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Author: Nathaniel G. Lew
Publisher: Routledge
ISBN: 1317009886
Category : Music
Languages : en
Pages : 261
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Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
Author: Nathaniel G. Lew
Publisher: Routledge
ISBN: 1317009886
Category : Music
Languages : en
Pages : 261
Get Book Here
Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
Author: Jan A. Wagenaar
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447052498
Category : Calendar, Jewish
Languages : en
Pages : 240
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Book Description
The book focusses on the origin and transformation of the priestly festival calendar. Since the epoch-making work of Julius Wellhausen at the end of the 19th century the differences between the various ancient Israelite festival calendars have often been explained in terms of a gradual evolution, which shows an increasing historicisation, denaturalisation and ritualisation. The festivals were in Wellhausen's view gradually detached from agricultural conditions and celebrated more and more at fixed points in the year. This study tries to show that the changes in the priestly festival calendar reflect a conscious effort to adapt the ancient Israelite festival calendar to the semi-annual layout of the Babylonian festival year. The ramifications of the change only come to the fore after a careful study of the agricultural conditions of ancient Israel - and Mesopotamia - makes clear that passover and the festival of unleavened bread were originally celebrated in the second month of the year. The first month of the year envisaged by the priestly festival calendar for the celebration of passover and the festival of unleavened bread in turn mirrors the date of one of the two semi-annual Babylonian New Year festivals. The two Babylonian New Year festivals were celebrated exactly six months apart at the vernal and autumnal equinoxes. In order to adapt the ancient Israelite festival calendar to the Babylonian scheme with two New Year festivals a year, the date of passover and the festival of unleavened bread had to be moved up by one month. The consequences for the origin of passover, the festival of unleavened bread, the festival of weeks and the festival of huts are charted and the relations between the various ancient Israelite festival calendars are determined anew.
Author: Dr Pippa Drummond
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494616
Category : History
Languages : en
Pages : 326
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Book Description
A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.
Author: Dogan Gursoy
Publisher: Routledge
ISBN: 1000180263
Category : Business & Economics
Languages : en
Pages : 365
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Book Description
Festival and Event Tourism Impacts provides a comprehensive review and analysis of the multi-faceted impacts that festival and events have on a host community, whether positive or negative, and offers recommendations for communities for the successful management of this kind of tourism. Opening chapters define festival and event tourism impact concepts utilized in the field and their evolution throughout the years, followed by an exploration of the current issues facing communities. The second part discusses sustainability and environmental issues that affect destinations and communities as a result of festival and event impacts. Subsequent chapters outline further impacts and finally address cutting-edge event tourism development and impact management strategies and considerations such as innovative management approaches, sustainability, and social responsibility, for example, and identify future trends and issues within a multidisciplinary global perspective. A variety of geographical locations are exemplified throughout as well as a range of diverse event types including the Formula One Grand Prix in Monaco, Pope Francis’ visit to Mauritius in 2019, and the 29th Summer Universiade in Taiwan, among many others. Drawing on the knowledge and expertise of highly regarded academics from around the world, this will be of great interest to all upper-level students and researchers in Tourism, Hospitality, Events, and related fields.
Author: Stuart James Richards
Publisher: Springer
ISBN: 1137584386
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This book examines the queer film festival and opens the discussion on social enterprises and sustainable lesbian, gay, bisexual, transgender and intersex (LGBTI) organisations. With over 220 events worldwide and some of the bigger budgets exceeding $1 million, the queer film festival has grown to become a staple event in all cosmopolitan cities’ arts calendars. While activism was instrumental in establishing these festivals, the pink dollar has been a deciding factor in its financial sustainability. Pretty gay boys with chiselled abs are a staple feature, rather than underground experimental faire. Community arts events, such as these, are now a creative industry. While clearly having a social purpose, they must also concern themselves with the bottom line. For all the contradictory elements of its organisational growth, this conflict makes the queer film festival an integral site for analysis. This book takes a multidisciplinary approach in examining the queer film festival as a representative snapshot of the current state of queer cinema and community based film festivals. The book looks at queer film festivals in San Francisco, Hong Kong and Melbourne to argue for the importance of these institutions remaining as community events.
Author: Professor Fernando Checa Cremades
Publisher: Ashgate Publishing, Ltd.
ISBN: 140943561X
Category : History
Languages : en
Pages : 323
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Book Description
Festivals and ceremonials played a major role in the Spanish world; through them local identities as well as a common Spanish culture made their presence manifest within and beyond the peninsula through ephemeral displays, music and print. This book explores Habsburg Visual culture at court and its connection with the creation of a language of triumph, the relationship between religion and the empire, and examines cultural, artistic and musical exchange in Naples and Rome. Taken together these essays contribute further to our growing appreciation of the importance of early-modern festival culture in general, and their significance in the world of the Spanish Habsburgs in particular.
Author: Tommy D. Andersson
Publisher: Routledge
ISBN: 1317977890
Category : Business & Economics
Languages : en
Pages : 374
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Book Description
This book on events-related research marks a watershed in the development of a "Nordic School" of festival and event research. Each of the chapters presents a new and interesting approach to the study of events, in terms of methods, perspectives or content. It is mostly rooted in management theory but also incorporating other perspectives that enhance our understanding of the phenomena. Implications for real-world applications in tourism, hospitality, and community development are also at the fore. The scholarship is comprehensive, not focused on only tourism or economic aspects. Management theory, including stakeholder management, social networks, and institutionalization processes is being applied. Attention is being given to the multiple roles festivals and events play in society, and to evaluation of their worth and impacts. Innovative methods are being developed to examine event experiences, innovation processes, and success factors. There is now a critical mass of scholars in the Nordic countries that share a strong interest in event studies, and they are engaged in collaborative research, making it an appealing and innovative region for other event students and researchers to visit. It can be expected that the Nordic school will take an increasingly important place in the development of event studies, which is now truly global in terms of scholarship and university degree programs. This book was originally published as a special issue of Scandinavian Journal of Hospitality and Tourism.
Author: David Pollock
Publisher: Luath Press Ltd
ISBN: 1804250473
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
True, the city's many summer festivals each maintain their own identities. And yet 'The Festival' has stuck as a shorthand which captures the truly eclectic experience of 'doing Edinburgh' which has made the city's very name synonymous with world-leading culture and performance. This book is the first to tell the complete history of the Edinburgh Festival. Arts writer David Pollock paints an extraordinary portrait of the growth, glory years and struggles of this global cultural phenomenon. He introduces a wide cast of key individuals and shows, including Fleabag, Peter Cook and Dudley Moore, Billy Connolly, Emma Thompson, Stephen Fry, Joseph Beuys, The Fall and Six The Musical. The Edinburgh Festival: A Biography provides a unique perspective on the social and cultural history of Scotland and its capital in the late 20th and early 21st centuries. It will delight and intrigue all who have experience of the greatest festival in the world.
Author: David Murphy
Publisher: Liverpool University Press
ISBN: 1781383510
Category : Political Science
Languages : en
Pages : 246
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Book Description
This volume is the first sustained attempt to provide an overview of the First World Festival of Negro Arts, held in Dakar in 1966, and of its multiple legacies.
Author: John R. Gold
Publisher: Routledge
ISBN: 1000318907
Category : Architecture
Languages : en
Pages : 337
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Book Description
Festivals have always been part of city life, but their relationship with their host cities has continually changed. With the rise of industrialization, they were largely considered peripheral to the course of urban affairs. Now they have become central to new ways of thinking about the challenges of economic and social change, as well as repositioning cities within competitive global networks. In this timely and thought-provoking book, John and Margaret Gold provide a reflective and evidence-based historical survey of the processes and actors involved, charting the ways that regular festivals have now become embedded in urban life and city planning. Beginning with David Garrick’s rain-drenched Shakespearean Jubilee and ending with Sydney’s flamboyant Mardi Gras celebrations, it encompasses the emergence and consolidation of city festivals. After a contextual historical survey that stretches from Antiquity to the late nineteenth century, there are detailed case studies of pioneering European arts festivals in their urban context: Venice’s Biennale, the Salzburg Festival, the Cannes Film Festival and Edinburgh’s International Festival. Ensuing chapters deal with the worldwide proliferation of arts festivals after 1950 and with the ever-increasing diversifycation of carnival celebrations, particularly through the actions of groups seeking to assert their identity. The conclusion draws together the book’s key themes and sketches the future prospects for festival cities. Lavishly illustrated, and copiously researched, this book is essential reading not just for urban geographers, social historians and planners, but also for anyone interested in contemporary festival and events tourism, urban events strategy, urban regeneration regeneration, or simply building a fuller understanding of the relationship between culture, planning and the city.
