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Author: Walter Bagehot
Publisher: [New York] : New York University Press, 1966 [c1965]
ISBN: 9780814777725
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Author: Walter Bagehot
Publisher: [New York] : New York University Press, 1966 [c1965]
ISBN: 9780814777725
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Author: Walter Bagehot
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 332
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Book Description
Author: Walter Bagehot
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 608
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Book Description
Author: James Grant
Publisher: W. W. Norton & Company
ISBN: 0393609200
Category : Biography & Autobiography
Languages : en
Pages : 428
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Book Description
“Excellent… and written in a gripping style.” —The Economist During the upheavals of 2007–09, the chairman of the Federal Reserve had the name of one Victorian icon on the tip of his tongue: Walter Bagehot. Banker, man of letters, and inventor of the Treasury bill, Bagehot prescribed the doctrines that—decades later—inspired the radical responses to the world’s worst financial crises. Persuasive and precocious, he was also the esteemed editor of the Economist. He offered astute commentary on the financial issues of his day, held sway in political circles, made as many high-profile friends as enemies, and won the admiration of Matthew Arnold and Woodrow Wilson. Drawing on a wealth of historical documents, correspondence, and publications, James Grant paints a vivid portrait of the banker and his world.
Author: Walter Bagehot
Publisher:
ISBN:
Category : Capital
Languages : en
Pages : 136
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Book Description
Author: Geoffrey Wood
Publisher: Taylor & Francis
ISBN: 1136835326
Category : Business & Economics
Languages : en
Pages : 332
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Book Description
Forrest Capie is an eminent economic historian who has published extensively on a wide range of topics, with an emphasis on banking and monetary history, particularly in the nineteenth and twentieth centuries, but also in other areas such as tariffs and the interwar economy. He is a former editor of the Economic History Review, one of the leading academic journals in this discipline. Under the steely editorship of Geoffrey Wood, this book brings together a stellar line of of contributors - including Charles Goodhart, Harold James, Michael Bordo, Barry Eichengreen, Charles Calomiris, and Anna Schwartz. The book analyzes many of the mainstream themes in economic and financial history - monetary policy, international financial regulation, economic performance, exchange rate systems, international trade, banking and financial markets - where historical perspectives are considered important. The current wave of globalisation has stimulated interest in many of these areas as ‘lessons of history’ are sought. These themes also reflect the breadth of Capie’s work in terms of time periods and topics.
Author: Walter Bagehot
Publisher:
ISBN:
Category : Banks and banking
Languages : en
Pages : 380
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Book Description
Author: Walter Bagehot
Publisher:
ISBN:
Category : Constitutional history
Languages : en
Pages : 376
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Book Description
A classic study of the British constitution, paying special attention to how Parliament and the monarchy work. The author frequently draws comparisons with the American Constitution, being generally critical of the American system of government.
Author: Walter Bagehot
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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Book Description
Author: Walter Bagehot
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : History
Languages : en
Pages : 370
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Book Description
There is a great difficulty in the way of a writer who attempts to sketch a living Constitution-a Constitution that is in actual work and power. The difficulty is that the object is in constant change. An historical writer does not feel this difficulty: he deals only with the past; he can say definitely, the Constitution worked in such and such a manner in the year at which he begins, and in a manner in such and such respects different in the year at which he ends; he begins with a definite point of time and ends with one also. But a contemporary writer who tries to paint what is before him is puzzled and a perplexed: what he sees is changing daily. He must paint it as it stood at some one time, or else he will be putting side by side in his representations things which never were contemporaneous in reality.
