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Author: James F. Jereb
Publisher: Chronicle Books (CA)
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
The spectacular arts and crafts of Morocco reflect a timeless mingling of influences from Moorish Spain, sub-Saharan Africa, and the Middle East - all the exotic worlds that once congregated at this crossroads of ancient trading routes. Striking in its versatility and diversity, Moroccan art has long influenced artists, architects, and designers. This volume, superbly illustrated with more than 150 original color photographs, brings the dazzling splendor of a thriving artisan tradition to a wider and increasingly appreciative international audience. Vibrantly colored textiles; exquisitely crafted jewelry: finely worked leather, wood, metal; and an enormous collection of pottery and ceramics are all gathered together in this engaging guide by a leading Morroco scholar. These marvelous objects are inspired in form and content by the tribal lifestyle and powerful animistic beliefs of the nomadic artisans, as well as by the compelling aesthetic traditions of the Moslem world, giving each item's utility and remarkable beauty a spiritual resonance. With a lively text describing traditional artistic forms and techniques, and a comprehensive analysis of the belief systems, festivals, and ceremonies to which the arts are linked, Arts and Crafts of Morocco will prove irresistible not only to those intrigued by this fascinating land, but also to collectors, designers, and anyone in search of original decorative ideas.
Author: James F. Jereb
Publisher: Chronicle Books (CA)
ISBN:
Category : Art
Languages : en
Pages : 172
Get Book Here
Book Description
The spectacular arts and crafts of Morocco reflect a timeless mingling of influences from Moorish Spain, sub-Saharan Africa, and the Middle East - all the exotic worlds that once congregated at this crossroads of ancient trading routes. Striking in its versatility and diversity, Moroccan art has long influenced artists, architects, and designers. This volume, superbly illustrated with more than 150 original color photographs, brings the dazzling splendor of a thriving artisan tradition to a wider and increasingly appreciative international audience. Vibrantly colored textiles; exquisitely crafted jewelry: finely worked leather, wood, metal; and an enormous collection of pottery and ceramics are all gathered together in this engaging guide by a leading Morroco scholar. These marvelous objects are inspired in form and content by the tribal lifestyle and powerful animistic beliefs of the nomadic artisans, as well as by the compelling aesthetic traditions of the Moslem world, giving each item's utility and remarkable beauty a spiritual resonance. With a lively text describing traditional artistic forms and techniques, and a comprehensive analysis of the belief systems, festivals, and ceremonies to which the arts are linked, Arts and Crafts of Morocco will prove irresistible not only to those intrigued by this fascinating land, but also to collectors, designers, and anyone in search of original decorative ideas.
Author: Cynthia Becker
Publisher: University of Texas Press
ISBN: 0292756194
Category : History
Languages : en
Pages : 241
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Book Description
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.
Author: Hamid Irbouh
Publisher: Bloomsbury Publishing
ISBN: 0857725157
Category : History
Languages : en
Pages : 296
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Book Description
In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.
Author: Landt Dennis
Publisher: Clarkson Potter
ISBN: 9780517574201
Category : Architecture, Domestic
Languages : en
Pages : 0
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Book Description
Morocco celebrates the decorative arts and centuries-old folk traditions of a country in the midst of a cultural renaissance. The glorious photographs make this book a joy for the armchair traveler, while the documentary information about Morocco's houses, arts, and crafts make it invaluable for everyone interested in design. Full-color photographs.
Author: Ilay Cooper
Publisher: Thames & Hudson
ISBN: 9780500278635
Category : Art
Languages : en
Pages : 160
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Book Description
A discussion of each medium, ranging from wood to basketry complemented by an outline of the regional styles, history and the social and symbolic significance of many of the artefacts.
Author: Susan Sully
Publisher:
ISBN: 9780500285817
Category : Architecture
Languages : en
Pages : 224
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Book Description
With its intoxicating design mix of Berber, Arab, Spanish and Art Deco styles, Morocco could well be called the birthplace of fusion - and it continues to absorb design influences from the West. In New Moroccan Style, now available in paperback, Susan Sully takes readers on a lavishly illustrated tour through some of Morocco's private homes, stylish resorts and intimate guest-houses. We visit Dar Tamsna, the epitome of Moroccan fusion, and a riad that is a meditation in grey and white. Orientalism reigns in a village in a date palm grove, while an old stone house outside Essaouira has been transformed into a sensually rustic retreat. Sully catalogues both traditional and contemporary arts and crafts, to show readers how to introduce the beauty and spirit of Morocco into their home decor. Complementing the houses are recipes and tips for entertaining Moroccan-style, as well as a comprehensive source guide for travellers and shoppers. A treasure trove of ideas and images, here is a treat for the eyes, palate and imagination brought to life by a fresh voice in design.
Author: Lisa Bernasek
Publisher: Harvard University Press
ISBN: 0873654056
Category : Architecture
Languages : en
Pages : 144
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Book Description
"In Artistry of the Everyday: Beauty and Craftsmanship in Berber Art, anthropologist Lisa Bernasek gives an insightful overview of Berber history and culture, focusing on the rich aesthetic traditions of Berber craftsmen and -women. She also tells the stories of the collectors whose generosity enhanced the holdings of the Peabody Museum. In a final chapter, she looks at Berber arts in the present day, examining how traditional arts are being used in new forms by Berber artists in North Africa and Europe."--BOOK JACKET.
Author:
Publisher: Art Creation Realisation
ISBN: 2867701244
Category : Art
Languages : en
Pages : 480
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Book Description
Provides keys to the understanding of Moroccan architecture and geometical arabesques.
Author: Niloo Imami Paydar
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 314
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Book Description
For centuries, the people of Morocco have been producing magnificent embroideries, pile rugs, and flatweaves. The Fabric of Moroccan Life showcases rare embroideries, hangings, and rugs that reflect the broad range of traditions and cultural influences active in Morocco during the 18th, 19th, and 20th centuries. The book explores the artistic importance of these superb weavings as well as their central role in Moroccan culture.Approximately 150 pieces - and numerous details - are illustrated in colour, and additional photographs (including many that were taken in the 1930s) show how they were once used in everyday life in Morocco. The book includes essays on Moroccan embroidery and its origins, traditional costumes of the cities and rural areas, the weavings of the Berbers and other ethnic groups, and the distinctive characteristics of items made by particular ethnic sub-groups. The contributing writers are eminent scholars and experts in a variety of fields, including Moroccan history and culture; Moroccan rugs, textiles, and clothing; and natural dyes. A wealth of information is included that has never before been available in one volume.Niloo Imami Paydar is curator of textiles and costumes at the Indianapolis Museum of Art. Ivo Grammet is coordinator of a new museum in Nador, northern Morocco. The contributors include Gérard Boëly, Gebhard Blazek, Katherine Dolk-Ellis, Narjys El Alaoui, Mustapha Hansali, Annette Korolnik-Andersch, Marcel Korolnik, Zineb Lehmam, Russell Pickering, Ahmed Skounti, Frieda Sorber, Wilfried Stanzer, and Marie-France Vivier.
Author: Hamid Irbouh
Publisher:
ISBN: 9780755607495
Category : Art, Colonial
Languages : en
Pages : 280
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Book Description
"Art in the Service of Colonialism throws new light on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period. Hamid Irbouh argues that during the Moroccan Protectorate (1912-1956), the French imposed their domination through a systematic modernisation and regulation of local arts and crafts. They also stewarded Moroccans into industrial life by establishing vocational and fine arts schools. The French archives, Arabic sources, and oral testimonies, which Irbouh used, demonstrate complex relationships between colonial administrators of both genders and their interactions with Moroccan officials, notables, and the poor. The French co-opted some locals into joining these educational institutions, which respected and reinforced familiar pre-Protectorate social structures. The artisans become The Best Workers in the French Empire, and artists exhibited abroad and cultivated a European and American clientele. The contradictions between reformist goals and the old order, nevertheless, added to social dislocations and led to rebellion against French hegemony. Irbouh focuses on how French women infiltrated the feminine Moroccan milieu to buttress colonial ideology, and how, at critical moments, Moroccan women and their daughters rejected traditional passive roles and sabotaged colonial plans. France's legacy in Moroccan arts and crafts provoked a backlash in the postcolonial period. After independence local artists, searching for their own identities, sought to reclaim their authenticity. The struggle to define a pristine visual heritage still rages, and the author, by underlining French contributions to Moroccan artistic and craft production, challenges the conclusions of the artists and critics who have argued for the establishment of an unadulterated art devoid of most or even all foreign influences. As in so many areas of Moroccan society, this book reveals that the weight of colonial history remains heavily present. In this well-conceived book based on original archival sources Hamid Irbouh investigates how French colonial administrators employed French women to inculcate colonial ideology by establishing new craft schools for notable and poor families in Moroccan cities. The French intended not only to teach modernized versions of old Moroccan crafts, but also wanted to instill new work habits and modern concepts of time into the girls and young women who attended their schools. Dr. Irbouh demonstrates how French women administrators took the lead in this effort and also shows how Moroccan women absorbed their lessons, but also resisted the colonial enterprise. His is a novel approach to colonial art history, situating Moroccan art production in large social, political and ideological contexts."--Bloomsbury publishing.
