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Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520219325
Category : Art
Languages : en
Pages : 284
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Book Description
Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, VISUAL PIETY is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life--from Warner Sallman's 'Head of Christ" to velvet renditions of DaVinci's "Last Supper" to prayer card illustrations, and much more. 69 illustrations.
Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520219325
Category : Art
Languages : en
Pages : 284
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Book Description
Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, VISUAL PIETY is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life--from Warner Sallman's 'Head of Christ" to velvet renditions of DaVinci's "Last Supper" to prayer card illustrations, and much more. 69 illustrations.
Author: Ambrose Mong
Publisher: Wipf and Stock Publishers
ISBN: 1532656459
Category : Religion
Languages : en
Pages : 180
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Book Description
This book examines the ambivalence of folk Catholicism as a resource to fight against injustice, exploitation, and oppression. Cases are cited to illuminate the value and potential trespasses of popular religious beliefs and practices. Over centuries, representatives of the powerful middle and upper middle classes did not hesitate to manipulate popular piety to protect their power and privileges. In fact, much of popular religion still reflects the dominant ideology. Popular piety has the potential for liberation against unjust social and economic structures. When properly guided, this practice can broaden and deepen political consciousness and mobilize people to act. Without a strong level of political consciousness as well as liberative evangelization, popular religion will be alienating to the poor while strengthening the status quo of the rich and the powerful. This study argues that it will be the elites, the well-educated and committed Christians, not the masses, who would foster the transformation of society.
Author: John F. Moffitt
Publisher: McFarland
ISBN: 0786452269
Category : Art
Languages : en
Pages : 322
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Book Description
While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object--such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary--possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.
Author: Jennifer Hillman
Publisher: Routledge
ISBN: 1317317831
Category : History
Languages : en
Pages : 237
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Book Description
Hillman presents a fascinating account of the role that women played during the Catholic Reformation in France. She reconstructs the devotional practices of a network of powerful women showing how they reconciled Catholic piety with their roles as part of an aristocratic elite, challenging the view that the Catholic Reformation was a male concern.
Author: Serene Jones
Publisher: Westminster John Knox Press
ISBN: 9780664228507
Category : Religion
Languages : en
Pages : 260
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Book Description
Throughout the years, biographers have depicted John Calvin in manifold ways. Serene Jones takes a fresh look at Calvin as she draws a compelling portrait of Calvin as artist, engaged in the classical art of rhetoric. According to Jones, this art was used knowingly and skillfully by Calvin to persuade and challenge his diverse audiences. Jones offers a rhetorical reading of the first three chapters of Calvin's Institutes of the Christian Religion. What emerges is a truly original interpretation of Calvin and his work.
Author: Hughes Oliphant Old
Publisher: Wipf and Stock Publishers
ISBN: 1532695527
Category : Religion
Languages : en
Pages : 937
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Book Description
Author: Robert E. Stillman
Publisher: University of Notre Dame Pess
ISBN: 0268200432
Category : History
Languages : en
Pages : 587
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Book Description
This book challenges the adequacy of identifying religious identity with confessional identity. The Reformation complicated the issue of religious identity, especially among Christians for whom confessional violence at home and religious wars on the continent had made the darkness of confessionalization visible. Robert E. Stillman explores the identity of “Christians without names,” as well as their agency as cultural actors in order to recover their consequence for early modern religious, political, and poetic history. Stillman argues that questions of religious identity have dominated historical and literary studies of the early modern period for over a decade. But his aim is not to resolve the controversies about early modern religious identity by negotiating new definitions of English Protestants, Catholics, or “moderate” and “radical” Puritans. Instead, he provides an understanding of the culture that produced such a heterogeneous range of believers by attending to particular figures, such as Antonio del Corro, John Harington, Henry Constable, and Aemilia Lanyer, who defined their pious identity by refusing to assume a partisan label for themselves. All of the figures in this study attempted as Christians to situate themselves beyond, between, or against particular confessions for reasons that both foreground pious motivations and inspire critical scrutiny. The desire to move beyond confessions enabled the birth of new political rhetorics promising inclusivity for the full range of England’s Christians and gained special prominence in the pursuit of a still-imaginary Great Britain. Christian Identity, Piety, and Politics in Early Modern England is a book that early modern literary scholars need to read. It will also interest students and scholars of history and religion.
Author: Raymond J. Kupke
Publisher: University Press of America
ISBN: 9780819181213
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
This work is the second volume in the Melville Studies in Church History. Kupke focuses on the piety of the Catholics in the Anglo-American colonies in the eighteenth century, specifically around the time of John Carroll, the founder of the American Catholic hierarchy. Through the exploration of sermons of eighteenth century Jesuit missionaries in Maryland, the author analyzes the spirituality of the Catholics in this time period. Kupke's work is a valuable and interesting contribution to the study of the roots of the Catholic church in America. A must read for all those interested in American preaching, spirituality, Jesuit history, and Maryland colonial history as well. Co-published with the Department of Church History at the Catholic University of America.
Author: Avron Levine White
Publisher: Routledge
ISBN: 1317227794
Category : Music
Languages : en
Pages : 244
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Book Description
This collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.
Author: Jed Rasula
Publisher: University of Alabama Press
ISBN: 0817360301
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
"Jed Rasula is a preeminent scholar of avant-garde poetics, noted for his erudition, intellectual range, and critical independence. He's also a gifted writer-his recent books have won praise for their entertaining, clear prose in addition to their scholarship. He is also an alumnus of UAP's distinguished Modern and Contemporary Poetics series, which published his Syncopations fifteen years ago. Rasula returns to the MCP series with Wreading, A collection of essays, interviews and occasional writings that reflects the breadth and diversity of his curiosity. One of the referees likened Wreading to a "victory lap, but one that sets its own further record in the taking." This is a collection of highlights from Rasula's shorter critical pieces, but also a carefully assembled and revised intellectual autobiography. Wreading consists of two parts: an assortment of Rasula's solo criticism, and selected interviews and conversations with other critics and scholars (Evelyn Reilly, Leonard Schwartz, Tony Tost, Mike Chasar, Joel Bettridge, and Ming-Qian Ma). The collection opens with a trio of essays that complicate the idea of a "poet." By interrogating the selection of poets for anthologies in the 20th century, Rasula identifies a host of "forgotten" poets, once prominent but now forgotten. Another essay on the state of the poetry anthology reveals how much influence literary gatekeepers have, and what a reimagination of the anthology form could make possible. In subsequent chapters, Rasula finds surprising overlap between Dada and Ralph Waldo Emerson, charts the deep links between image and poetic inspiration, and reckons with Ron Silliman's The Alphabet, a UAP classic. In the book's second half, Rasula engages in detailed conversations with a roster of fellow critics. Their exchanges confront ecopoetics, the corporate university, the sheer volume of contemporary poetry, and more. This substantial set of dialogues gives readers a glimpse inside a master critic's deeply informed critical practice, and lists his intellectual touchstones. The balance between essay and interview achieves a distillation of Rasula's long-established idea of "wreading." In his original use, the term denotes how any act of criticism inherently adds to the body of writing that it purports to read- how Rasula "couldn't help but participate" in his favorite poems. In this latest form, Wreading captures a critical perception that sparks insight and imagination, no matter what it sees"--
