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Author: Angeliki Lymberopolou
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0
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Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.
Author: Angeliki Lymberopolou
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0
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Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.
Author: Emma Barker
Publisher: Tate Enterprises Ltd
ISBN: 1849761094
Category : Art
Languages : en
Pages : 684
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Book Description
An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist
Author: Alexis L. Boylan
Publisher: MIT Press
ISBN: 0262359723
Category : Art
Languages : en
Pages : 250
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Book Description
As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so.
Author: T. J. Demos
Publisher: Routledge
ISBN: 1000342247
Category : Art
Languages : en
Pages : 493
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Book Description
International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, and their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice-based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology.
Author: S. Plate
Publisher: Palgrave Macmillan
ISBN: 9780312240295
Category : Religion
Languages : en
Pages : 240
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Book Description
Religion, Art, and Visual Culture is a cross-cultural exploration of the study of visuality and the arts from a religious perspective. This forward looking and accessible collection gathers together the most current scholarship for those interested in art, religion, visual culture, and cultural studies. Inherently interdisciplinary, this reader approaches the study of world religions through the human, meaning-making activity of seeing. The volume oscillates between specific visual subjects (painting, landscape gardens, calligraphy, architecture, mass media) and the broader theoretical discourses which are relevant to Humanities students today.
Author: Shin, Ryan
Publisher: IGI Global
ISBN: 1522516662
Category : Art
Languages : en
Pages : 417
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Book Description
Art is a multi-faceted part of human society, and often is used for more than purely aesthetic purposes. When used as a narrative on modern society, art can actively engage citizens in cultural and pedagogical discussions. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement is a pivotal reference source for the latest scholarly material on the relationship between popular media, art, and visual culture, analyzing how this intersection promotes global pedagogy and learning. Highlighting relevant perspectives from both international and community levels, this book is ideally designed for professionals, upper-level students, researchers, and academics interested in the role of art in global learning.
Author: Malcolm Barnard
Publisher: Bloomsbury Publishing
ISBN: 1349269174
Category : Social Science
Languages : en
Pages : 226
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Book Description
Most of our expereince is visual. We obtain most of our information and knowledge through sight, whether from reading books and newspapers, from watching television or from quickly glimpsing road signs. Many of our judgements and decisions, concerning where we live, what we shall drive and sit on and what we wear, are based on what places, cars, furniture and clothes look like. Much of our entertainment and recreation is visual, whether we visit art galleries, cinemas or read comics. This book concerns that visual experience. Why do we have the visual experiences we have? Why do the buildings, cars, products and advertisements we see look the way they do? How are we to explain the existence of different styles of paintings, different types of cars and different genres of film? How are we to explain the existence of different visual cultures? This book begins to answer these questions by explaining visual experience in terms of visual culture. The strengths and weaknesses of traditional means of analysing and explaining visual culture are examined and assessed. Using a wide range of historical and contemporary examples, it is argued that the groups which artists and designers form, the audiences and markets which they sell to, and the different social classes which are produced and reproduced by art and design are all part of the successful explanation and critical evaluation of visual culture.
Author: Steve Edwards
Publisher: Tate Enterprises Ltd
ISBN: 1849761108
Category : Art
Languages : en
Pages : 699
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Book Description
An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1850-2010: Modernity to Globalisation" includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists. The third of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction: stories of modern art Part 1: Art and modernity 1:Avant-garde and modern world: some aspects of art in Paris and beyond c.1850-1914 2: Victorian Britain: from images of modernity to the modernity of images 3: Cubism and Abstract Art revisited 4: Modernism in architecture and design: function and aesthetic Part 2: From modernism to globalisation 5: Modernism and figuration 6: From Abstract Expressionism to Conceptual Art: a survey of New York art c.1940-1970 7: Border crossings: installations, locations and travelling artists 8: Global dissensus: art and contemporary capitalism
Author: Asbjørn Skarsvåg Grønstad
Publisher: Springer Nature
ISBN: 3030461769
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
This is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. Rethinking Art and Visual Culture shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency.
Author: Suzanna Ivanic
Publisher: National Geographic Books
ISBN: 0500252548
Category : Art
Languages : en
Pages : 0
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Book Description
This richly illustrated book provides the visual keys for any art lover to decode and understand the iconography, tenets, sites, and rituals of the Catholic faith through accessible analysis of its visual and material culture. Focusing on a carefully curated selection of Catholic art and artifacts, this volume explores the influence of iconography and the mystic power of a range of ritual objects. Expert Suzanna Ivanic identifies hidden visual symbols in paintings and examines them close-up, building a catalog of key symbols for readers to use to interpret Catholic art and culture. Catholica is organized into three sections—”Tenet,” “Locus,” and “Spiritus”—each with three themed subdivisions. Part one introduces the centerpieces of the faith, surveying symbolism in the artistic representation of the holy family, apostles, and saints in stories from scripture. The second part examines places of worship, identifying the essential elements of the cathedral and presenting evocative images of roadside shrines. The third part explores celebrations and traditions, in addition to personal devotional tools and jewelry. For each of the nine central themes of the faith, introductory text is followed by pages that look in-depth at paintings and artifacts, identifying and explaining the symbolism and stories depicted. As the book progresses, readers build up their knowledge of the entire Catholic visual code—the symbols that define Catholic practice, the attributes of the saints, the parts of the cathedral—allowing them to interpret all Catholic imagery and objects wherever they find them and consequently to better understand the tenets, sites, and rituals of this faith.
