Art, Vision, and Symmetry PDF Download
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Author: John Shoaff
Publisher:
ISBN: 9781950659746
Category : Architecture
Languages : en
Pages : 108
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Book Description
Author: John Shoaff
Publisher:
ISBN: 9781950659746
Category : Architecture
Languages : en
Pages : 108
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Book Description
Author: Gyorgy Kepes
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 240
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Book Description
Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 9780520243835
Category : Art
Languages : en
Pages : 526
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Book Description
A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
Author: Magdolna Hargittai
Publisher: World Scientific
ISBN: 9812835326
Category : Science
Languages : en
Pages : 220
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Book Description
The authors, world-renowned scientists, have already produced a dozen books on symmetry for professionals as well as lay persons, for grownups as well as children, in English, Russian, German, Hungarian, and Swedish languages. They provide this attractive account of symmetry in few words and many oOe1/4OCO as many as 650 oOe1/4OCO images in full color from the most diverse corners of our globe. An encounter with this book will open up a whole new experience for the reader, who will never look at the world with the same eyes as before."
Author: Tavis Leaf Glover
Publisher: Tavis Leaf Glover
ISBN: 1733761225
Category : Art
Languages : en
Pages : 506
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Book Description
Serious visual artists can now easily understand and apply the secret geometry that masters used to create remarkable art. Superior mathematical skills aren’t required because there are hundreds of excellent step-by-step diagrams to explain everything with simplicity. Learn how the ancient and modern masters used dynamic symmetry to promote unity, movement, rhythm, and strength. These qualities, along with many others, allowed their art to have visual clarity, impact, and stand the test of time. This is an essential book for painters, photographers, sculptors, and cinematographers that hold composition and design with a high priority. For far too long, artists have been stuck with the basic tools of artistic composition, like the rule of thirds and leading lines. Unfortunately, we’re incapable of reaching the master level if all we know are the basics. Powerful tools like dynamic symmetry and other composition techniques have been kept a secret from all of us. It’s time to learn of them, push past any plateau that stands in our way, and finally unlock our true potential!
Author: Werner Hahn
Publisher: World Scientific
ISBN: 9810223633
Category : Mathematics
Languages : en
Pages : 533
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Book Description
Looking beyond the boundaries of various disciplines, the author demonstrates that symmetry is a fascinating phenomenon which provides endless stimulation and challenges. He explains that it is possible to readapt art to the sciences, and vice versa, by means of an evolutionary concept of symmetry. Many pictorial examples are included to enable the reader to fully understand the issues discussed. Based on the artistic evidence that the author has collected, he proposes that the new ars evolutoria can function as an example for the sciences.The book is divided into three distinct parts, each one focusing on a special issue. In Part I, the phenomenon of symmetry, including its discovery and meaning is reviewed. The author looks closely at how Vitruvius, Polyclitus, Democritus, Plato, Aristotle, Plotinus, Augustine, Alberti, Leonardo da Vinci and Durer viewed symmetry. This is followed by an explanation on how the concept of symmetry developed. The author further discusses symmetry as it appears in art and science, as well as in the modern age. Later, he expounds the view of symmetry as an evolutionary concept which can lead to a new unity of science. In Part II, he covers the points of contact between the form-developing process in nature and art. He deals with biological questions, in particular evolution.The collection of new and precise data on perception and knowledge with regard to the postulated reality of symmetry leads to further development of the evolutionary theory of symmetry in Part III. The author traces the enormous treasure of observations made in nature and culture back to a few underlying structural principles. He demonstrates symmetry as a far-reaching, leading, structuring, causal element of evolution, as the idea lying behind nature and culture. Numerous controllable reproducible double-mirror experiments on a new stereoscopic vision verify a symmetrization theory of perception.
Author: Marco Bertamini
Publisher: MDPI
ISBN: 303842496X
Category : Electronic book
Languages : en
Pages : 207
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Book Description
This book is a printed edition of the Special Issue "Symmetry in Vision" that was published in Symmetry
Author: Michel Jacobs
Publisher:
ISBN:
Category : Composition
Languages : en
Pages : 174
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Book Description
Author: Michael Leyton
Publisher: MIT Press
ISBN: 9780262621311
Category : Philosophy
Languages : en
Pages : 644
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Book Description
In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies--in perception, linguistics, art, and even political subjugation--that support these rules. Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory. Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation.
Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN:
Category : Art
Languages : en
Pages : 512
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Book Description
