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Author: Ben A. Heller
Publisher: Bucknell University Press
ISBN: 9780838753477
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
"Cuban author Jose Lezama Lima (1910-76) produced some of the most enigmatic and important poetry in the Spanish language. He did this during a turbulent moment in Cuban history - a period of social unrest, radical change in political systems, and attempts at cultural self-definition. While some have argued that his poetry evades these circumstances, Assimilation/Generation/Resurrection adopts a contextual approach and reveals the extent of Lezama's engagement with the defining political and cultural issues of his day. It also lays bare the underlying connection of this poetry to a weave of intertexts - Lezama's productive interaction with several traditions." "Intimidating in its philosophical scope and linguistic complexity, Lezama's poetry has received far less critical attention than his prose. The present study rectifies this critical imbalance, foregrounding the poetry while discussing three issues that link disparate areas of Lezama's literary production. These issues - cultural assimilation, generation, and resurrection - are central elements in Lezama's poetics, yet are also pertinent to wide-ranging debates on Latin American cultural identity. This study reads key poems from each of his published books of poetry, using an interpretive approach forged from diverse yet cohering sources, including Lezama's own theories on reading and writing." "After a brief methodological excursus and a first contextualization of Lezama's poetics vis-a-vis a number of other Cuban writers, this study considers Lezama's early assimilation of a number of initiatory texts as well as his indirect but crucial response to the social concerns of the 1930s." "Assimilation/Generation/Resurrection makes clear that Lezama's poetry owes its existence to an engagement with cultural artifacts and social circumstances more generally. Yet it is far more than a response. It constantly attempts to go beyond, generating the new at the intersection of the old and the as-yet uncreated. The result of this practice is a poetry that claims the power both to translate over distance and to resurrect by virtue of the image."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ben A. Heller
Publisher: Bucknell University Press
ISBN: 9780838753477
Category : Literary Criticism
Languages : en
Pages : 220
Get Book Here
Book Description
"Cuban author Jose Lezama Lima (1910-76) produced some of the most enigmatic and important poetry in the Spanish language. He did this during a turbulent moment in Cuban history - a period of social unrest, radical change in political systems, and attempts at cultural self-definition. While some have argued that his poetry evades these circumstances, Assimilation/Generation/Resurrection adopts a contextual approach and reveals the extent of Lezama's engagement with the defining political and cultural issues of his day. It also lays bare the underlying connection of this poetry to a weave of intertexts - Lezama's productive interaction with several traditions." "Intimidating in its philosophical scope and linguistic complexity, Lezama's poetry has received far less critical attention than his prose. The present study rectifies this critical imbalance, foregrounding the poetry while discussing three issues that link disparate areas of Lezama's literary production. These issues - cultural assimilation, generation, and resurrection - are central elements in Lezama's poetics, yet are also pertinent to wide-ranging debates on Latin American cultural identity. This study reads key poems from each of his published books of poetry, using an interpretive approach forged from diverse yet cohering sources, including Lezama's own theories on reading and writing." "After a brief methodological excursus and a first contextualization of Lezama's poetics vis-a-vis a number of other Cuban writers, this study considers Lezama's early assimilation of a number of initiatory texts as well as his indirect but crucial response to the social concerns of the 1930s." "Assimilation/Generation/Resurrection makes clear that Lezama's poetry owes its existence to an engagement with cultural artifacts and social circumstances more generally. Yet it is far more than a response. It constantly attempts to go beyond, generating the new at the intersection of the old and the as-yet uncreated. The result of this practice is a poetry that claims the power both to translate over distance and to resurrect by virtue of the image."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Elena Lahr-Vivaz
Publisher: University Press of Florida
ISBN: 1683403312
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
How contemporary Cuban writers build transnational communities In Writing Islands, Elena Lahr-Vivaz employs methods from archipelagic studies to analyze works of contemporary Cuban writers on the island alongside those in exile. Offering a new lens to explore the multiplicity of Cuban space and identity, she argues that these writers approach their nation as part of a larger, transnational network of islands. Introducing the term “arcubiélago” to describe the spaces created by Cuban writers, both on the ground and in print, Lahr-Vivaz illuminates how transnational communities are forged and how they function across space and time. Lahr-Vivaz considers how poets, novelists, and essayists of the 1990s and 2000s built interconnected communities of readers through blogs, state-sponsored book fairs, informal methods of book circulation, and intertextual dialogues. Book chapters offer in-depth analyses of the works of writers as different as Reina María Rodríguez, known for lyrical poetry, and Zoé Valdés, known for strident critiques of Fidel Castro. Incorporating insights from on-site interviews in Cuba, Spain, and the United States, Lahr-Vivaz analyzes how writers maintained connections materially, through the distribution of works, and metaphorically, as their texts bridge spaces separated by geopolitics. Through a decolonizing methodology that resists limiting Cuba to a distinct geographic space, Writing Islands investigates the nuances of Cuban identity, the creation of alternate spaces of identity, the potential of the Internet for artistic expression, and the transnational bonds that join far-flung communities. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Thomas F. Anderson
Publisher: Bucknell University Press
ISBN: 9780838756355
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Everything in Its Place: The Life and Works of Virgilio Pinera: is a seminal book that fills a major gap in Cuban and Latin American literary criticism. In addition to being the most comprehensive study to date of the life and work of Virgilio Pinera, this is the first book in English on this major twentieth-century Cuban author. In this study Thomas F. Anderson draws extensively on unpublished manuscripts and diverse critical writings, bringing new insights into how Pinera's works responded to key literary influences as well as events in his life and in Cuban political and cultural history.
Author: Lori Cole
Publisher: Penn State Press
ISBN: 0271081708
Category : Art
Languages : en
Pages : 451
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Book Description
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as “How do you imagine Latin America?” and “What should American art be?” issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba’s Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of “America,” particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like “American art,” as well as “modernism” and “avant-garde,” were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or “comparison of the arts,” through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists’ and writers’ understanding of themselves and their place in the world. Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole’s original and compellingly crafted work.
Author: Paul O'Callaghan
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 366
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Book Description
Biblical apocalyptic texts that make imminent predictions of the end of the world as we know it, have fascinated Christians from the earliest times. Understandably, over the centuries such texts have been interpreted in a variety of different, even opposing, ways. This is particularly so in twentieth century biblical exegesis. Many authors would hold that apocalyptic texts, far from truly predicting the end of time, final resurrection, universal judgement and perpetual separation of just and wicked, are to be seen as merely existential or performative expressions of the sinner's radical dependence on a Sovereign Divinity. Any kind of literal interpretation of apocalyptic predictions, therefore, would seem to involve insoluble problems of a scientific, ethical and social kind that modern society cannot envisage. In this extensive biblical study, Prof. O'Callaghan considers in detail not only the eschatology present in apocalyptic works in general, and the complex debate on New Testament eschatology that flourished throughout the last century. He has also shown that the powerful apocalyptic message present in the New Testament is essentially an application and direct consequence of Jesus Christ's saving work among humans. Principally on the basis of a narrative analysis of Matthew's Christology (apocalyptic motifs abound in the first gospel), he shows that New Testament apocalyptic as it stands, while radical, challenging and theologically stimulating, is neither irrational nor ethically untenable. And this for the simple reason that the Judge who will come at the end of time, to save the just and condemn sinners, is one and the same Jesus of Nazareth, who has already offered the gift of salvation to the whole of humankind.
Author: Jaime Rodríguez Matos
Publisher: Fordham Univ Press
ISBN: 0823274098
Category : Political Science
Languages : en
Pages : 334
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Book Description
In this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.
Author: Peter Ramos
Publisher: Routledge
ISBN: 1000710963
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Poetic Encounters in the Americas: Remarkable Bridge examines the ways in which U.S. and Latin American modernist canons have been in cross-cultural, mutually enabling conversation, especially through the act of literary translation. Examining eighteen U.S. and Latin American poets, my book is one of the few works of criticism to present case studies in U.S. and Latin American poetries in dialogues that highlight the social life and imaginative encounters obtained through methodologies of translation and innovations in poetic technique.
Author: James Ramey
Publisher: University Press of Florida
ISBN: 0813070201
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This book addresses James Joyce’s borderlessness and the ways his work crosses or unsettles boundaries of all kinds. The essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work. Contributors begin by exploring the circulation of Joyce’s writing in Latin America via a transcontinental network of writers and translators, including José Lezama Lima, José Salas Subirat, Leopoldo Marechal, Edmundo Desnoës, Guillermo Cabrera Infante, and Augusto Monterroso. Essays then consider Joyce through the lens of the sciences, presenting theoretical interventions on posthumanist parasitology in Ulysses; on Giordano Bruno’s coincidence of opposites in Finnegans Wake; and on algorithmic agency in the Wake. Cutting-edge cognitive narratology is applied to the “Penelope” episode. Next, the volume features innovative essays on Joyce in relation to early animated film and comics, engaging with animated film in the “Circe” episode, Joyce’s points of contact with George Herriman’s cartoon strip Krazy Kat, and structural affinities between open-world gaming and Finnegans Wake. The final essays focus on abiding human concerns, offering new research on Joyce’s creative use of “spicy books”; a Lacanian consideration of “The Dead” alongside Katherine Mansfield’s “The Stranger” and Haruki Murakami’s “Kino”; and a meditation on Joyce’s uncertainties about the boundary between life and death. For Joyce, borders are problems—but ones that provided precious fodder for his art. And as this volume demonstrates, they encourage brilliant reflections on his work, from new scholars to leading luminaries in the field. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Author: César Augusto Salgado
Publisher: Bucknell University Press
ISBN: 9780838754207
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
At the same time, the book discusses different issues in Hispanic cultural history that influenced Lezama's reading of Joyce, describing a period of Joycean enthusiasm that arose in Hispanic American letters on the publication of the first Spanish translation of Ulysses."--BOOK JACKET.
Author: James J. Pancrazio
Publisher: Bucknell University Press
ISBN: 9780838755822
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Cuban author Alejo Carpentier (1904-1980) was a key figure in the foundation of contemporary Latin American fiction. By taking a critical position vis-a-vis the restitutionary current in Latin American studies, James Pancrazio provides a highly innovative re-reading of Carpentier's work.
