Art of Maori Carving PDF Download
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Author: Sidney M. Mead
Publisher: Raupo
ISBN:
Category : Social Science
Languages : en
Pages : 290
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Book Description
Author: Sidney M. Mead
Publisher: Raupo
ISBN:
Category : Social Science
Languages : en
Pages : 290
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Book Description
Author: D. R. Simmons
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
"Describes and illustrates the differences, subtle and profound, between the carving styles of the tribes, and examines the work of each tribal group in depth".
Author: Roger Neich
Publisher: Auckland University Press
ISBN: 9781869402570
Category : Art
Languages : en
Pages : 462
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Book Description
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
Author: Damian Skinner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
"In this book, the carver values the past, works within the communal framework of Maoritanga and respects the tapu nature of what he does; the artist looks to the present and future, practises as an individual within the studio and is concerned with the essential rather than spiritual nature of the work." --Dust jacket.
Author: Julie Paama-Pengelly
Publisher: White Cloud Books
ISBN: 9781869662448
Category : Art
Languages : en
Pages : 0
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Book Description
Offers a look at the Maori visual arts, emphasising on the design. Covering tattooing, drawing and painting, carving and weaving, this book explores the origination, evolution, and significance of the designs, and explains the materials and techniques used to create them.
Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587428
Category : Art
Languages : en
Pages : 505
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Book Description
The chieftainess Te Ao Kairau lived in the north of the Waiapu Valley. Desiring carving for the meeting houses that she was having erected, she chose her nephew Iwirakau to travel to Uawa to learn the arts of carving at the Rawheoro whare wananga. Iwirakau had a studious nature and practical bent, and many close connections to major lines in Ngati Porou. Upon his return from his studies, Iwirakau added new details acquired from Uawa to the designs and styles of the Waiapu, and became a leader of carving in the Waiapu area. When the whare wananga later declined, such was the strength of the passing down of knowledge that the style of carving associated with them continued. And one of the strongest to survive was that of the Iwirakau School. From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions - waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief’s houses) - declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) - embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyses the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
Author: Terence Barrow
Publisher: Penguin Group (New Zealand)
ISBN: 9780143011040
Category : Art, Maori
Languages : en
Pages : 104
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Book Description
The arts of the Maori are among the most alluring and sophisticated of the Pacific peoples. They developed their skills through centuries of endeavour and craft experimentation, expressing religious and artistic ideas in wood, stone, bone, shell and other materials. In particular, their carving and weaving are universally admired; Maori themselves proudly preserve their artistic traditions and honour the great historic art works. In this introduction to the subject, Terence Barrow (1923-2001) explains in simple terms the significance of the design motifs used by the Maori in their works of art, and discusses the material used, their construction and everyday uses. Highly illustrated, this book will answer the questions most commonly asked about Maori art and will give the reader a deeper understanding of the symbolic and spiritual significance of a variety of works and art forms.
Author: Alan Taylor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
"Maori folk art is a distinctive, widespread tradition in painting and carving that first appeared in meeting houses throughout eastern tribal areas of the North Island just over a hundred years ago. It has obvious sources in both European and Classic Maori art traditions and is a clearly identifiable and vital communicative art, complex in its iconography and significance to its creators."--From preface.
Author: Julie Noanoa
Publisher:
ISBN: 9781927213148
Category : Art, Maori
Languages : en
Pages : 78
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Book Description
This collection of 15 projects offers children aged 7 and over a range of unique Maori art experiences. Practical skills cover sculpture, photography, design, paint, mixed media, collage and more. Easy-to-follow instructions include illustrations of the steps involved, using everyday craft materials, recycled and found objects. Examples of taonga (treasures) created by leading contemporary artists are shown alongside each project with a brief explanation of the object, its purpose and use in the past and present. While teaching as a museum/art gallery educator, the author had numerous requests from parents, teachers and educators over the years for ideas on how they could teach art and Maori culture to their children. These projects have been compiled in response to those requests, along with research and observation about how children connect with art. By engaging in these projects children will recognise that art takes many forms and can be enjoyed by everyone. This book will appeal to anyone looking for art activities that focus on Maori art and culture, and will suit both girls and boys. An emphasis on upcycling means that the ideas are accessible to the budget conscious without compromising on quality.
Author: Stephen Myhre
Publisher: Penguin Books
ISBN: 9780143009979
Category : Art objects, Maori
Languages : en
Pages : 120
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Book Description
Bone carving is as old as civilisation itself. Even some of the oldest bone artifacts have decorative features that are clearly not necessary for their functional nature, showing that there have been complex cultural aspects to the carving of bone since earliest times. The first settlers of Aotearoa brought with them the skills of bone carving, both for items of personal adornment and for the manufacture of tools such as fish-hooks. These skills have been passed on, incorporating various cultural adaptations, to the present day. In Bone Carving, Stephen Myhre has drawn with great sensitivity on techniques and styles of carving from a wide range of Pacific cultures, but particularly Maori. The result is a superb practical handbook for anyone embarking upon this rapidly growing craft. The book provides what the author calls a 'skillbase' - a reliable set of practices and attitudes that can successfully produce bone carvings of great functional and aesthetic beauty. Bone Carvingdescribes and illustrates the materials, tools and techniques, explaining every stage from roughing out to final polishing and mounting, in a clear, strongly personalised style. The author stresses throughout the importance of good design and the development of patience as parts of the skillbase - and the need for integrity. The carver, he says, should respect the old traditions and be sensitive to the cultural significance of the forms being used. Bone Carvingis thus both a practical and a spiritual guide.
