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Author: Michael Nunn
Publisher: Oberon Books
ISBN: 9781849430500
Category : Performing Arts
Languages : en
Pages : 158
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Book Description
Michael Nunn and William Trevitt, aka the Ballet Boyz, are pioneers in making modern dance accessible and entertaining through their celebrated stage and television work. They met at the Royal Ballet School and went on to become leading dancers with The Royal Ballet. In 2001 they set up their own company, Ballet Boyz, and established themselves as one of the most original and dynamic partnerships in modern dance: revolutionising programming formats; commissioning new choreography; collaborating with a wide range of cutting-edge talents and building a following through their regular television appearances on the BBC, Channel 4 and Sky Arts. To celebrate 10 years as the Ballet Boyz, Nunn and Trevitt have hand-picked images from their company and personal archives to provide a unique and intimate insight into one of dance's most prolific, enduring and exciting partnerships.
Author: Michael Nunn
Publisher: Oberon Books
ISBN: 9781849430500
Category : Performing Arts
Languages : en
Pages : 158
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Book Description
Michael Nunn and William Trevitt, aka the Ballet Boyz, are pioneers in making modern dance accessible and entertaining through their celebrated stage and television work. They met at the Royal Ballet School and went on to become leading dancers with The Royal Ballet. In 2001 they set up their own company, Ballet Boyz, and established themselves as one of the most original and dynamic partnerships in modern dance: revolutionising programming formats; commissioning new choreography; collaborating with a wide range of cutting-edge talents and building a following through their regular television appearances on the BBC, Channel 4 and Sky Arts. To celebrate 10 years as the Ballet Boyz, Nunn and Trevitt have hand-picked images from their company and personal archives to provide a unique and intimate insight into one of dance's most prolific, enduring and exciting partnerships.
Author: Debra Craine
Publisher: Oxford University Press, USA
ISBN: 0199563446
Category : Music
Languages : en
Pages : 512
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Book Description
This comprehensive and up-to-date dictionary provides all the information necessary for dance fans to navigate the diverse dance scene of the 21st century. It includes entries ranging from classical ballet to the cutting edge of modern dance.
Author: Barbara Newman
Publisher: Routledge
ISBN: 1317325516
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
A series of interviews with some of the foremost dancers in twentieth-century ballet, Never Far from Dancing reflects on the paths that their careers have taken since they retired from the stage. Barbara Newman has expertly edited each of her interviews to read as a monologue, addressing every aspect of ballet, from its styles and technical demands to its personalities, its celebrated roles and, most of all, to what happens when the dancing stops. While ballet invites all manner of writing from critics, admirers and academics, the thoughts and experiences of the dancers themselves are seldom recorded. Here, those who scaled the heights of their art hand down their wisdom and recount lives spent in this most enduring of art forms.
Author: Sarah Crompton
Publisher: Bloomsbury Publishing
ISBN: 1849435111
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
Sadler’s Wells is the world’s leading Dance House. Sadler’s Wells has developed new audiences for dance, this powerful and emotive art, for performances shown within its theatre spaces and outside – in fact around the world. What makes Sadler’s Wells different is its determination to nurture world class artists like Akram Khan, Sylvie Guillem, Wayne McGregor, Matthew Bourne, Jasmin Vardimon, the Ballet Boyz and Hofesh Shechter, using its unique vision, style and creativity to put together choreographers, dancers, lighting and stage designers, composers and other artists to make dance that is wildly exciting, new and different. Sadler’s Wells Dance House looks at the making of some of the most iconic dance works of this century and into the mix of dancers, choreographers and creators Sadler’s Wells has helped inspire. Including insightful analysis of this phenomenon by Sarah Crompton, arts editor in chief and dance critic for the Sunday Telegraph, and colour photographs of many of those works, Sadler’s Wells Dance House gives a clear view both of the creative process of the Sadler’s Wells artists and of the role this legendary theatre has played in remaking and reshaping dance for the 21st century. Selected as a 'Illustrated Book of the Week' by the Daily Mail (May 2013)
Author: Lyndsey Winship
Publisher:
ISBN: 9781848424623
Category : Dance
Languages : en
Pages : 0
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Book Description
How do I get a job as a dancer? Where and when should I train? How can I protect my body from injury? How do I become a choreographer? These and many more such questions asked by young or aspiring dancers are answered in this book - the most revealing and instructive book yet on what it means to be a dancer. Here is advice from some of the best dancers and choreographers in the world, crossing the fields of ballet, contemporary, South Asian dance, musical theatre and hip hop, and covering subjects both motivational and mundane, from tapping into your own reserves of creativity and resilience, to the important matter of when to eat your pre-show banana. The twenty-five experts in these pages have performed with the likes of the Royal Ballet, English National Ballet, Rambert, Matthew Bourne's New Adventures and BalletBoyz; they range from stars of the West End stage to TV talent-show successes and Kylie's backing dancers - as well as some of Britain's leading choreographers. They are Carlos Acosta, Matthew Bourne, Teneisha Bonner, Darcey Bussell, Lauren Cuthbertson, Maxine Doyle, Tommy Franzén, Adam Garcia, Jonathan Goddard, Matthew Golding, Melissa Hamilton, Wayne McGregor, Steven McRae, Stephen Mear, Cassa Pancho, Seeta Patel, Arlene Phillips, Arthur Pita, Kate Prince, Matthew Rees, Tamara Rojo, Kenrick 'H2O' Sandy, Hofesh Shechter, Aaron Sillis and Marlon 'Swoosh' Wallen.
Author: Sarah Crompton
Publisher: Oberon Books
ISBN: 9781849430623
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
Sadler’s Wells is the world’s leading Dance House. Sadler’s Wells has developed new audiences for dance, this powerful and emotive art, for performances shown within its theatre spaces and outside – in fact around the world. What makes Sadler’s Wells different is its determination to nurture world class artists like Akram Khan, Sylvie Guillem, Wayne McGregor, Matthew Bourne, Jasmin Vardimon, the Ballet Boyz and Hofesh Shechter, using its unique vision, style and creativity to put together choreographers, dancers, lighting and stage designers, composers and other artists to make dance that is wildly exciting, new and different. Sadler’s Wells Dance House looks at the making of some of the most iconic dance works of this century and into the mix of dancers, choreographers and creators Sadler’s Wells has helped inspire. Including insightful analysis of this phenomenon by Sarah Crompton, arts editor in chief and dance critic for the Sunday Telegraph, and colour photographs of many of those works, Sadler’s Wells Dance House gives a clear view both of the creative process of the Sadler’s Wells artists and of the role this legendary theatre has played in remaking and reshaping dance for the 21st century. Selected as a 'Illustrated Book of the Week' by the Daily Mail (May 2013)
Author: Al Smith
Publisher: Bloomsbury Publishing
ISBN: 1350028118
Category : Drama
Languages : en
Pages : 114
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Book Description
There's gossip going around that we're all like him. That we're all paper thin, that it's all been painted over, and each one of us is gonna sit down one day and not be able to stand up, like we've disappeared to ourselves. Harrogate tells the story of a father struggling to confront his obsessions head-on without destroying his family. It is a play about how we perform versions of ourselves depending on what company we keep, and how we project onto others versions of the people we want to see, rather than accepting who stands in front of us. The play is a triptych about obsession, repression and lust. It received its world premiere on the 11 September 2015 as part of the HighTide Theatre Festival and this edition has been published for its subsequent production in October 2016.
Author:
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 1190
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Book Description
Author: Colin Clews
Publisher: Troubador Publishing Ltd
ISBN: 1788036743
Category : Medical
Languages : en
Pages : 272
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Book Description
The 1980s heralded many challenges for LGBT people around the world and Colin Clews examines these in his new book. These included the rise of the New Right in the USA, Section 28 which prohibited the promotion of homosexuality; the trial of Gay’s the Word bookshop in the UK and the continuing criminalisation of homosexuality in the majority of Australian states. Underpinning all of this was the unfolding of the AIDS crisis: a time when LGBT people realised that they were no longer simply fighting for their rights but, quite literally, fighting for their lives. But it wasn’t all doom and gloom; by the end of the eighties there had been some very real progress. Major political parties had LGBT rights in their manifestos, trades unions increasingly took up the cause and regional legislators introduced anti-discrimination laws and policies. LGBT people became more prolific in film, television, music and literature and the LGBT community grew significantly. The book also examines the dynamics behind these changes; some the result of prolonged campaigns, others stemming from the growing influence of the ‘pink pound/dollar’, others still a consequence of the growing anger at government intransigence to the AIDS crisis. Gay in the 80s examines a number of the events and issues in the UK, USA and Australia, giving a comprehensive perspective of LGBT reality during this decade The book covers the broad political context of the 1980s and takes a comparative approach to events in the three countries where Colin either lived or spent large amounts of time. Colin Clews’ debut book offers a unique perspective on a pivotal era in LGBT history. It will appeal to readers that want to learn more about the LGBT experience in the 1980s. Its publication also coincides with the 50th anniversary of the 1967 Sexual Offences Act, which partially decriminalised homosexuality, and the 30th anniversary of the ‘Don’t Die of Ignorance’ AIDS awareness campaign. A number of film and television events are planned to commemorate both anniversaries and Colin will be contributing to some of them.
Author: Kathrina Farrugia-Kriel
Publisher: Oxford University Press
ISBN: 0190871490
Category : Performing Arts
Languages : en
Pages : 1013
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Book Description
"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--
