Author: Claire Grace
Publisher: National Geographic Books
ISBN: 0262543524
Category : Art
Languages : en
Pages : 0
Book Description
A study of Group Material, the influential but underexamined New York–based artist collective, investigating a series of key works. Key predecessor of contemporary art’s most radical activist gestures, the 1980s collective Group Material seized upon the temporary exhibition as a prime mode of intervention. Projects sited on walls, subways, and billboards targeted some of the most sensitive political conflicts of the era, from U.S. military interventions in Latin America to the AIDS crisis. In Art Demonstration, Claire Grace examines Group Material’s New York–based collaboration across a decade that saw a wave of renewed interest in art as a domain of political mobilization. As Grace argues here, Group Material’s art was never just a means to an end; looking itself held urgency. Grace distinguishes between two types of Group Material projects: room-scale interiors featuring distinctive wall treatments, soundtracks, and boundary-crossing arrangements of objects, and works in spaces usually reserved for advertising. Grace analyzes the group’s practice in both categories, examining such well-known projects as AIDS Timeline (1989) and Democracy (1988–1989) and lesser-known works including Subculture (1983) and The Castle (1987). Grace shows that the politics running through Group Material’s practice ultimately resides in the artists’ particular recourse to the exhibition form. With that bearing, Group Material’s work insisted on the material in the face of postmodern theory’s privileging of the discursive, and redistributed authorship within protean and pivotally diverse collective structures, testing in so doing the ever fragile contours of democratic participation as art became a commodity for speculative investment.
Art Demonstration
Author: Claire Grace
Publisher: National Geographic Books
ISBN: 0262543524
Category : Art
Languages : en
Pages : 0
Book Description
A study of Group Material, the influential but underexamined New York–based artist collective, investigating a series of key works. Key predecessor of contemporary art’s most radical activist gestures, the 1980s collective Group Material seized upon the temporary exhibition as a prime mode of intervention. Projects sited on walls, subways, and billboards targeted some of the most sensitive political conflicts of the era, from U.S. military interventions in Latin America to the AIDS crisis. In Art Demonstration, Claire Grace examines Group Material’s New York–based collaboration across a decade that saw a wave of renewed interest in art as a domain of political mobilization. As Grace argues here, Group Material’s art was never just a means to an end; looking itself held urgency. Grace distinguishes between two types of Group Material projects: room-scale interiors featuring distinctive wall treatments, soundtracks, and boundary-crossing arrangements of objects, and works in spaces usually reserved for advertising. Grace analyzes the group’s practice in both categories, examining such well-known projects as AIDS Timeline (1989) and Democracy (1988–1989) and lesser-known works including Subculture (1983) and The Castle (1987). Grace shows that the politics running through Group Material’s practice ultimately resides in the artists’ particular recourse to the exhibition form. With that bearing, Group Material’s work insisted on the material in the face of postmodern theory’s privileging of the discursive, and redistributed authorship within protean and pivotally diverse collective structures, testing in so doing the ever fragile contours of democratic participation as art became a commodity for speculative investment.
Publisher: National Geographic Books
ISBN: 0262543524
Category : Art
Languages : en
Pages : 0
Book Description
A study of Group Material, the influential but underexamined New York–based artist collective, investigating a series of key works. Key predecessor of contemporary art’s most radical activist gestures, the 1980s collective Group Material seized upon the temporary exhibition as a prime mode of intervention. Projects sited on walls, subways, and billboards targeted some of the most sensitive political conflicts of the era, from U.S. military interventions in Latin America to the AIDS crisis. In Art Demonstration, Claire Grace examines Group Material’s New York–based collaboration across a decade that saw a wave of renewed interest in art as a domain of political mobilization. As Grace argues here, Group Material’s art was never just a means to an end; looking itself held urgency. Grace distinguishes between two types of Group Material projects: room-scale interiors featuring distinctive wall treatments, soundtracks, and boundary-crossing arrangements of objects, and works in spaces usually reserved for advertising. Grace analyzes the group’s practice in both categories, examining such well-known projects as AIDS Timeline (1989) and Democracy (1988–1989) and lesser-known works including Subculture (1983) and The Castle (1987). Grace shows that the politics running through Group Material’s practice ultimately resides in the artists’ particular recourse to the exhibition form. With that bearing, Group Material’s work insisted on the material in the face of postmodern theory’s privileging of the discursive, and redistributed authorship within protean and pivotally diverse collective structures, testing in so doing the ever fragile contours of democratic participation as art became a commodity for speculative investment.
The Art and Science of Lecture Demonstration
Author: C.A Taylor
Publisher: CRC Press
ISBN: 9780852743232
Category : Science
Languages : en
Pages : 202
Book Description
As a means of conveying the excitement of science from one generation to the next, the lecture demonstration is one of the most powerful tools at the disposal of the modern science teacher. The interest of the young aspiring scientist is aroused not by dull textbook recitation, but by the enthusiastic lecturer with a range of demonstrations that illustrate the importance of science in the real world. In this lucid and entertaining book, Professor Taylor explores the origins of lecture demonstration and its development to the present day, emphasizing the underlying principles and the lessons to be learned. Set alongside the work of the most eminent of his predecessors, Michael Faraday and Lawrence Bragg, Taylor's book should find a worthy place among the literature of popular science. The Art and Science of Lecture Demonstration will be useful to all those with a serious amateur or professional interest in the teaching of science, from primary school to university and beyond.
Publisher: CRC Press
ISBN: 9780852743232
Category : Science
Languages : en
Pages : 202
Book Description
As a means of conveying the excitement of science from one generation to the next, the lecture demonstration is one of the most powerful tools at the disposal of the modern science teacher. The interest of the young aspiring scientist is aroused not by dull textbook recitation, but by the enthusiastic lecturer with a range of demonstrations that illustrate the importance of science in the real world. In this lucid and entertaining book, Professor Taylor explores the origins of lecture demonstration and its development to the present day, emphasizing the underlying principles and the lessons to be learned. Set alongside the work of the most eminent of his predecessors, Michael Faraday and Lawrence Bragg, Taylor's book should find a worthy place among the literature of popular science. The Art and Science of Lecture Demonstration will be useful to all those with a serious amateur or professional interest in the teaching of science, from primary school to university and beyond.
The Art of Protest
Author: gestalten
Publisher: Gestalten
ISBN: 9783967040111
Category : Art
Languages : en
Pages : 288
Book Description
Thanks to art's ability to communicate and influence, it has always had a charged relationship with activism and politics. And, given the tumultuous times in which we live, with traditional democracies being challenged from all sides, the changing climate, global movements for social justice, and political upheaval causing millions to search for a better life abroad, this relationship has never been more important. The Art of Protest will explore the connection between art, politics, and activism today, revealing how, over the past decade, artists have been engaging with political and social issues of all kinds, through different artistic mediums.
Publisher: Gestalten
ISBN: 9783967040111
Category : Art
Languages : en
Pages : 288
Book Description
Thanks to art's ability to communicate and influence, it has always had a charged relationship with activism and politics. And, given the tumultuous times in which we live, with traditional democracies being challenged from all sides, the changing climate, global movements for social justice, and political upheaval causing millions to search for a better life abroad, this relationship has never been more important. The Art of Protest will explore the connection between art, politics, and activism today, revealing how, over the past decade, artists have been engaging with political and social issues of all kinds, through different artistic mediums.
Art as Demonstration
Author: Sven Spieker
Publisher: MIT Press
ISBN: 0262377551
Category : Art
Languages : en
Pages : 360
Book Description
How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change. Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows how a closer, more historical look at art’s connection with demonstration reconnects us with earlier efforts, notably by the early twentieth-century avant-garde, to marshal art for the purpose of instruction and engagement. Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration, understood formally (as a technique for showing and pointing) as well as politically (as protest, resistance, etc.). Close analyses of individual artworks reveal how the deployment of demonstration has changed over time. Spieker shows how “protest” and “resistance” organize art and artists not only politically but also and especially formally and aesthetically—a development of particular importance in the Cold War art and politics of Eastern Europe. The book illustrates how from the 1960s onward demonstration radically changed the way artists thought about art: no longer as an object but as a form of education.
Publisher: MIT Press
ISBN: 0262377551
Category : Art
Languages : en
Pages : 360
Book Description
How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change. Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows how a closer, more historical look at art’s connection with demonstration reconnects us with earlier efforts, notably by the early twentieth-century avant-garde, to marshal art for the purpose of instruction and engagement. Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration, understood formally (as a technique for showing and pointing) as well as politically (as protest, resistance, etc.). Close analyses of individual artworks reveal how the deployment of demonstration has changed over time. Spieker shows how “protest” and “resistance” organize art and artists not only politically but also and especially formally and aesthetically—a development of particular importance in the Cold War art and politics of Eastern Europe. The book illustrates how from the 1960s onward demonstration radically changed the way artists thought about art: no longer as an object but as a form of education.
The Beauty of Zentangle
Author: Suzanne McNeill
Publisher: Design Originals
ISBN: 9781574217186
Category : Art
Languages : en
Pages : 0
Book Description
"Design originals no. 5038"--Cover and Spine.
Publisher: Design Originals
ISBN: 9781574217186
Category : Art
Languages : en
Pages : 0
Book Description
"Design originals no. 5038"--Cover and Spine.
Slow Looking
Author: Peter Clothier
Publisher:
ISBN: 9781480053816
Category : Art
Languages : en
Pages : 104
Book Description
Slow Looking describes and elaborates on the author's "One Hour/One Painting" sessions, an idea he developed to practice a different, more profound and more rewarding way of looking at art. It combines the practices of meditation and contemplation, asking participants to sit for a full hour in front of a single work of art. Slow Looking and "One Hour/One Painting" are about learning to drop the baggage of prejudice and expectation at the door and taking time to really examine what is actually there. In fourteen brief and highly readable chapters, and including an engaging and interactive audio demonstration, this book describes the process and invites readers to try it out for themselves.
Publisher:
ISBN: 9781480053816
Category : Art
Languages : en
Pages : 104
Book Description
Slow Looking describes and elaborates on the author's "One Hour/One Painting" sessions, an idea he developed to practice a different, more profound and more rewarding way of looking at art. It combines the practices of meditation and contemplation, asking participants to sit for a full hour in front of a single work of art. Slow Looking and "One Hour/One Painting" are about learning to drop the baggage of prejudice and expectation at the door and taking time to really examine what is actually there. In fourteen brief and highly readable chapters, and including an engaging and interactive audio demonstration, this book describes the process and invites readers to try it out for themselves.
Malaika’s Surprise
Author: Nadia L. Hohn
Publisher: Groundwood Books Ltd
ISBN: 1773062654
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
When Malaika finds out she is going to have a new baby brother or sister, she worries that her mother will forget about her. But a surprise arrives on Malaika’s birthday that gives her more reason to celebrate her family’s love. It’s summertime, and Malaika and Adèle are enjoying playing carnival in their bright costumes, dancing and laughing in the sunshine. But when Mummy announces that they will soon have a new baby brother or sister, Malaika is unsure how to feel about another change in her family. Will Mummy forget about me? Back at school, Malaika is excited to see her teacher and classmates, and makes friends with a new girl who has recently arrived from a faraway country, just like Malaika. Then on her birthday, a surprise arrives to remind Malaika of the importance of family, and the story ends with a celebration of her family’s love. Malaika’s Surprise is filled with the same warmth and charm as the first two books in the series, with Nadia L. Hohn’s enchanting prose, written in a blend of standard English and Caribbean patois, and Irene Luxbacher’s colorful collage illustrations. Key Text Features glossary key text features Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.
Publisher: Groundwood Books Ltd
ISBN: 1773062654
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
When Malaika finds out she is going to have a new baby brother or sister, she worries that her mother will forget about her. But a surprise arrives on Malaika’s birthday that gives her more reason to celebrate her family’s love. It’s summertime, and Malaika and Adèle are enjoying playing carnival in their bright costumes, dancing and laughing in the sunshine. But when Mummy announces that they will soon have a new baby brother or sister, Malaika is unsure how to feel about another change in her family. Will Mummy forget about me? Back at school, Malaika is excited to see her teacher and classmates, and makes friends with a new girl who has recently arrived from a faraway country, just like Malaika. Then on her birthday, a surprise arrives to remind Malaika of the importance of family, and the story ends with a celebration of her family’s love. Malaika’s Surprise is filled with the same warmth and charm as the first two books in the series, with Nadia L. Hohn’s enchanting prose, written in a blend of standard English and Caribbean patois, and Irene Luxbacher’s colorful collage illustrations. Key Text Features glossary key text features Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges.
Paint and Frame: Botanical Painting
Author: Sara Boccaccini Meadows
Publisher: Race Point Publishing
ISBN: 0760360588
Category : Art
Languages : en
Pages : 99
Book Description
Learn to create precious watercolor paintings that you can paint and frame in just one day. Paint and Frame: Botanical Watercolor features 20 charming modern watercolor projects including florals, nature scenes, and more. With step-by-step instructions, you can try your hand at these “mini” projects. Paint and Frame: Botanical Watercolor comes with an instruction book and 20 step-by-step watercolor projects to try.
Publisher: Race Point Publishing
ISBN: 0760360588
Category : Art
Languages : en
Pages : 99
Book Description
Learn to create precious watercolor paintings that you can paint and frame in just one day. Paint and Frame: Botanical Watercolor features 20 charming modern watercolor projects including florals, nature scenes, and more. With step-by-step instructions, you can try your hand at these “mini” projects. Paint and Frame: Botanical Watercolor comes with an instruction book and 20 step-by-step watercolor projects to try.
Henry Yan's Figure Drawing
Author: Henry Yan
Publisher:
ISBN: 9781427610232
Category : Figure drawing
Languages : en
Pages : 191
Book Description
The author has many years of experience in teaching drawing and painting at the Academy of Art University in San Francisco, California. This book is focused on various techniques and styles in drawing human figures and portraits. The book has 192 pages, each page includes one or more figure/head drawings done from live models. There are about 20 step-by-step demonstrations from detailed and traditional approaches to fast and painterly styles. It's a book that will benefit both beginners and advanced learners.
Publisher:
ISBN: 9781427610232
Category : Figure drawing
Languages : en
Pages : 191
Book Description
The author has many years of experience in teaching drawing and painting at the Academy of Art University in San Francisco, California. This book is focused on various techniques and styles in drawing human figures and portraits. The book has 192 pages, each page includes one or more figure/head drawings done from live models. There are about 20 step-by-step demonstrations from detailed and traditional approaches to fast and painterly styles. It's a book that will benefit both beginners and advanced learners.
Watts on Bridgman
Author: Jeffrey R. Watts
Publisher:
ISBN: 9780990373513
Category : Education
Languages : en
Pages : 146
Book Description
An anatomy book for artists to help understand the works of George B. Bridgman with a variety of techniques and approaches. Created by Jeffrey R. Watts.
Publisher:
ISBN: 9780990373513
Category : Education
Languages : en
Pages : 146
Book Description
An anatomy book for artists to help understand the works of George B. Bridgman with a variety of techniques and approaches. Created by Jeffrey R. Watts.