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Author: Nathan T. Arrington
Publisher: Princeton University Press
ISBN: 0691175209
Category : History
Languages : en
Pages : 342
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Book Description
How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.
Author: Nathan T. Arrington
Publisher: Princeton University Press
ISBN: 0691175209
Category : History
Languages : en
Pages : 342
Get Book Here
Book Description
How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.
Author: Ian Worthington
Publisher: Oxford University Press, USA
ISBN: 0190633980
Category : History
Languages : en
Pages : 425
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Book Description
"When we think of ancient Athens, the image invariably coming to mind is of the Classical city, with monuments beautifying everywhere; the Agora swarming with people conducting business and discussing political affairs; and a flourishing intellectual, artistic, and literary life, with life anchored in the ideals of freedom, autonomy, and democracy. But in 338 that forever changed when Philip II of Macedonia defeated a Greek army at Chaeronea to impose Macedonian hegemony over Greece. The Greeks then remained under Macedonian rule until the new power of the Mediterranean world, Rome, annexed Macedonia and Greece into its empire. How did Athens fare in the Hellenistic and Roman periods? What was going on in the city, and how different was it from its Classical predecessor? There is a tendency to think of Athens remaining in decline in these eras, as its democracy was curtailed, the people were forced to suffer periods of autocratic rule, and especially under the Romans enforced building activity turned the city into a provincial one than the "School of Hellas" that Pericles had proudly proclaimed it to be, and the Athenians were forced to adopt the imperial cult and watch Athena share her home, the sacred Acropolis, with the goddess Roma. But this dreary picture of decline and fall belies reality, as my book argues. It helps us appreciate Hellenistic and Roman Athens and to show it was still a vibrant and influential city. A lot was still happening in the city, and its people were always resilient: they fought their Macedonian masters when they could, and later sided with foreign kings against Rome, always in the hope of regaining that most cherished ideal, freedom. Hellenistic Athens is far from being a postscript to its Classical predecessor, as is usually thought. It was simply different. Its rich and varied history continued, albeit in an altered political and military form, and its Classical self lived on in literature and thought. In fact, it was its status as a cultural and intellectual juggernaut that enticed Romans to the city, some to visit, others to study. The Romans might have been the ones doing the conquering, but in adapting aspects of Hellenism for their own cultural and political needs, they were the ones, as the poet Horace claimned, who ended up being captured"--
Author: Laurialan Reitzammer
Publisher: University of Wisconsin Pres
ISBN: 0299308200
Category : Art
Languages : en
Pages : 282
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Book Description
A fresh examination of a marginalized women's festival that influenced Athenian art, drama, philosophy, and public institutions.
Author: Nathan T. Arrington
Publisher: Princeton University Press
ISBN: 0691222665
Category : History
Languages : en
Pages : 342
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Book Description
How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.
Author: Kate Gilhuly
Publisher: Cambridge University Press
ISBN: 1139992716
Category : History
Languages : en
Pages : 295
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Book Description
This book brings together a collection of original essays that engage with cultural geography and landscape studies to produce new ways of understanding place, space, and landscape in Greek literature from the fifth and fourth centuries BCE. The authors draw on an eclectic collection of contemporary approaches to bring the study of ancient Greek literature into dialogue with the burgeoning discussion of spatial theory in the humanities. The essays in this volume treat a variety of textual spaces, from the intimate to the expansive: the bedroom, ritual space, the law courts, theatrical space, the poetics of the city, and the landscape of war. And yet, all of the contributions are united by an interest in recuperating some of the many ways in which the ancient Greeks in the archaic and classical periods invested places with meaning and in how the representation of place links texts to social practices.
Author: Chana Kronfeld
Publisher: Univ of California Press
ISBN: 0520083474
Category : Education
Languages : en
Pages : 311
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Book Description
"A remarkable study. . . . The first book of its kind and essential for any future discussion of modernism and its embattled boundaries."—Françoise Meltzer, author of Hot Property "One of the very best books of literary criticism, literary scholarship, or literary theory I have ever read. . . . It illuminates interrelationships between historical studies and theory in any humanist discipline."—Menachim Brinker, The Hebrew University of Jerusalem "A milestone in the study of modern Jewish literature. It seriously engages and recontextualizes all the scholarship that came before, and by so doing sets it on a new course: applying a rigorous definition of modernism yet insistent upon methodological diversity; deeply grounded in Hebrew culture yet unabashedly diaspora-centered. This is not a book that readers will take lightly."—David G. Roskies, author of Against the Apocalypse
Author: Manolēs Korres
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 80
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Book Description
Most visitors to the Acropolis in Athens pause to wonder how the large marble pieces were hauled up the sacred mount. In fact, even with today's far more advanced construction equipment, it would be impossible to match the precision with which the ancient builders built the imposing structures of the Parthenon in just eight years! The Stones of the Parthenon is a riveting investigation of the technological achievements of the ancient Greeks. This highly readable account explains how an 11-ton Doric column capital was quarried and transported to Athens. The author's intricate line drawings clearly illustrate the methods and tools employed in the accomplishment of this feat of ancient craftsmanship.
Author: Arlene W. Saxonhouse
Publisher: Cambridge University Press
ISBN: 1139447424
Category : Political Science
Languages : en
Pages : 247
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Book Description
This book illuminates the distinctive character of our modern understanding of the basis and value of free speech by contrasting it with the very different form of free speech that was practised by the ancient Athenians in their democratic regime. Free speech in the ancient democracy was not a protected right but an expression of the freedom from hierarchy, awe, reverence and shame. It was thus an essential ingredient of the egalitarianism of that regime. That freedom was challenged by the consequences of the rejection of shame (aidos) which had served as a cohesive force within the polity. Through readings of Socrates's trial, Greek tragedy and comedy, Thucydides's History, and Plato's Protagoras this volume explores the paradoxical connections between free speech, democracy, shame, and Socratic philosophy and Thucydidean history as practices of uncovering.
Author: David Wiles
Publisher: Cambridge University Press
ISBN: 9780521666152
Category : Drama
Languages : en
Pages : 244
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Book Description
This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
Author: Daniel Ogden
Publisher: Oxford University Press
ISBN: 9780198150190
Category : Family & Relationships
Languages : en
Pages : 454
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Book Description
Societies are defined at their margins. In the ancient Greek world bastards were often marginalized, their affinities being with the female, the alien, the servile, the poor, and the sick. The study of bastardy in ancient Greece is therefore of an importance that goes far beyond the subject's intrinsic interest, and it provides insights into the structure of Greek society as a whole. This is the first full-length book on the subject, and it reviews major evidence from Athens, Sparta, Gortyn, and Hellenistic Egypt, as well as collating and analysing fragmentary evidence from other Greek states. Dr Ogden shows how attitudes towards legitimacy differed across the various city states, and analyses their developments across time. He also advances new interpretations of more familiar problems of Athenian bastardy, such as Pericles' citizenship law. The book should interest historians of a wide range of social topics - from law and the economy, to sexuality and the study of women in antiquity.
