Author: John Y Cole
Publisher: W. W. Norton & Company
ISBN: 9780393045635
Category : Architecture
Languages : en
Pages : 330
Book Description
At the turn of the century, Herbert Small, a newspaperman, wrote a guide to the building and its decoration. His text, edited by Henry Hope Reed, is reproduced here. It is preceded by introductory essays by historian and Librarian of Congress Emeritus Daniel J. Boorstin and noted writer Brendan Gill. The planning and construction of the building are detailed in John Y.
Library Of Congress
Author: John Y Cole
Publisher: W. W. Norton & Company
ISBN: 9780393045635
Category : Architecture
Languages : en
Pages : 330
Book Description
At the turn of the century, Herbert Small, a newspaperman, wrote a guide to the building and its decoration. His text, edited by Henry Hope Reed, is reproduced here. It is preceded by introductory essays by historian and Librarian of Congress Emeritus Daniel J. Boorstin and noted writer Brendan Gill. The planning and construction of the building are detailed in John Y.
Publisher: W. W. Norton & Company
ISBN: 9780393045635
Category : Architecture
Languages : en
Pages : 330
Book Description
At the turn of the century, Herbert Small, a newspaperman, wrote a guide to the building and its decoration. His text, edited by Henry Hope Reed, is reproduced here. It is preceded by introductory essays by historian and Librarian of Congress Emeritus Daniel J. Boorstin and noted writer Brendan Gill. The planning and construction of the building are detailed in John Y.
American Dreams
Author: Williams College. Museum of Art
Publisher: Hudson Hills
ISBN: 9781555952105
Category : Architecture
Languages : en
Pages : 252
Book Description
Williams College, in Williamstown, MA, has collected art since the mid-19th century. In this chronological journey through American art in all media, each of 56 highlighted objects from the museum receives a mini-essay of several hundred words, signed by contributors who frequently are the acknowledged experts on particular artists or works. A full factual entry on each work appears at the back of the book, preceded by extremely brief summaries of the acquisitions histories of the overall collection's painting, drawing, sculpture, Williams portraits, prints, photographs, posters, and decorative arts. College alumni donated many items, including collections on Rube Goldberg, Thomas Nast, and the Prendergasts. This is not the definitive book on American art, but it is an excellent survey with many interesting objects not commonly reproduced. For art history collections. 64 colour & 65 b/w illustrations
Publisher: Hudson Hills
ISBN: 9781555952105
Category : Architecture
Languages : en
Pages : 252
Book Description
Williams College, in Williamstown, MA, has collected art since the mid-19th century. In this chronological journey through American art in all media, each of 56 highlighted objects from the museum receives a mini-essay of several hundred words, signed by contributors who frequently are the acknowledged experts on particular artists or works. A full factual entry on each work appears at the back of the book, preceded by extremely brief summaries of the acquisitions histories of the overall collection's painting, drawing, sculpture, Williams portraits, prints, photographs, posters, and decorative arts. College alumni donated many items, including collections on Rube Goldberg, Thomas Nast, and the Prendergasts. This is not the definitive book on American art, but it is an excellent survey with many interesting objects not commonly reproduced. For art history collections. 64 colour & 65 b/w illustrations
Keepers of Culture
Author: Howard Wayne Morgan
Publisher: Kent State University Press
ISBN: 9780873383905
Category : Architecture
Languages : en
Pages : 212
Book Description
The conflict between modern and traditional art is one of the best known episodes in American cultural history. The modernists on the war in the sense that their styles and attitudes of mind dominated the discussion and production of new art. But the traditionalists remained strong in the arenas of public opinion and taste. It is a testament to the importance of the ideas involved that the basic issues are not yet settled in the larger cultural world. Kenyon Cox, a painter as well as critic, revealed a steadfast devotion to the ideals of a high art tradition, derived in his later years chiefly from admiration for the Italian Renaissance. He knew western art history, surveyed the current art scene in many reviews and analytical essays, and wrote with careful attention to the canons of scholarship. Royals Cartissoz, the art editor of the New York Tribune for over fifty years, was an appreciator and connoisseur. His belief in "beauty" in a well-done and recognizable form left him open to more innovation than was the case with Cox. He based his views on a self-confessed ideal of common sense that left the art experience open to any sensitive person. He was well suited to speak to and for the growing middle class in the Progressive era. This viewpoint was equally adaptable, if more debatable intellectually, when modernism triumphed. The fact that he remained a significant figure in art circles long after his tastes ceased to be dominant, testified to the nature of the audience for whom and to whom he spoke. Frank Jewett Mather, Jr., was the most realistic of these critics in estimating how art appealed in society. He knew a lot about many things and was concerned to see that the arts remained integrated in public esteem and thought. Mather took comfort from the history of art, which revealed to him that great works and their creators could survive time and criticism. This sense of historical process and his great need for the unifying power of art experience let Mather escape the bitterness that so affected Cox, and to a lesser extent Cortissoz, as tastes changed. The artist's mission was to maintain and extend forms of art that promoted order and integration in society and in individual personalities. Society in turn had to see the artist as a harbinger of an intensified emotional life, but which accommodated changed perception in constructive ways. The chief fear of the traditionalists was that the new art, which seemed shocking in form and disruptive in intent, would separate artist and public to the detriment of both.
Publisher: Kent State University Press
ISBN: 9780873383905
Category : Architecture
Languages : en
Pages : 212
Book Description
The conflict between modern and traditional art is one of the best known episodes in American cultural history. The modernists on the war in the sense that their styles and attitudes of mind dominated the discussion and production of new art. But the traditionalists remained strong in the arenas of public opinion and taste. It is a testament to the importance of the ideas involved that the basic issues are not yet settled in the larger cultural world. Kenyon Cox, a painter as well as critic, revealed a steadfast devotion to the ideals of a high art tradition, derived in his later years chiefly from admiration for the Italian Renaissance. He knew western art history, surveyed the current art scene in many reviews and analytical essays, and wrote with careful attention to the canons of scholarship. Royals Cartissoz, the art editor of the New York Tribune for over fifty years, was an appreciator and connoisseur. His belief in "beauty" in a well-done and recognizable form left him open to more innovation than was the case with Cox. He based his views on a self-confessed ideal of common sense that left the art experience open to any sensitive person. He was well suited to speak to and for the growing middle class in the Progressive era. This viewpoint was equally adaptable, if more debatable intellectually, when modernism triumphed. The fact that he remained a significant figure in art circles long after his tastes ceased to be dominant, testified to the nature of the audience for whom and to whom he spoke. Frank Jewett Mather, Jr., was the most realistic of these critics in estimating how art appealed in society. He knew a lot about many things and was concerned to see that the arts remained integrated in public esteem and thought. Mather took comfort from the history of art, which revealed to him that great works and their creators could survive time and criticism. This sense of historical process and his great need for the unifying power of art experience let Mather escape the bitterness that so affected Cox, and to a lesser extent Cortissoz, as tastes changed. The artist's mission was to maintain and extend forms of art that promoted order and integration in society and in individual personalities. Society in turn had to see the artist as a harbinger of an intensified emotional life, but which accommodated changed perception in constructive ways. The chief fear of the traditionalists was that the new art, which seemed shocking in form and disruptive in intent, would separate artist and public to the detriment of both.
Bibliographic Guide to Art and Architecture
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 784
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 784
Book Description
Monthly Catalog of United States Government Publications
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1090
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1090
Book Description
National Soul
Author: Marylin J. McKay
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773569782
Category : Art
Languages : en
Pages : 329
Book Description
Examining their social, political, and economic contexts, McKay shows how the murals of this period glorified Canada as a modern nation state, extolled the virtues of commerce and industry, inculcated conventions of gender and race, and shared the intensity of nationalistic sentiment that led to the work of the more renowned painters of Toronto's Group of Seven. Bringing together for the first time a body of Canadian work - civic, commercial, religious, and private - that has been largely ignored by art historians, A National Soul challenges previous histories of Canadian painting. This generously illustrated book reproduces seldom-seen works from across the country, many of which have been moved or destroyed, and includes a comprehensive listing of all works from the period, their original and present locations, and their state of preservation.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773569782
Category : Art
Languages : en
Pages : 329
Book Description
Examining their social, political, and economic contexts, McKay shows how the murals of this period glorified Canada as a modern nation state, extolled the virtues of commerce and industry, inculcated conventions of gender and race, and shared the intensity of nationalistic sentiment that led to the work of the more renowned painters of Toronto's Group of Seven. Bringing together for the first time a body of Canadian work - civic, commercial, religious, and private - that has been largely ignored by art historians, A National Soul challenges previous histories of Canadian painting. This generously illustrated book reproduces seldom-seen works from across the country, many of which have been moved or destroyed, and includes a comprehensive listing of all works from the period, their original and present locations, and their state of preservation.
Monthly Catalogue, United States Public Documents
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 2240
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 2240
Book Description
Department of the Interior and Related Agencies Appropriations for 1985
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1340
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1340
Book Description
Art Index
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 906
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 906
Book Description
Newsletter
Author: Archives of American Art
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 40
Book Description