Artaria 195: Transcription PDF Download
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Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
The Beethoven sketchbook known as Artaria 195, is examined in a three volume format, which allows comparison between the original manuscript and its transcriptions along with a commentary which serves as a critical guide to the Missa solemnis and Piano sonata in E major, opus 109.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
The Beethoven sketchbook known as Artaria 195, is examined in a three volume format, which allows comparison between the original manuscript and its transcriptions along with a commentary which serves as a critical guide to the Missa solemnis and Piano sonata in E major, opus 109.
Author:
Publisher: University of Illinois Press
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author:
Publisher: University of Illinois Press
ISBN:
Category :
Languages : en
Pages : 140
Get Book Here
Book Description
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
The Beethoven sketchbook known as Artaria 195, is examined in a three volume format, which allows comparison between the original manuscript and its transcriptions along with a commentary which serves as a critical guide to the Missa solemnis and Piano sonata in E major, opus 109.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
The Beethoven sketchbook known as Artaria 195, is examined in a three volume format, which allows comparison between the original manuscript and its transcriptions along with a commentary which serves as a critical guide to the Missa solemnis and Piano sonata in E major, opus 109.
Author: Ludwig van Beethoven
Publisher: Beethoven Sketchbook
ISBN: 9780252027499
Category : Music
Languages : en
Pages : 396
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Book Description
A primary source for Beethoven scholarship revealing the creative processes of one of the greatest masters of musical art, this three-volume set makes available in print for the first time Artaria 195, the large-format sketchbook and central document for Beethoven's compositional activity during 1820. Artaria 195 includes sketches for two of Beethoven's masterpieces: the Piano Sonata in E Major, Op. 109, and the Missa solemnis, Op. 123. It also preserves Beethoven's work on the Bagatelles Op. 119, Nos. 7-11, and other unknown brief piano pieces. Beethoven's sketchbooks were his workshop. Capturing the methods he used to craft his ideas into art, they reveal his complex creativity and offer rich material for examining his revision process. Variations in his entries reflect the range of his musical moods and offer clues about the circumstances of composition. His notes and shorthand can illuminate the ways he expanded and refined ideas, clarify biographical or musical mysteries, or call attention to deliberate links between compositions. This edition includes a full-scale color facsimile of this major sketchbook, which will allow scholars to distinguish between shades of ink and pencil markings and discern layers of notations for Beethoven's works in progress. Beethoven's handwriting is fascinating, but also puzzling and idiosyncratic. William Kinderman has fully deciphered and annotated the sketchbook in the transcription volume. His analyses and discoveries are revealed in the separate book-length commentary, which serves as a guide for users as they compare the sketchbook with the transcriptions. Kinderman explores all other sources used by Beethoven while Artaria 195 was in use, and provides detailed inspection of the evolution and style of this remarkable music. New light is shed on the genesis of his last three piano sonatas, and revealing perspectives emerge on the psychology of his creative process.
Author: Robin Wallace
Publisher: University of Chicago Press
ISBN: 0226815366
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
We're all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven's response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven's music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, at the age of forty-four, Wallace's late wife, Barbara, found she couldn't hear out of her right ear-the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn't overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn't do those things, either. Rather than heroically overcoming his deafness, as we're commonly led to believe, Beethoven accomplished something even more difficult and challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Creating music became for Beethoven a visual and physical process, emanating from visual cues and from instruments that moved and vibrated. His deafness may have slowed him down, but it also led to works of unsurpassed profundity.
Author: Friedemann Sallis
Publisher: Cambridge University Press
ISBN: 0521866480
Category : Music
Languages : en
Pages : 297
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Book Description
This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Author: William Drabkin
Publisher: Cambridge University Press
ISBN: 9780521378314
Category : Music
Languages : en
Pages : 140
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Book Description
William Drabkin considers Beethoven's Missa Solemnis as a musical expression of the most celebrated text of the Roman Catholic faith - the mass.
Author: Michael Spitzer
Publisher: Routledge
ISBN: 1351574299
Category : History
Languages : en
Pages : 551
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Book Description
Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies.
