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Author: Stanley Lane-Poole
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 390
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Author: Stanley Lane-Poole
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 390
Get Book Here
Book Description
Author: Stanley Lane-Poole
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
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Book Description
Author: Stanley Lane-Poole
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Stanley Lane-Poole
Publisher: Forgotten Books
ISBN: 9781330117804
Category : Architecture
Languages : en
Pages : 380
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Book Description
Excerpt from The Art of the Saracens in Egypt The subject of the following chapters is what has been commonly known as 'Arab' or 'Mohammadan' Art. Both these terms are misleading - for the artists in this style were seldom Arabs, and many of them were Christians - and the general term 'Saracenic' has therefore been substituted. 'Saracen,' which means simply Eastern, was the universal designation of Muslims in the Middle Ages, whether the paynims referred to were Syrian or Egyptian princes, like Saladin, or Barbary chiefs, or Moorish Alcaydes in Spain; and the mediaeval ring of the term Saracenic - which recalls the "proud Sarrasin" of the ballads, the Sarrasina artist of Italy, the Bysant Saracenatus of the Crusaders, and the stuff Saracenatum, or, as we spell it, "sarcenet' - is specially appropriate to the art about to be described. Saracenic art possesses an unmistakable style, which is instantly recognised wherever it occurs, from the pillars of Hercules and the Alcazar of Seville to the mosques of Samarkand and the ruins of Gaur in Bengal; and this style was developed and brought to perfection in the Middle Ages. The word Saracenic, implying the two ideas of Oriental and mediaeval, exactly fulfils the conditions of a general term for the art with which we are concerned. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Doris Behrens-Abouseif
Publisher: V&R unipress GmbH
ISBN: 3899719158
Category : Architecture
Languages : en
Pages : 353
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Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 934
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Author: Paula Sanders
Publisher: American Univ in Cairo Press
ISBN: 9789774160950
Category : Architecture
Languages : en
Pages : 260
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"In many areas it breaks new ground, asks new questions, and gives a far more sophisticated, nuanced presentation of preservation and conservation issues for Egypt than I have seen elsewhere . . .. [C]overs familiar territory in a totally new manner." - Jere Bacharach, University of Washington This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: namely, the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Sanders explores such varied topics as the British experience in India, the Egyptian debate over religious reform, and the influence of The Thousand and One Nights on European notions of the medieval Arab city. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo.
Author: Charles Samuel Farrar
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 226
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 474
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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