Author: Victoria Grieve
Publisher: University of Illinois Press
ISBN: 025203421X
Category : Art and state
Languages : en
Pages : 242
Book Description
Art for everyone--the Federal Art Project's drive for middlebrow visual culture and identity
The Federal Art Project and the Creation of Middlebrow Culture
Author: Victoria Grieve
Publisher: University of Illinois Press
ISBN: 025203421X
Category : Art and state
Languages : en
Pages : 242
Book Description
Art for everyone--the Federal Art Project's drive for middlebrow visual culture and identity
Publisher: University of Illinois Press
ISBN: 025203421X
Category : Art and state
Languages : en
Pages : 242
Book Description
Art for everyone--the Federal Art Project's drive for middlebrow visual culture and identity
1934
Author: Ann Prentice Wagner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
Celebrates the 75th anniversary of the U.S. Public Works of Art Program, created in 1934 against the backdrop of the Great Depression. The 55 paintings in this volume are a lasting visual record of America at a specific moment in time; a response to an economic situation that is all too familiar
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
Celebrates the 75th anniversary of the U.S. Public Works of Art Program, created in 1934 against the backdrop of the Great Depression. The 55 paintings in this volume are a lasting visual record of America at a specific moment in time; a response to an economic situation that is all too familiar
Democratic Art
Author: Sharon Ann Musher
Publisher: University of Chicago Press
ISBN: 022624718X
Category : Art
Languages : en
Pages : 306
Book Description
At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."
Publisher: University of Chicago Press
ISBN: 022624718X
Category : Art
Languages : en
Pages : 306
Book Description
At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."
WPA Artwork in Non-federal Repositories
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 376
Book Description
An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 376
Book Description
An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.
Fifty Years Later
Author: Harvard Sitkoff
Publisher:
ISBN:
Category : History
Languages : en
Pages : 260
Book Description
Revised and expanded papers originally presented at a symposium sponsored by the Dept. of History, University of New Hampshire, and held Mar. 17-18, 1983.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 260
Book Description
Revised and expanded papers originally presented at a symposium sponsored by the Dept. of History, University of New Hampshire, and held Mar. 17-18, 1983.
Art in Chicago
Author: Maggie Taft
Publisher: University of Chicago Press
ISBN: 022616831X
Category : Art
Languages : en
Pages : 441
Book Description
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
Publisher: University of Chicago Press
ISBN: 022616831X
Category : Art
Languages : en
Pages : 441
Book Description
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.
Modernism for the Masses
Author: Jody Patterson
Publisher: Yale University Press
ISBN: 0300241399
Category : Art
Languages : en
Pages : 265
Book Description
A mural renaissance swept the United States in the 1930s, propelled by the New Deal Federal Art Project and the popularity of Mexican muralism. Perhaps nowhere more than in New York City, murals became a crucial site for the development of abstract painting Artists such as Stuart Davis, Arshile Gorky, Willem de Kooning, and Lee Krasner created ambitious works for the Williamsburg Housing Project, Floyd Bennett Field Airport, and the 1939 World’s Fair. Modernism for the Masses examines the public murals (realized and unrealized) of these and other abstract painters and the aesthetic controversy, political influence, and ideological warfare that surrounded them. Jody Patterson transforms standard narratives of modernism by reasserting the significance of the 1930s and explores the reasons for the omission of the mural’s history from chronicles of American art. Beautifully illustrated with the artists’ murals and little-known archival photographs, this book recovers the radical idea that modernist art was a vital part of everyday life.
Publisher: Yale University Press
ISBN: 0300241399
Category : Art
Languages : en
Pages : 265
Book Description
A mural renaissance swept the United States in the 1930s, propelled by the New Deal Federal Art Project and the popularity of Mexican muralism. Perhaps nowhere more than in New York City, murals became a crucial site for the development of abstract painting Artists such as Stuart Davis, Arshile Gorky, Willem de Kooning, and Lee Krasner created ambitious works for the Williamsburg Housing Project, Floyd Bennett Field Airport, and the 1939 World’s Fair. Modernism for the Masses examines the public murals (realized and unrealized) of these and other abstract painters and the aesthetic controversy, political influence, and ideological warfare that surrounded them. Jody Patterson transforms standard narratives of modernism by reasserting the significance of the 1930s and explores the reasons for the omission of the mural’s history from chronicles of American art. Beautifully illustrated with the artists’ murals and little-known archival photographs, this book recovers the radical idea that modernist art was a vital part of everyday life.
Posters of the WPA
Author: Christopher DeNoon
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 180
Book Description
These posters were designed for other federal agencies, and as travel posters, education and civic activity posters, health and safety posters, and propaganda posters for World War II.
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 180
Book Description
These posters were designed for other federal agencies, and as travel posters, education and civic activity posters, health and safety posters, and propaganda posters for World War II.
The New Deal Fine Arts Projects
Author: Martin R. Kalfatovic
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Architecture
Languages : en
Pages : 592
Book Description
...fills another important need for art researchers. New Deal art is the product of the largest publicly funded arts program in American history and as such, holds a special attraction for collectors... --ANTIQUE WEEK ...a valuable reference resource. Highly recommended for all research collections serving American history and art.--LIBRARY JOURNAL
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Architecture
Languages : en
Pages : 592
Book Description
...fills another important need for art researchers. New Deal art is the product of the largest publicly funded arts program in American history and as such, holds a special attraction for collectors... --ANTIQUE WEEK ...a valuable reference resource. Highly recommended for all research collections serving American history and art.--LIBRARY JOURNAL
The Federal Art Project in Illinois, 1935-1943
Author: George J. Mavigliano
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Started "because people were hungry," by the time the project ended, it had given artists the opportunity to study art, to meet other artists, to develop disciplined work habits, to manage their production with some business sense, and most importantly, to work without interruption. The authors include 32 photographs of Illinois Art Project artwork, locations, and personnel.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Started "because people were hungry," by the time the project ended, it had given artists the opportunity to study art, to meet other artists, to develop disciplined work habits, to manage their production with some business sense, and most importantly, to work without interruption. The authors include 32 photographs of Illinois Art Project artwork, locations, and personnel.