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Author: Courtauld Institute of Art
Publisher: Routledge
ISBN: 135176313X
Category : Art
Languages : en
Pages : 219
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Book Description
This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.
Author: Courtauld Institute of Art
Publisher: Routledge
ISBN: 135176313X
Category : Art
Languages : en
Pages : 219
Get Book Here
Book Description
This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.
Author: Catherine Jolivette
Publisher: Routledge
ISBN: 1351573152
Category : Art
Languages : en
Pages : 305
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Book Description
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
Author: Rebecca Searle
Publisher: Bloomsbury Publishing
ISBN: 1350075450
Category : History
Languages : en
Pages : 167
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Book Description
The War Artists' Advisory Committee (WAAC) were responsible for the production of some of the most iconic images of the Second World War. Despite its rich historical value, this collection has been poorly utilised by historians and hasn't been subjected to the levels of analysis afforded to other forms of wartime culture. This innovative study addresses this gap by bringing official war art into dialogue with the social, economic and military histories of the Second World War. Rebecca Searle explores the tensions between the documentarist and propagandistic roles of the WAAC in their representation of aerial warfare in the battle for production, the Battle of Britain, the Blitz and the bombing of Germany. Her analyses demonstrate that whilst there was a strong correlation between war art and propaganda, the WAAC depicted many aspects of experience that were absent from wartime propaganda, such as class divisions within the services, gendered hierarchies within industries, civilian death and the true nature of the bombing of Germany. In addition, she shows that propagandistic constructions were not entirely separate from lived experience, but reflected experience and shaped the way that individuals made sense of the war. Accessibly written, highly illustrated and packed with valuable examples of the use of war art as historical source, this book will enhance our understanding of the social and cultural history of Britain during the Second World War.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
Author: Adrian Clark & Jeremy Dronfield
Publisher: Metro Publishing
ISBN: 1784186287
Category : Art
Languages : en
Pages : 316
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Book Description
When Peter Watson was murdered in his bath by a jealous boyfriend in 1956, the art world lost one of its wealthiest, most influential patrons. This compellingly attractive man, adored by Cecil Beaton; a man who was called a legend by contemporaries, who was the subject of two scandalous novels, and who helped launch the careers of Francis Bacon, John Craxton and Lucian Freud, fell victim to a fortune-hungry lover.Elegant and hungrily sexual, Peter Watson had a taste for edgy, disreputable boyfriends. He was the unrequited love of Cecil Beaton's life - his 'queer saint' - but Peter preferred the risk of edgier, less sophisticated lovers, including the beautiful, volatile, drug-addicted prostitute Denham Fouts. Peter's thirst for adventure took him through the cabaret culture of 1930s Berlin, the demi-monde and aristocratic salons of pre-war Paris, English high society, and the glitz of Hollywood's golden age.Gore Vidal described him as 'a charming man, tall, thin, perverse. One of those intricate English queer types who usually end up as field marshals, but because he was so rich he never had to do anything.' Truman Capote called him 'not just another rich queen, but - in a stooped, intellectual, bitter-lipped style - one of the most personable men in England'.More than just a gay playboy, Peter Watson was a renowned connoisseur, and fuelled the engine of mid-twentieth century art with his enormous wealth. Without his patronage, Bacon and Freud might have failed before they'd got started. He also founded the influential British arts journal Horizon with Cyril Connolly and Stephen Spender, and was one of the core founders of the Institute of Contemporary Arts, and organised most of its early exhibitions.From the mystery of his obscure family origins to the enigma surrounding his premature death, this book follows Peter Watson through an odyssey of the mid twentieth century, from high society to sweaty underworld, and discovers a man tormented by depression and doubt; he ultimately wanted love and a sense of self-worth but instead found angst and a squalid death.'PETER WATSON (1908-1956), LONG FORGOTTEN AS AN ASTUTE GREY EMINENCE IN THE ART WORLD OF HIS DAY, DISCERNING COLLECTOR OF PAINTINGS, PATRON OF THE YOUNG AND PROMISING, FOUNDER AND BENEFACTOR OF THE INSTITUTE OF CONTEMPORARY ARTS, IS AT LAST AND DESERVEDLY THE SUBJECT OF A SCRUPULOUS AND COMPELLING INVESTIGATION' - BRIAN SEWELL'THIS COMPELLING REDISCOVERY OF THE LIFE AND DEATH OF PETER WATSON CASTS NEW LIGHT ON THE INTELLECTUAL AND ARTISTIC WORLD OF MID-TWENTIETH-CENTURY BRITAIN: THE WORLD OF BACON AND FREUD, CYRIL CONNOLLY AND STEPHEN SPENDER' - LOYD GROSSMAN, CHAIRMAN OF THE HERITAGE ALLIANCE
Author: Fiona Fisher
Publisher: Routledge
ISBN: 1317509323
Category : Architecture
Languages : en
Pages : 195
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Book Description
In Designing the British Post-War Home Fiona Fisher explores the development of modern domestic architecture in Britain through a detailed study of the work of the successful Surrey-based architectural practice of Kenneth Wood. Wood’s firm is representative of a geographically distinct category of post-war architectural and design practice - that of the small private practice that flourished in Britain’s expanding suburbs after the removal of wartime building restrictions. Such firms, which played an important role in the development of British domestic design, are currently under-represented within architectural histories of the period. The private house represents an important site in which new spatial, material and aesthetic parameters for modern living were defined after the Second World War. Within a British context, the architect-designed private house remained an important ‘vehicle for the investigation of architectural ideas’ by second generation modernist architects and designers. Through a series of case study houses, designed by Wood’s firm, the book reconsiders the progress of modern domestic architecture in Britain and demonstrates the ways in which architectural discourse and practice intersected with the experience, performance and representation of domestic modernity in post-war Britain.
Author: Simon Pierse
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409420545
Category : Art
Languages : en
Pages : 318
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Book Description
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. Publishing for the first time previously unavailable archival material, this book demonstrates how the work of these expatriate artists constructed a distinct vision of Australian identity for a foreign market.
Author: David Bindman
Publisher: Yc British Art
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Leading authorities explore the transition from the High Victorian period to the counterculture of the 1960s and the Young British Artists of the 1990s. The book brings to the fore Britain's complex role as a focus for the dissemination of modernist ideas, as well as the reaction against them, and details the political, social, and commercial relationships underpinning the role of art and artists in the history of modern Britain. Distributed for the Yale Center for British Art and Tate Britain
Author: Alastair Davies
Publisher: Routledge
ISBN: 113510008X
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
From Angus Wilson to Pat Barker and Salman Rushdie, British Culture of the Post-War is an ideal starting point for those studying cultural developments in Britain of recent years. Chapters on individual people and art forms give a clear and concise overview of the progression of different genres. They also discuss the wider issues of Britain's relationship with America and Europe, and the idea of Britishness. Each section is introduced with a short discussion of the major historical events of the period. Read as a whole, British Culture of the Postwar will give students a comprehensive introduction to this turbulent and exciting period, and a greater understanding of the cultural production arising from it.
Author: Deanna Petherbridge
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 540
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Book Description
Beginning with a consideration of traditional connoisseurship and ancient myths about the origins of drawing, Deanna Petherbridge examines the polarities of open-ended sketches and highly finished presentation drawings that constitute a drawing continuum: graphic parameters within which artists continue to experiment. She examines the `economy' of drawing, that is, its materials and techniques and qualities of line and mark, and she analyses strategies of making, composing, inventing and development through revealing juxtapositions of historical and contemporary images. The teaching of drawing across the centuries in academies has led to the production of drawing and anatomical manuals and complex theories about copying, hierarchies of genres, the centrality of the expressive body and responses to nature. Such issues even become the subject matter of graphic images or are incorporated into drawings of the act of drawing. The manner in which satire, sexuality or play are encoded in line and mark and generate compositional strategies reveals the thinking of Petherbridge as a teacher, concerned for many years to understand the hows and whys of making and visual thinking. The book is both a much-needed history of practice and a rich resource for anyone interested in drawing. --Book Jacket.
