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Category : Art, Chinese
Languages : en
Pages : 0
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Category : Art, Chinese
Languages : en
Pages : 0
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Author: Jean Buhot
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Category :
Languages : en
Pages :
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Author: Raphael Petrucci
Publisher: Createspace Independent Pub
ISBN: 9781481242356
Category : Art
Languages : en
Pages : 76
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Book Description
Chinese Painters. A Critical Study. By Raphael Petrucc.i In Raphael Petrucci, who died early in 1917, the world has lost one of the ablest and most devoted students and interpreters of the art of the Far East. He was only forty-five years of age, in the prime of his powers, brimming with energy and full of enterprises that promised richly. Though he did not die in the field, he was none the less a victim of the war. He had exhausted himself by his labours with the Belgian ambulances at La Panne, for Belgium was his adopted country. He had a house in Brussels, filled with a collection of Chinese and Japanese art, and a little cottage near the coast just over the borders of Holland. He came of the great and ancient Sienese family of the Petrucci, but his mother was French and he spent much of his earlier life in Paris, before settling in Brussels and marrying one of the daughters of the painter Verwee. He had also spent some time in Russia. In Brussels he was attached to the Institut Solvay. He was a man of science, a student of and writer on sociology and biology. He lectured on art and had a knowledge of the art of the world which few men in Europe rivalled. He wrote a philosophic novel, La Porte de l'Amour et de la Mort, which has run through several editions. He published a book on Michelangelo's poetry. At the same time he was a scientific engineer. When war broke out Petrucci was on his way home from Italy, where he had been engaged, I believe, on some large engineering project and he only got out of Switzerland into France by the last train which left Basle. He came to England for a time, looking after a number of Belgian refugees, including some very distinguished artists. At the end of 1914 he was engaged by the India office to do some valuable work in London on the collection of Chinese and Tibetan paintings brought back from Tun-huang by Sir Aurel Stein. He then worked at La Panne for the Belgian army hospital (he had had a medical training in his youth), went to Provence for a rest, fell ill and died in Paris after an operation. Raphael Petrucci was a man who seemed to reincarnate the boundless curiosity and the various ability of the men of the Italian Renaissance. But for some years before his death he had concentrated his powers chiefly on the study of Oriental art, of the Chinese language, and of Buddhist iconography. His most important work in this line is La Philosophie de la Nature dans l'Art d'Extreme Orient, a sumptuously printed folio published by Laurens in Paris, with illustrations by the Kokka Company, and written with as much charm as insight. Petrucci's knowledge of Chinese gave him an authority in interpreting Chinese art which writers on the subject have rarely combined with so much understanding of art in general, though as a connoisseur he was sometimes over-sanguine. His translation from a classic of Chinese art-criticism, originally published in a learned magazine, has lately appeared in book form. With his friend, Professor Chavannes, whose death, also in the prime of life, we have had to deplore still more recently, Petrucci edited the first volume of the splendid series Ars Asiatica. The present work, intended for the general reader and lover of art, illustrates his gift for luminous condensation and the happy treatment of a large theme. A man of winning manners, a most generous and loyal friend, Petrucci wore his manifold learning lightly; with immense energy and force of character, he was simple and warm-hearted and interested in the small things as well as the great things of life.
Author: Hugo Munsterberg, Ph.D.
Publisher: Tuttle Publishing
ISBN: 1462902952
Category : Art
Languages : en
Pages : 203
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Book Description
The arts of China explores the world's oldest continuous artistic tradition as well as one of its most brilliant. In this stimulating art history, noted Oriental art authority Dr. Hugo Munsterberg traces the history of Chinese art dynasty by dynasty, elucidating the origins and development of major movements in Chinese painting, ceramics, bronzes, sculpture, and architecture. He clearly describes and defines the important trends and influences that culminated in the brilliant sculpture of the Tang Dynasty, the enchanting landscape paintings of the Song Dynasty, and the exquisite ceramics of the Ming Dynasty. Outstanding examples of each genre are presented in over one hundred superb color and black-and-white photographs.
Author: William Watson
Publisher: Yale University Press
ISBN: 0300107358
Category : Art
Languages : en
Pages : 300
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Book Description
This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.
Author: Robert L. Thorp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Items representing 25 centuries of Chinese imperial history.
Author: Henri Frankfort
Publisher:
ISBN: 9780300053319
Category : Art
Languages : en
Pages : 456
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Author: Michael Sullivan
Publisher:
ISBN: 9780520024960
Category : Art
Languages : en
Pages : 260
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Author: Royal Asiatic Society of Great Britain and Ireland. North China Branch, Shanghai
Publisher:
ISBN:
Category : China
Languages : en
Pages : 852
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Book Description
Contains list of members.
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 800
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