Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668
Book Description
Supplement to the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668
Book Description
A Supplement to Allibone's Critical Dictionary of English Literature and British and American Authors
Author: John Foster Kirk
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 882
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 882
Book Description
DICKENS CAROL ( A MOSTLY TRUE CHRISTMAS STORY).
Author: NED. CROWLEY
Publisher:
ISBN: 9781619592339
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781619592339
Category :
Languages : en
Pages :
Book Description
Solander's Radio Tomb
Author: Ellis Butler
Publisher: Litres
ISBN: 5040467095
Category : Fiction
Languages : en
Pages : 14
Book Description
Publisher: Litres
ISBN: 5040467095
Category : Fiction
Languages : en
Pages : 14
Book Description
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Self, Interaction, and Natural Environment
Author: Andrew J. Weigert
Publisher: SUNY Press
ISBN: 9780791432600
Category : Religion
Languages : en
Pages : 230
Book Description
Provides a framework for sharing a more adequate view of human-environment relations and contributes to the development of an ecologically aware sense of self-understanding.
Publisher: SUNY Press
ISBN: 9780791432600
Category : Religion
Languages : en
Pages : 230
Book Description
Provides a framework for sharing a more adequate view of human-environment relations and contributes to the development of an ecologically aware sense of self-understanding.
Ecological Identity
Author: Mitchell Thomashow
Publisher: MIT Press
ISBN: 9780262700634
Category : Science
Languages : en
Pages : 260
Book Description
Through theoretical discussion as well as hands-on participatory learning approaches, Thomashow provides concerned citizens, teachers, and students with the tools needed to become reflective environmentalists. Mitchell Thomashow, a preeminent educator, shows how environmental studies can be taught from different perspective, one that is deeply informed by personal reflection. Through theoretical discussion as well as hands-on participatory learning approaches, Thomashow provides concerned citizens, teachers, and students with the tools needed to become reflective environmentalists. What do I know about the place where I live? Where do things come from? How do I connect to the earth? What is my purpose as a human being? These are the questions that Thomashow identifies as being at the heart of environmental education. Developing a profound sense of oneself in relationship to natural and social ecosystems is necessary grounding for the difficult work of environmental advocacy. In this book he provides a clear and accessible guide to the learning experiences that accompany the construction of an "ecological identity": using the direct experience of nature as a framework for personal decisions, professional choices, political action, and spiritual inquiry. Ecological Identity covers the different types of environmental thought and activism (using John Muir, Henry David Thoreau, and Rachel Carson as environmental archetypes, but branching out into ecofeminism and bioregionalism), issues of personal property and consumption, political identity and citizenship, and integrating ecological identity work into environmental studies programs. Each chapter has accompanying learning activities such as the Sense of Place Map, a Community Network Map, and the Political Genogram, most of which can be carried out on an individual basis. Although people from diverse backgrounds become environmental activists and enroll in environmental studies programs, they are rarely encouraged to examine their own history, motivations, and aspirations. Thomashow's approach is to reveal the depth of personal experience that underlies contemporary environmentalism and to explore, interpret, and nurture the learning spaces made possible when people are moved to contemplate their experience of nature.
Publisher: MIT Press
ISBN: 9780262700634
Category : Science
Languages : en
Pages : 260
Book Description
Through theoretical discussion as well as hands-on participatory learning approaches, Thomashow provides concerned citizens, teachers, and students with the tools needed to become reflective environmentalists. Mitchell Thomashow, a preeminent educator, shows how environmental studies can be taught from different perspective, one that is deeply informed by personal reflection. Through theoretical discussion as well as hands-on participatory learning approaches, Thomashow provides concerned citizens, teachers, and students with the tools needed to become reflective environmentalists. What do I know about the place where I live? Where do things come from? How do I connect to the earth? What is my purpose as a human being? These are the questions that Thomashow identifies as being at the heart of environmental education. Developing a profound sense of oneself in relationship to natural and social ecosystems is necessary grounding for the difficult work of environmental advocacy. In this book he provides a clear and accessible guide to the learning experiences that accompany the construction of an "ecological identity": using the direct experience of nature as a framework for personal decisions, professional choices, political action, and spiritual inquiry. Ecological Identity covers the different types of environmental thought and activism (using John Muir, Henry David Thoreau, and Rachel Carson as environmental archetypes, but branching out into ecofeminism and bioregionalism), issues of personal property and consumption, political identity and citizenship, and integrating ecological identity work into environmental studies programs. Each chapter has accompanying learning activities such as the Sense of Place Map, a Community Network Map, and the Political Genogram, most of which can be carried out on an individual basis. Although people from diverse backgrounds become environmental activists and enroll in environmental studies programs, they are rarely encouraged to examine their own history, motivations, and aspirations. Thomashow's approach is to reveal the depth of personal experience that underlies contemporary environmentalism and to explore, interpret, and nurture the learning spaces made possible when people are moved to contemplate their experience of nature.
O-Zone
Author: Paul Theroux
Publisher:
ISBN: 9780140099898
Category : American fiction
Languages : en
Pages : 546
Book Description
Science fiction-roman.
Publisher:
ISBN: 9780140099898
Category : American fiction
Languages : en
Pages : 546
Book Description
Science fiction-roman.
Mother Country
Author: Marilynne Robinson
Publisher: Farrar, Straus and Giroux
ISBN: 1429944730
Category : Science
Languages : en
Pages : 278
Book Description
At the time when Robinson wrote this book, the largest known source of radioactive contamination of the world's environment was a government-owned nuclear plant called Sellafield, not far from Wordsworth's cottage in the Lakes District; one child in sixty was dying from leukemia in the village closest to the plant. The central question of this eloquently impassioned book is: How can a country that we persist in calling a welfare state consciously risk the lives of its people for profit. Mother Country is a 1989 National Book Award Finalist for Nonfiction.
Publisher: Farrar, Straus and Giroux
ISBN: 1429944730
Category : Science
Languages : en
Pages : 278
Book Description
At the time when Robinson wrote this book, the largest known source of radioactive contamination of the world's environment was a government-owned nuclear plant called Sellafield, not far from Wordsworth's cottage in the Lakes District; one child in sixty was dying from leukemia in the village closest to the plant. The central question of this eloquently impassioned book is: How can a country that we persist in calling a welfare state consciously risk the lives of its people for profit. Mother Country is a 1989 National Book Award Finalist for Nonfiction.