Plantastic! PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Plantastic! PDF full book. Access full book title Plantastic! by Catherine Clowes. Download full books in PDF and EPUB format.
Author: Catherine Clowes
Publisher: CSIRO PUBLISHING
ISBN: 1486313221
Category : Science
Languages : en
Pages : 67
Get Book Here
Book Description
Did you know that there are plants that eat insects? Plants whose seeds spread in poo? Plants that move when you touch them? And plants that grow on other plants? Plantastic! presents 26 of Australia's most unique and incredible native plants. Discover and identify native plants found in your local park, bushland, or even in your very own backyard. With its perfect balance of fun facts, activities, adventurous ideas and gorgeous illustrations, Plantastic! will prove just how fantastic Australia's native plants really are!
Author: Catherine Clowes
Publisher: CSIRO PUBLISHING
ISBN: 1486313221
Category : Science
Languages : en
Pages : 67
Get Book Here
Book Description
Did you know that there are plants that eat insects? Plants whose seeds spread in poo? Plants that move when you touch them? And plants that grow on other plants? Plantastic! presents 26 of Australia's most unique and incredible native plants. Discover and identify native plants found in your local park, bushland, or even in your very own backyard. With its perfect balance of fun facts, activities, adventurous ideas and gorgeous illustrations, Plantastic! will prove just how fantastic Australia's native plants really are!
Author: Patrick McCaughey
Publisher: Miegunyah Press
ISBN: 9780522861204
Category : Art, Australian
Languages : en
Pages : 376
Get Book Here
Book Description
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.
Author: Sasha Grishin
Publisher: Miegunyah Press
ISBN: 9780522869361
Category : Art, Australian
Languages : en
Pages : 0
Get Book Here
Book Description
Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world.
Author: Janet Hawley
Publisher:
ISBN: 9781921778735
Category : Art, Modern
Languages : en
Pages : 415
Get Book Here
Book Description
This beautifully presented collection of essays by Walkley award-winning journalist Janet Hawley examines the creative output of some of the last few centuries' greatest artists, both Australian and international. Drawn from her widely read and well-respected Good Weekend columns, each essay offers a remarkable snapshot of the inspiration behind famous works, while examining artists' achievements and offering a rare glimpse into the lives of the people behind the canvas -- includes essays on Brett Whitely Ben Quilty, Margaret Olley, Francoise Gilot, Bill Henson, John Brack, and John Wolseley, among others. As Janet comments: The big difference about my interviews, is that they are very personal meetings, conversations, interviews and encounters with all the artists, in their own homes and studios. I get to know them, their families, eat meals with them, spend a lot of time with them. And I let the artists speak, in their own words, about why they do what they do. I'm quite uninhibited in the questions I ask. I'm a feature writer -- not a critic. I don't impose theories upon them, nor critically judge their art. It's their chance to explain their art, why they've painted these pictures, what motivates them, their own creative process, struggles, joys, angsts.
Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767586
Category : Art
Languages : en
Pages : 564
Get Book Here
Book Description
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author: HANNAH (ED) & MILLER FINK (STEVEN (ED) & BRAND, MICHAEL (ED))
Publisher:
ISBN: 9781741741506
Category :
Languages : en
Pages : 324
Get Book Here
Book Description
... over the course of half a century, Daniel has asked and answered the questions that no one else has thought of. Originality, curiosity, generosity and intellectual precision have always been at the heart of his work. Andrew Sayers, former director of the National Portrait Gallery, CanberraNo one knows more about Australian art than Daniel Thomas. Over the past sixty years, he has shaped Australian art history, championing women artists such as Grace Cossington Smith and extending the appreciation of art beyond museum walls to include performance and environmental art. Daniel's exhibitions and purchases - as the first museum professional at the Art Gallery of New South Wales, inaugural curator of Australian art at the National Gallery in Canberra, and director of the Art Gallery of South Australia - have defined our national canon of art.Covering the period from 1958 to 2020, Recent past: writing Australian art is the first anthology of Thomas's writings and presents an overview of Australian art, at once authoritative and idiosyncratic, bringing alive both old and new art.Daniel life's work has been to make art more widely understood and enjoyed. Yet most of his writings have appeared in specialist publications which are often now difficult to source. This book celebrates Daniel's contribution to Australian art and will introduce his writings to new generations of art enthusiasts.
Author: Alice Procter
Publisher: Cassell
ISBN: 1788402219
Category : Political Science
Languages : en
Pages : 310
Get Book Here
Book Description
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
Author: Robert Layton
Publisher: Cambridge University Press
ISBN: 0521346665
Category : Art
Languages : en
Pages : 306
Get Book Here
Book Description
A survey of Australian rock art, presenting detailed case studies revealing the significance of both recent and ancient art for Australia's living indigenous communities.
Author: Vanessa Len
Publisher: HarperCollins
ISBN: 0063024667
Category : Young Adult Fiction
Languages : en
Pages : 369
Get Book Here
Book Description
The sweeping romance of Passenger meets the dark fantasy edge of This Savage Song in this stunning contemporary fantasy debut from Vanessa Len, where the line between monster and hero is razor thin. Don’t forget the rule. No one can know what you are. What we are. You must never tell anyone about monsters. Joan has just learned the truth: her family are monsters, with terrifying, hidden powers. And the cute boy at work isn’t just a boy: he’s a legendary monster slayer, who will do anything to destroy her family. To save herself and her family, Joan will have to do what she fears most: embrace her own monstrousness. Because in this story…she is not the hero. Dive deep into the world of Only a Monster: hidden worlds dwell in the shadows, beautiful monsters with untold powers walk among humans, and secrets are the most powerful weapon of all.
Author: Paula Dredge
Publisher: Getty Publications
ISBN: 1606065947
Category : Art
Languages : en
Pages : 146
Get Book Here
Book Description
The newest addition to the Artist’s Materials series offers the first technical study of one of Australia’s greatest modern painters. Sidney Nolan (1917–1992) is renowned for an oeuvre ranging from views of Melbourne’s seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolan’s preferred paint, but this fascinating study—certain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern art—reveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials.
