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Author: Robert Hillenbrand
Publisher: Columbia University Press
ISBN: 9780231101325
Category : Architecture
Languages : en
Pages : 716
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Book Description
This is the definitive survey of Islamic architecture. Working from a social, rather than a technical perspective, Hillenbrand shows how the buildings fulfilled their intended functions within the community. Lavishly illustrated.
Author: Robert Hillenbrand
Publisher: Columbia University Press
ISBN: 9780231101325
Category : Architecture
Languages : en
Pages : 716
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Book Description
This is the definitive survey of Islamic architecture. Working from a social, rather than a technical perspective, Hillenbrand shows how the buildings fulfilled their intended functions within the community. Lavishly illustrated.
Author: University of London. School of Oriental and African Studies. Library
Publisher:
ISBN:
Category : Islamic civilization
Languages : en
Pages : 354
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Book Description
Author: Charles Kyrle Wilkinson
Publisher: Metropolitan Museum of Art
ISBN: 0870990764
Category : Islamic pottery
Languages : en
Pages : 418
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Book Description
The city of Nishapur, located in eastern Iran, was a place of political importance in medieval times and a flourishing center of art, crafts, and trade. This publication studies the pottery found at the site at Nishapur excavated by the Iranian Expedition of the Metropolitan Museum in 1935–40 and again in 1947. -- Metropolitan Museum of Art website.
Author: Stanley Ferber
Publisher: SUNY Press
ISBN: 9780873958028
Category : Religion
Languages : en
Pages : 270
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Book Description
Illustrated catalogue of crafts exhibition and collection of papers of the Ninth Annual Conference of the Center for Medieval and Early Renaissance Studies, SUNY Binghamton, May 1975.
Author: Eva R. Hoffman
Publisher: John Wiley & Sons
ISBN: 1405182075
Category : Art
Languages : en
Pages : 444
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Book Description
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
Author: David Motadel
Publisher: Harvard University Press
ISBN: 0674744950
Category : History
Languages : en
Pages : 509
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Book Description
Winner of the Ernst Fraenkel Prize, Wiener Holocaust Library An Open Letters Monthly Best History Book of the Year A New York Post “Must-Read” In the most crucial phase of the Second World War, German troops confronted the Allies across lands largely populated by Muslims. Nazi officials saw Islam as a powerful force with the same enemies as Germany: the British Empire, the Soviet Union, and the Jews. Islam and Nazi Germany’s War is the first comprehensive account of Berlin’s remarkably ambitious attempts to build an alliance with the Islamic world. “Motadel describes the Mufti’s Nazi dealings vividly...Impeccably researched and clearly written, [his] book will transform our understanding of the Nazi policies that were, Motadel writes, some ‘of the most vigorous attempts to politicize and instrumentalize Islam in modern history.’” —Dominic Green, Wall Street Journal “Motadel’s treatment of an unsavory segment of modern Muslim history is as revealing as it is nuanced. Its strength lies not just in its erudite account of the Nazi perception of Islam but also in illustrating how the Allies used exactly the same tactics to rally Muslims against Hitler. With the specter of Isis haunting the world, it contains lessons from history we all need to learn.” —Ziauddin Sardar, The Independent
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9047412079
Category : Social Science
Languages : en
Pages : 1508
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Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Author: Minta Collins
Publisher: University of Toronto Press
ISBN: 9780802083135
Category : Art
Languages : en
Pages : 340
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Book Description
Collins shows how the principal herbal traditions of Classical descent were replaced by a new observation of nature that itself paved the way for the magnificent paintings of later French and Italian herbals.
Author: Hamid Reza Ghelichkhani
Publisher: BRILL
ISBN: 9004432892
Category : Reference
Languages : en
Pages : 424
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Book Description
This volume puts together a first-of-a-kind handbook, and contains the most important termini technici, expressions, and techniques connected to the traditional art of Persian calligraphy, calligraphy as well as related arts, like illumination, historiated painting, book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries.
Author: Richard Ettinghausen
Publisher: Yale University Press
ISBN: 9780300088694
Category : Art
Languages : en
Pages : 364
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Book Description
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
