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Author: Patricia Egan
Publisher: ABRAMS
ISBN:
Category : Art
Languages : de
Pages : 832
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Book Description
Author: Patricia Egan
Publisher: ABRAMS
ISBN:
Category : Art
Languages : de
Pages : 832
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Book Description
Author: A.C. Hamilton
Publisher: Routledge
ISBN: 1134934823
Category : Literary Collections
Languages : en
Pages : 2447
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Book Description
'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject.
Author: Joscelyn Godwin
Publisher: Red Wheel/Weiser
ISBN: 9780933999695
Category : Body, Mind & Spirit
Languages : en
Pages : 100
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Book Description
Robert Fludd was one of the last true 'Renaissance men' who took all learning as their preserve and tried to encompass the whole of human knowledge. His voluminous writings were devoted to defending the philosophy of the alchemists and Rosicrucians, and applying their doctrines to a vast description of man and the universe. Expounding the ideas of cosmic harmony, the multiple levels of existence and the correlations between them, Fludd summarizes esoteric teachings common to all ages and peoples. Fludd had a genius for expressing his philosophy and cosmology in graphic form, and his works were copiously illustrated by some of the best engravers of his day. All of Fludd's important plates are collected here for the first time, annotated and explained, together with an introduction to his life and thought.
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111387828
Category : History
Languages : en
Pages : 583
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Book Description
The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meaning of the concept of nature presented by countless writers and artists. Only when we have a good grasp of the interactions between people and their natural environment, are we in a position to identify and interpret mental structures, social and economic relationships, medical and scientific concepts of human health, and the messages about all existence as depicted in major art works. In light of the current conditions threatening to bring upon us a global crisis, it matters centrally to take into consideration pre-modern discourses on nature and its enormous powers to understand the topoi and tropes determining the concepts through which we perceive nature. Nature thus proves to be a force far beyond all human comprehensibility, being both material and spiritual depending on our critical approaches.
Author: Mark Tansey
Publisher: Rizzoli Publications
ISBN: 0847844056
Category : Art
Languages : en
Pages : 0
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Book Description
A catalogue documenting two exhibitions and five years of new work, from 2007 to 2012, by American artist Mark Tansey, held at Gagosian Gallery, London, and Los Angeles. Mark Tansey constructs visual allegories about the nature and implications of perception, meaning, and interpretation in art. Manipulating the conventions and structures of figurative painting, he creates corollaries for sometimes arcane literary, philosophical, and historical concepts.
Author:
Publisher: Springer Science & Business Media
ISBN: 9401592675
Category : History
Languages : en
Pages : 364
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Book Description
Johann Valentin Andrere (1586-1654) was a multi-faceted product of late Reformation Germany. A theologian who was firmly committed to the Lutheran confession, he could yet see very c1early the flaws in his church and argue for their reform; without being an ecumenicist in the modern sense, he yet admired many aspects of the society he observed in Calvinist Geneva, and he recognised the outstanding merit of individual Catholic scholars. A linguist and a lover of art and music, he was the friend of scientists and an enthusiastic student of mathematics whö held that science leads both to an appreciation of the wonders of the material world and its rejection in favour of more spiritual concerns. In his satirical writing he could be ironic and flippant, his rhetoric was often laboured and over elaborate, but there is no mistaking the sincerity of his outrage at cruelty, inhumanity and injustice. Andrere was optimistic, in that he believed that the corruption and deceit, the luxm. y and deprivation, the hypocrisy, tyranny and sophistry of the age could be transformed in a second reformation; yet there runs through his life a deep-rooted pessimism or depression which makes his willingness to continue the struggle all the more admirable. As early as 1618, while still a young deacon at the beginning of his career, he defined the four ages of l human life as terror, error, labor and horror.
Author: Stephen Perkinson
Publisher: University of Chicago Press
ISBN: 0226658791
Category : Art
Languages : en
Pages : 354
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Book Description
Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.
Author: William R. Newman
Publisher: University of Chicago Press
ISBN: 0226577139
Category : Science
Languages : en
Pages : 358
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Book Description
In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned—and often negative—responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts—a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being—the homunculus—led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means. In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.
Author: Thijs Weststeijn
Publisher: Amsterdam University Press
ISBN: 9089640274
Category : Art
Languages : en
Pages : 477
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Book Description
How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
Author: Bernadette Bensaude-Vincent
Publisher: MIT Press
ISBN: 0262026201
Category : Philosophy
Languages : en
Pages : 341
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Book Description
These essays - written by specialists of different periods and various disciplines - reveal that the division between nature and art has been continually challenged and reassesed in Western thought. Nature and art, the essays suggest, are mutually constructed, defining and redifining themselves.
