Author: David Lloyd Thomas
Publisher: A H Stockwell Limited
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 378
Book Description
The Old Torquay Potteries, from Castle to Cottage
Author: David Lloyd Thomas
Publisher: A H Stockwell Limited
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 378
Book Description
Publisher: A H Stockwell Limited
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 378
Book Description
Artisan reports on the Paris universal exhibition of 1878 (ed. by H.T. Wood with the assistance of R.J. Mann).
Author: Royal society of arts
Publisher:
ISBN:
Category :
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 690
Book Description
Artisan Reports on the Paris Universal Exhibition of 1878
Author: Royal Society of Arts (Great Britain)
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 690
Book Description
Pottery, Glass & Brass Salesman
Author:
Publisher:
ISBN:
Category : Brass industry and trade
Languages : en
Pages : 930
Book Description
Publisher:
ISBN:
Category : Brass industry and trade
Languages : en
Pages : 930
Book Description
Artisans of the Torquay Potteries
Author: Andy Violet
Publisher:
ISBN: 9780951508978
Category :
Languages : en
Pages : 84
Book Description
Publisher:
ISBN: 9780951508978
Category :
Languages : en
Pages : 84
Book Description
Art, Artisans and Apprentices
Author: James Ayres
Publisher: Oxbow Books
ISBN: 1782977457
Category : History
Languages : en
Pages : 537
Book Description
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ eighteenth century.
Publisher: Oxbow Books
ISBN: 1782977457
Category : History
Languages : en
Pages : 537
Book Description
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ eighteenth century.
The Artist
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Kelly's Directory of Merchants, Manufacturers and Shippers of the World
Author:
Publisher:
ISBN:
Category : Commerce
Languages : en
Pages : 1452
Book Description
Publisher:
ISBN:
Category : Commerce
Languages : en
Pages : 1452
Book Description
The Friend of All
Author: Charles M. Green
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1218
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1218
Book Description
Encyclopedia of Associations
Author:
Publisher:
ISBN: 9780787682798
Category : Associations, institutions, etc
Languages : en
Pages : 1340
Book Description
Publisher:
ISBN: 9780787682798
Category : Associations, institutions, etc
Languages : en
Pages : 1340
Book Description