Author: Philip D. Ortego
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 276
Book Description
Backgrounds of Mexican American Literature
Author: Philip D. Ortego
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 276
Book Description
Backgrounds of Mexican American Literature
Author: Philip D. Ortego y Gasca
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 586
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 586
Book Description
Background of Mexican American Literature
Author: Philip Darraugh Ortego
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Mexican American Literature
Author: Charles M. Tatum
Publisher: Houghton Mifflin
ISBN:
Category : Literary Collections
Languages : en
Pages : 746
Book Description
Publisher: Houghton Mifflin
ISBN:
Category : Literary Collections
Languages : en
Pages : 746
Book Description
The Places of Modernity in Early Mexican American Literature, 1848–1948
Author: José F. Aranda Jr.
Publisher: U of Nebraska Press
ISBN: 1496229908
Category :
Languages : en
Pages :
Book Description
Publisher: U of Nebraska Press
ISBN: 1496229908
Category :
Languages : en
Pages :
Book Description
Chicano Nations
Author: Marissa K. López
Publisher: NYU Press
ISBN: 0814752632
Category : Social Science
Languages : en
Pages : 269
Book Description
Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries. López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature.
Publisher: NYU Press
ISBN: 0814752632
Category : Social Science
Languages : en
Pages : 269
Book Description
Part of the American Literatures Initiative Series Chicano Nations argues that the transnationalism that is central to Chicano identity originated in the global, postcolonial moment at the turn of the nineteenth century rather than as an effect of contemporary economic conditions, which began in the mid nineteenth century and primarily affected the laboring classes. The Spanish empire then began to implode, and colonists in the “new world” debated the national contours of the viceroyalties. This is where Marissa K. López locates the origins of Chicano literature, which is now and always has been “postnational,” encompassing the wealthy, the poor, the white, and the mestizo. Tracing its long history and the diversity of subject positions it encompasses, Chicano Nations explores the shifting literary forms authors have used to write the nation from the nineteenth to the twenty-first centuries. López argues that while national and global tensions lie at the historical heart of Chicana/o narratives of the nation, there should be alternative ways to imagine the significance of Chicano literature other than as a reflection of national identity. In a nuanced analysis, the book provides a way to think of early writers as a meaningful part of Chicano literary history, and, in looking at the nation, rather than the particularities of identity, as that which connects Chicano literature over time, it engages the emerging hemispheric scholarship on U.S. literature.
Mexican American Literature
Author: GLOBE
Publisher: Globe Fearon
ISBN:
Category : Education
Languages : en
Pages : 212
Book Description
Five softcover texts feature short authentic multicultural selections organized by genre, with nonfiction, fiction, poetry, and drama units in each book, plus an Oral Tradition unit in Plains Native American Literature. Extends the study of American history through multicultural literature. Reading Level: 6-7 Interest Level: 6-12
Publisher: Globe Fearon
ISBN:
Category : Education
Languages : en
Pages : 212
Book Description
Five softcover texts feature short authentic multicultural selections organized by genre, with nonfiction, fiction, poetry, and drama units in each book, plus an Oral Tradition unit in Plains Native American Literature. Extends the study of American history through multicultural literature. Reading Level: 6-7 Interest Level: 6-12
When We Arrive
Author:
Publisher: University of Arizona Press
ISBN: 9780816521418
Category : Literary Collections
Languages : en
Pages : 296
Book Description
Most readers and critics view Mexican American writing as a subset of American literatureÑor at best as a stream running parallel to the main literary current. JosŽ Aranda now reexamines American literary history from the perspective of Chicano/a studies to show that Mexican Americans have had a key role in the literary output of the United States for one hundred fifty years. In this bold new look at the American canon, Aranda weaves the threads of Mexican American literature into the broader tapestry of Anglo American writing, especially its Puritan origins, by pointing out common ties that bind the two traditions: narratives of persecution, of immigration, and of communal crises, alongside chronicles of the promise of America. Examining texts ranging from Mar’a Amparo Ruiz de Burton's 1872 critique of the Civil War, Who Would Have Thought It?, through the contemporary autobiographies of Richard Rodriguez and Cherr’e Moraga, he surveys Mexican American history, politics, and literature, locating his analyses within the context of Chicano/a cultural criticism of the last four decades. When We Arrive integrates Early American Studies and Chicano/a Studies into a comparative cultural framework by using the Puritan connection to shed new light on dominant images of Chicano/a narrative, such as Aztl‡n and the borderlands. Aranda explores the influence of a nationalized Puritan ethos on nineteenth- and twentieth-century writers of Mexican descent, particularly upon constructions of ethnic identity and aesthetic values. He then frames the rise of contemporary Chicano/a literature within a critical body of work produced from the 1930s through the 1950s, one that combines a Puritan myth of origins with a literary history in which American literature is heralded as the product and producer of social and political dissent. Aranda's work is a virtual sourcebook of historical figures, texts, and ideas that revitalizes both Chicano/a studies and American literary history. By showing how a comparative study of two genres can produce a more integrated literary history for the United States, When We Arrive enables critics and readers alike to see Mexican American literature as part of a broader tradition and establishes for its writers a more deserving place in the American literary imagination.
Publisher: University of Arizona Press
ISBN: 9780816521418
Category : Literary Collections
Languages : en
Pages : 296
Book Description
Most readers and critics view Mexican American writing as a subset of American literatureÑor at best as a stream running parallel to the main literary current. JosŽ Aranda now reexamines American literary history from the perspective of Chicano/a studies to show that Mexican Americans have had a key role in the literary output of the United States for one hundred fifty years. In this bold new look at the American canon, Aranda weaves the threads of Mexican American literature into the broader tapestry of Anglo American writing, especially its Puritan origins, by pointing out common ties that bind the two traditions: narratives of persecution, of immigration, and of communal crises, alongside chronicles of the promise of America. Examining texts ranging from Mar’a Amparo Ruiz de Burton's 1872 critique of the Civil War, Who Would Have Thought It?, through the contemporary autobiographies of Richard Rodriguez and Cherr’e Moraga, he surveys Mexican American history, politics, and literature, locating his analyses within the context of Chicano/a cultural criticism of the last four decades. When We Arrive integrates Early American Studies and Chicano/a Studies into a comparative cultural framework by using the Puritan connection to shed new light on dominant images of Chicano/a narrative, such as Aztl‡n and the borderlands. Aranda explores the influence of a nationalized Puritan ethos on nineteenth- and twentieth-century writers of Mexican descent, particularly upon constructions of ethnic identity and aesthetic values. He then frames the rise of contemporary Chicano/a literature within a critical body of work produced from the 1930s through the 1950s, one that combines a Puritan myth of origins with a literary history in which American literature is heralded as the product and producer of social and political dissent. Aranda's work is a virtual sourcebook of historical figures, texts, and ideas that revitalizes both Chicano/a studies and American literary history. By showing how a comparative study of two genres can produce a more integrated literary history for the United States, When We Arrive enables critics and readers alike to see Mexican American literature as part of a broader tradition and establishes for its writers a more deserving place in the American literary imagination.
We Heard It When We Were Young
Author: Chuy Renteria
Publisher: University of Iowa Press
ISBN: 1609388054
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
We Heard It When We Were Young tells the story of a young boy, first-generation Mexican American, who is torn between cultures: between immigrant parents trying to acclimate to midwestern life and a town that is, by turns, supportive and disturbingly antagonistic.
Publisher: University of Iowa Press
ISBN: 1609388054
Category : Biography & Autobiography
Languages : en
Pages : 232
Book Description
We Heard It When We Were Young tells the story of a young boy, first-generation Mexican American, who is torn between cultures: between immigrant parents trying to acclimate to midwestern life and a town that is, by turns, supportive and disturbingly antagonistic.
The Places of Modernity in Early Mexican American Literature, 1848-1948
Author: José F. Aranda
Publisher: U of Nebraska Press
ISBN: 1496229894
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
In The Places of Modernity in Early Mexican American Literature, 1848-1948, José F. Aranda Jr. describes the first one hundred years of Mexican American literature. He argues for the importance of interrogating the concept of modernity in light of what has emerged as a canon of earlier pre-1968 Mexican American literature. In order to understand modernity for diverse communities of Mexican Americans, he contends, one must see it as an apprehension, both symbolic and material, of one settler colonial world order giving way to another more powerful colonialist but imperial vision of North America. Letters, folklore, print culture, and literary production demonstrate how a new Anglo-American political imaginary revised and realigned centuries-old discourses on race, gender, class, religion, citizenship, power, and sovereignty. The "modern," Aranda argues, makes itself visible in cultural productions being foisted on a "conquered people," who were themselves beneficiaries of a notion of the modern that began in 1492. For Mexican Americans, modernity is less about any particular angst over global imperial designs or cultures of capitalism and more about becoming the subordinates of a nation-building project that ushers the United States into the twentieth century.
Publisher: U of Nebraska Press
ISBN: 1496229894
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
In The Places of Modernity in Early Mexican American Literature, 1848-1948, José F. Aranda Jr. describes the first one hundred years of Mexican American literature. He argues for the importance of interrogating the concept of modernity in light of what has emerged as a canon of earlier pre-1968 Mexican American literature. In order to understand modernity for diverse communities of Mexican Americans, he contends, one must see it as an apprehension, both symbolic and material, of one settler colonial world order giving way to another more powerful colonialist but imperial vision of North America. Letters, folklore, print culture, and literary production demonstrate how a new Anglo-American political imaginary revised and realigned centuries-old discourses on race, gender, class, religion, citizenship, power, and sovereignty. The "modern," Aranda argues, makes itself visible in cultural productions being foisted on a "conquered people," who were themselves beneficiaries of a notion of the modern that began in 1492. For Mexican Americans, modernity is less about any particular angst over global imperial designs or cultures of capitalism and more about becoming the subordinates of a nation-building project that ushers the United States into the twentieth century.