Author: Cameron MacKenzie
Publisher: Springer
ISBN: 3319950282
Category : Literary Criticism
Languages : en
Pages : 96
Book Description
Badiou and American Modernist Poetics explores the correspondence between Alain Badiou's thinking on art and that of the canonical modernists T.S. Eliot, Wallace Stevens, and Ezra Pound. Utilizing a multidisciplinary approach, the text engages with themes of the void, mastery, and place present in both modernist poetry and in Badiou’s philosophy. Through an examination of classic modernist texts, Cameron MacKenzie reveals that where Badiou hopes to go, the modernists have already been.
Badiou and American Modernist Poetics
Author: Cameron MacKenzie
Publisher: Springer
ISBN: 3319950282
Category : Literary Criticism
Languages : en
Pages : 96
Book Description
Badiou and American Modernist Poetics explores the correspondence between Alain Badiou's thinking on art and that of the canonical modernists T.S. Eliot, Wallace Stevens, and Ezra Pound. Utilizing a multidisciplinary approach, the text engages with themes of the void, mastery, and place present in both modernist poetry and in Badiou’s philosophy. Through an examination of classic modernist texts, Cameron MacKenzie reveals that where Badiou hopes to go, the modernists have already been.
Publisher: Springer
ISBN: 3319950282
Category : Literary Criticism
Languages : en
Pages : 96
Book Description
Badiou and American Modernist Poetics explores the correspondence between Alain Badiou's thinking on art and that of the canonical modernists T.S. Eliot, Wallace Stevens, and Ezra Pound. Utilizing a multidisciplinary approach, the text engages with themes of the void, mastery, and place present in both modernist poetry and in Badiou’s philosophy. Through an examination of classic modernist texts, Cameron MacKenzie reveals that where Badiou hopes to go, the modernists have already been.
From Modernism to Postmodernism
Author: Jennifer Ashton
Publisher: Cambridge University Press
ISBN: 1139448595
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.
Publisher: Cambridge University Press
ISBN: 1139448595
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.
The Philosophy of Poetry
Author: John Gibson
Publisher:
ISBN: 0199603677
Category : Philosophy
Languages : en
Pages : 273
Book Description
In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address the array of problems poetry raises for philosophy. In doing so it lays the foundation for a proper philosophy of poetry, setting out the various puzzles and paradoxes that future work in the field will have to address. Given its breadth of approach, the volume is relevant not only to aesthetics but to all areas of philosophy concerned with meaning, truth, and the communicative and expressive powers of language more generally. Poetry is the last unexplored frontier in contemporary analytic aesthetics, and this volume offers a powerful demonstration of how central poetry should be to philosophy.
Publisher:
ISBN: 0199603677
Category : Philosophy
Languages : en
Pages : 273
Book Description
In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address the array of problems poetry raises for philosophy. In doing so it lays the foundation for a proper philosophy of poetry, setting out the various puzzles and paradoxes that future work in the field will have to address. Given its breadth of approach, the volume is relevant not only to aesthetics but to all areas of philosophy concerned with meaning, truth, and the communicative and expressive powers of language more generally. Poetry is the last unexplored frontier in contemporary analytic aesthetics, and this volume offers a powerful demonstration of how central poetry should be to philosophy.
Wallace Stevens In Theory
Author: Thomas Gould
Publisher: Liverpool University Press
ISBN: 1837644888
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
The modernist poetry of Wallace Stevens is replete with moments of theorizing. Stevens regarded poetry as an abstract medium through which to think about and theorize not only philosophical concepts like metaphor and reality, but also a unifying thesis about the nature of poetry itself. At the same time, literary theorists and philosophers have often turned to Stevens as a canonical reference point and influence. In the centenary year of Wallace Stevens’s first collection Harmonium (1923), this collection asks what it means to theorize with Stevens today. Through a range of critical and theoretical perspectives, this book seeks to describe the myriad kinds of thinking sponsored by Stevens’s poetry and explores how contemporary literary theory might be invigorated through readings of Stevens.
Publisher: Liverpool University Press
ISBN: 1837644888
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
The modernist poetry of Wallace Stevens is replete with moments of theorizing. Stevens regarded poetry as an abstract medium through which to think about and theorize not only philosophical concepts like metaphor and reality, but also a unifying thesis about the nature of poetry itself. At the same time, literary theorists and philosophers have often turned to Stevens as a canonical reference point and influence. In the centenary year of Wallace Stevens’s first collection Harmonium (1923), this collection asks what it means to theorize with Stevens today. Through a range of critical and theoretical perspectives, this book seeks to describe the myriad kinds of thinking sponsored by Stevens’s poetry and explores how contemporary literary theory might be invigorated through readings of Stevens.
Poetry of the Possible
Author: Joel Nickels
Publisher: U of Minnesota Press
ISBN: 0816676089
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
The abstractions of modernism reimagined as figurations of collective self-organization
Publisher: U of Minnesota Press
ISBN: 0816676089
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
The abstractions of modernism reimagined as figurations of collective self-organization
The Century
Author: Alain Badiou
Publisher: John Wiley & Sons
ISBN: 1509534059
Category : Philosophy
Languages : en
Pages : 248
Book Description
Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction. It is not Badiou's wish to plead for an accused that is perfectly capable of defending itself without the authors aid. Nor does he seek to proclaim, like Frantz, the hero of Sartre's Prisoners of Altona, 'I have taken the century on my shoulders and I have said: I will answer for it!' The Century simply aims to examine what this accursed century, from within its own unfolding, said that it was. Badiou's proposal is to reopen the dossier on the century - not from the angle of those wise and sated judges we too often claim to be, but from the standpoint of the century itself.
Publisher: John Wiley & Sons
ISBN: 1509534059
Category : Philosophy
Languages : en
Pages : 248
Book Description
Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction. It is not Badiou's wish to plead for an accused that is perfectly capable of defending itself without the authors aid. Nor does he seek to proclaim, like Frantz, the hero of Sartre's Prisoners of Altona, 'I have taken the century on my shoulders and I have said: I will answer for it!' The Century simply aims to examine what this accursed century, from within its own unfolding, said that it was. Badiou's proposal is to reopen the dossier on the century - not from the angle of those wise and sated judges we too often claim to be, but from the standpoint of the century itself.
Wallace Stevens and the Poetics of Modernist Autonomy
Author: Gül Bilge Han
Publisher: Cambridge University Press
ISBN: 110860501X
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
Wallace Stevens and the Poetics of Modernist Autonomy presents a rethinking of modernist claims to autonomy by focusing on the work of Wallace Stevens, one of the most renowned poets of the twentieth century. By showing how multiple socio-political currents underlie and motivate Stevens' version of autonomy, the book challenges the commonly received accounts of the term as art and literature's escape from the world. It provides new and close readings of Stevens' work including poems from different stages of the poet's career. It re-energizes a tradition of historicist readings of Stevens from the 1980s and 1990s. The study of Stevens' work in this book is developed in constant dialogue with current studies in modernism and aesthetic theory, particularly those offered by Jacques Rancière and Alain Badiou. The book explores the question of autonomy in Stevens' exploration of the aesthetic and social domains, and the vexed issue of his poetry's relation to philosophical thinking.
Publisher: Cambridge University Press
ISBN: 110860501X
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
Wallace Stevens and the Poetics of Modernist Autonomy presents a rethinking of modernist claims to autonomy by focusing on the work of Wallace Stevens, one of the most renowned poets of the twentieth century. By showing how multiple socio-political currents underlie and motivate Stevens' version of autonomy, the book challenges the commonly received accounts of the term as art and literature's escape from the world. It provides new and close readings of Stevens' work including poems from different stages of the poet's career. It re-energizes a tradition of historicist readings of Stevens from the 1980s and 1990s. The study of Stevens' work in this book is developed in constant dialogue with current studies in modernism and aesthetic theory, particularly those offered by Jacques Rancière and Alain Badiou. The book explores the question of autonomy in Stevens' exploration of the aesthetic and social domains, and the vexed issue of his poetry's relation to philosophical thinking.
River Weather
Author: Cameron MacKenzie
Publisher:
ISBN: 9781946580290
Category :
Languages : en
Pages :
Book Description
As the D.C. city sprawl moved west along the banks of the Potomac in the late 1990s, what had once been a rural backwater was rapidly transformed into a dystopian suburbia of suspicion, greed, and naked self-interest. This collection examines the resulting blends of money, race, and class that have come to define the ongoing metamorphosis of Northern Virginia. In "Kalim Mansour," a boy trying to understand his father fixates on a mysterious Saudi car salesman. In "Rowdy," a man who was sexually assaulted by his high school football team still romanticizes their masculine code of behavior. In "A Non-Smoking House," two contractors battle the realtors who control their livelihood as the ties that bind civil behavior pull tight, and then snap. Each of MacKenzie's stories explores the incommensurable moments that lie at the heart of shared experience, the yawning gaps that separate us, and our desperate attempts to close them.Content warnings: suicide, derogatory epithets, sports rape, peer pressure, strong language, racism, xenophobia, social injustice, war trauma, disability, toxic masculinity
Publisher:
ISBN: 9781946580290
Category :
Languages : en
Pages :
Book Description
As the D.C. city sprawl moved west along the banks of the Potomac in the late 1990s, what had once been a rural backwater was rapidly transformed into a dystopian suburbia of suspicion, greed, and naked self-interest. This collection examines the resulting blends of money, race, and class that have come to define the ongoing metamorphosis of Northern Virginia. In "Kalim Mansour," a boy trying to understand his father fixates on a mysterious Saudi car salesman. In "Rowdy," a man who was sexually assaulted by his high school football team still romanticizes their masculine code of behavior. In "A Non-Smoking House," two contractors battle the realtors who control their livelihood as the ties that bind civil behavior pull tight, and then snap. Each of MacKenzie's stories explores the incommensurable moments that lie at the heart of shared experience, the yawning gaps that separate us, and our desperate attempts to close them.Content warnings: suicide, derogatory epithets, sports rape, peer pressure, strong language, racism, xenophobia, social injustice, war trauma, disability, toxic masculinity
Conditions
Author: Alain Badiou
Publisher: A&C Black
ISBN: 0826498272
Category : Philosophy
Languages : en
Pages : 361
Book Description
"The essays contained within Conditions show the immense scope and potential of Badiou's extraordinary system."--BOOK JACKET.
Publisher: A&C Black
ISBN: 0826498272
Category : Philosophy
Languages : en
Pages : 361
Book Description
"The essays contained within Conditions show the immense scope and potential of Badiou's extraordinary system."--BOOK JACKET.
The Politics of Irony in American Modernism
Author: Matthew Stratton
Publisher: Fordham Univ Press
ISBN: 0823255468
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Shortlisted for the 2015 Modernist Studies Association Book Prize This book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.
Publisher: Fordham Univ Press
ISBN: 0823255468
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
Shortlisted for the 2015 Modernist Studies Association Book Prize This book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.