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Jesuit Art and Czech Lands, 1556–1729 PDF full book. Access full book title Jesuit Art and Czech Lands, 1556–1729 by Katerina Hornícková. Download full books in PDF and EPUB format.
Author: Katerina Hornícková
Publisher: Rowman & Littlefield
ISBN: 1666905879
Category : History
Languages : en
Pages : 429
Get Book Here
Book Description
This collection examines how the Society of Jesus used art and architecture in its missionary efforts in the Lands of the Bohemian Crown from the sixteenth century to the eighteenth. The Jesuits used a variety of visual media to re-invigorate the cult of miraculous images, saints, and local Catholic customs in the Central European region, where a tradition of religious dissent went back to the legendary Hussites of the 15th century. Jesuit art is seen as resulting from the transfer, local adaptation, and visualization of ideas about image theology, the order's global mission, its self-promotion, and the construction of the religious past. Examining the architecture, statues, images, murals, and decorative programs of Jesuit complexes and other visual media (devotional prints, medieval images), the essays here demonstrate how the Jesuit Order cultivated the subjects and functions of art to promote concepts of Catholic piety as they grew into one of the most successful agents of Catholic Reform in the Bohemian kingdom.
Author: Katerina Hornícková
Publisher: Rowman & Littlefield
ISBN: 1666905879
Category : History
Languages : en
Pages : 429
Get Book Here
Book Description
This collection examines how the Society of Jesus used art and architecture in its missionary efforts in the Lands of the Bohemian Crown from the sixteenth century to the eighteenth. The Jesuits used a variety of visual media to re-invigorate the cult of miraculous images, saints, and local Catholic customs in the Central European region, where a tradition of religious dissent went back to the legendary Hussites of the 15th century. Jesuit art is seen as resulting from the transfer, local adaptation, and visualization of ideas about image theology, the order's global mission, its self-promotion, and the construction of the religious past. Examining the architecture, statues, images, murals, and decorative programs of Jesuit complexes and other visual media (devotional prints, medieval images), the essays here demonstrate how the Jesuit Order cultivated the subjects and functions of art to promote concepts of Catholic piety as they grew into one of the most successful agents of Catholic Reform in the Bohemian kingdom.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
Get Book Here
Book Description
Author: Oliver Grau
Publisher: Mit Press
ISBN: 9780262072410
Category : Art
Languages : en
Pages : 416
Get Book Here
Book Description
An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art.
Author: Thomas DaCosta Kaufmann
Publisher: Getty Publications
ISBN: 160606665X
Category : Art
Languages : en
Pages : 246
Get Book Here
Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Author: Géza Galavics
Publisher:
ISBN:
Category : Art, Baroque
Languages : un
Pages : 480
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Austria
Languages : de
Pages : 1148
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
Get Book Here
Book Description
Author: Klára Garas
Publisher:
ISBN: 9780500181263
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Wolfgang Schmale
Publisher: Franz Steiner Verlag Wiesbaden GmbH
ISBN: 9783515114578
Category : Allegories
Languages : de
Pages : 240
Get Book Here
Book Description
The iconography of the four continents dates back to 16th and early 17th centuries, at a time when Europe's vision of the world was changed dramatically by discovery and conquest of the New World. Its peak of dissemination was reached in the 18th century. The late Baroque claims a special role for two reasons: The first is the large number of reproductions and applications during this period, the second is the multifaceted significance these allegories enjoyed. They could be inserted into religious and liturgical settings as well as into political language or that of the history of civilization and mankind. "Language" in this sense means that the continent allegories were less the object of an art historical interpretation than being considered a formative part of religious, liturgical, political, historical and other discourses. As pictorial language they were interwoven with text, dogmas, narratives and stereotypes. Thus the authors of this volume inquire what the allegories of the four continents actually meant to people living in the Baroque age. Die Ikonografie der vier Erdteile geht auf das 16. und 17. Jahrhundert zuruck. Ihre Entstehung verdankt sich der Entdeckung Amerikas und den damit einhergehenden Veranderungen in Europas Bild von der Welt. Rasch fand die Ikonografie Verbreitung und erreichte mit der Eroberung der Dorfkirche im 18. Jahrhundert eine bis heute einzigartige Dichte in Zentraleuropa. Ihre Verwendung reichte von religiosen und liturgischen Kontexten uber die politische Bildsprache bis hin zu zivilisationsgeschichtlichen Narrationen. Die Erdteilallegorien "sprechen" als formative Teile religioser, liturgischer, politischer, historischer und anderer Diskurse. Als Bildsprache wurden sie mit Texten, Dogmen, Erzahlungen und Stereotypen verknupft. Die Beitrage dieses Bandes gehen aus unterschiedlichen historisch-kulturwissenschaftlichen Perspektiven der Frage nach, welche Bedeutung die Erdteilallegorien fur die Menschen des 18. Jahrhunderts hatten.
Author: Peter Burke
Publisher: John Wiley & Sons
ISBN: 1509503064
Category : History
Languages : en
Pages : 129
Get Book Here
Book Description
What is the history of knowledge? This engaging and accessible introduction explains what is distinctive about the new field of the history of knowledge (or, as some scholars say, ‘knowledges in the plural’) and how it differs from the history of science, intellectual history, the sociology of knowledge or from cultural history. Leading cultural historian, Peter Burke, draws upon examples of this new kind of history from different periods and from the history of India, East Asia and the Islamic world as well as from Europe and the Americas. He discusses some of the main concepts used by scholars working in the field, among them ‘order of knowledge’, ‘situated knowledge’ and ‘knowledge society’. This book tells the story of the transformation of relatively raw ‘information’ into knowledge via processes of classification, verification and so on, the dissemination of this knowledge and finally its employment for different purposes, by governments, corporations or private individuals. A concluding chapter identifies central problems in the history of knowledge, from triumphalism to relativism, together with attempts to solve them. The only book of its kind yet to be published, What is the History of Knowledge? will be essential reading for all students of history and the humanities in general, as well as the interested general reader.
