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Author: Adam Herring
Publisher: Cambridge University Press
ISBN: 1107094364
Category : Art
Languages : en
Pages : 263
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Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.
Author: Adam Herring
Publisher: Cambridge University Press
ISBN: 1107094364
Category : Art
Languages : en
Pages : 263
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Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.
Author: Adam Herring
Publisher: Cambridge University Press
ISBN: 1316300420
Category : Social Science
Languages : en
Pages : 263
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Book Description
In 1500 CE, the Inca empire covered most of South America's Andean region. The empire's leaders first met Europeans on November 15, 1532, when a large Inca army confronted Francisco Pizarro's band of adventurers in the highland Andean valley of Cajamarca, Peru. At few other times in its history would the Inca royal leadership so aggressively showcase its moral authority and political power. Glittering and truculent, what Europeans witnessed at Inca Cajamarca compels revised understandings of pre-contact Inca visual art, spatial practice, and bodily expression. This book takes a fresh look at the encounter at Cajamarca, using the episode to offer a new, art-historical interpretation of pre-contact Inca culture and power. Adam Herring's study offers close readings of Inca and Andean art in a variety of media: architecture and landscape, geoglyphs, sculpture, textiles, ceramics, featherwork and metalwork. The volume is richly illustrated with over sixty color images.
Author: Alan L. Kolata
Publisher: Cambridge University Press
ISBN: 0521869005
Category : History
Languages : en
Pages : 317
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Book Description
This book provides a detailed account of the Inca Empire, describing its history, society, economy, religion, and politics, but most importantly the way it was managed. How did the Inca wield political power? What economic strategies did the Inca pursue in order to create the largest native empire in the Western Hemisphere? The book offers university students, scholars, and the general public a sophisticated new interpretation of Inca power politics and especially the role of religion in shaping an imperial world of great ethnic, social, and cultural diversity.
Author: Izumi Shimada
Publisher: University of Texas Press
ISBN: 0292760795
Category : Social Science
Languages : en
Pages : 393
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Book Description
Massive yet elegantly executed masonry architecture and andenes (agricultural terraces) set against majestic and seemingly boundless Andean landscapes, roads built in defiance of rugged terrains, and fine textiles with orderly geometric designs—all were created within the largest political system in the ancient New World, a system headed, paradoxically, by a single, small minority group without wheeled vehicles, markets, or a writing system, the Inka. For some 130 years (ca. A.D. 1400 to 1533), the Inka ruled over at least eighty-six ethnic groups in an empire that encompassed about 2 million square kilometers, from the northernmost region of the Ecuador–Colombia border to northwest Argentina. The Inka Empire brings together leading international scholars from many complementary disciplines, including human genetics, linguistics, textile and architectural studies, ethnohistory, and archaeology, to present a state-of-the-art, holistic, and in-depth vision of the Inkas. The contributors provide the latest data and understandings of the political, demographic, and linguistic evolution of the Inkas, from the formative era prior to their political ascendancy to their post-conquest transformation. The scholars also offer an updated vision of the unity, diversity, and essence of the material, organizational, and symbolic-ideological features of the Inka Empire. As a whole, The Inka Empire demonstrates the necessity and value of a multidisciplinary approach that incorporates the insights of fields beyond archaeology and ethnohistory. And with essays by scholars from seven countries, it reflects the cosmopolitanism that has characterized Inka studies ever since its beginnings in the nineteenth century.
Author: Michael J. Schreffler
Publisher: Yale University Press
ISBN: 0300218117
Category : Art
Languages : en
Pages : 202
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Book Description
A story of change in the Inca capital told through its artefacts, architecture, and historical documents Through objects, buildings, and colonial texts, this book tells the story of how Cuzco, the capital of the Inca Empire, was transformed into a Spanish colonial city. When Spaniards invaded and conquered Peru in the 16th century, they installed in Cuzco not only a government of their own but also a distinctly European architectural style. Layered atop the characteristic stone walls, plazas, and trapezoidal portals of the former Inca town were columns, arcades, and even a cathedral. This fascinating book charts the history of Cuzco through its architecture, revealing traces of colonial encounters still visible in the modern city. A remarkable collection of primary sources reconstructs this narrative: writings by secretaries to colonial administrators, histories conveyed to Spanish translators by native Andeans, and legal documents and reports. Cuzco's infrastructure reveals how the city, wracked by devastating siege and insurrection, was reborn as an ethnically and stylistically diverse community.
Author: Geoffrey W. Conrad
Publisher: Cambridge University Press
ISBN: 9780521318969
Category : History
Languages : en
Pages : 292
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Book Description
A provocative, comparative study of the formation and expansion of the Aztec and Inca empires. Argues that prehistoric cultural development is largely determined by continual changes in traditional religion.
Author: Father Bernabe Cobo
Publisher: University of Texas Press
ISBN: 0292789793
Category : History
Languages : en
Pages : 308
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Book Description
Completed in 1653, Father Bernabe Cobo's Historia del Nuevo Mundo is an important source of information on pre-conquest and colonial Spanish America. Though parts of the work are now lost, the remaining sections which have been translated offer valuable insights into Inca culture and Peruvian history. Inca Religion and Customs is the second translation by Roland Hamilton from Cobo's massive work. Beginning where History of the Inca Empire left off, it provides a vast amount of data on the religion and lifeways of the Incas and their subject peoples. Despite his obvious Christian bias as a Jesuit priest, Cobo objectively and thoroughly describes many of the religious practices of the Incas. He catalogs their origin myths, beliefs about the afterlife, shrines and objects of worship, sacrifices, sins, festivals, and the roles of priests, sorcerers, and doctors. The section on Inca customs is equally inclusive. Cobo covers such topics as language, food and shelter, marriage and childrearing, agriculture, warfare, medicine, practical crafts, games, and burial rituals. Because the Incas apparently had no written language, such postconquest documents are an important source of information about Inca life and culture. Cobo's work, written by one who wanted to preserve something of the indigenous culture that his fellow Spaniards were fast destroying, is one of the most accurate and highly respected.
Author: Susan A. Niles
Publisher: University of Iowa Press
ISBN: 9781587292941
Category : History
Languages : en
Pages : 374
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Book Description
In The Shape of Inca History, Susan Niles considers the ways in which the Inca concept of history informed their narratives, rituals, and architecture. Using sixteenth-century chronicles of Inca culture, legal documents from the first generation of conquest, and field investigation of architectural remains, she strategically explores the interplay of oral and written histories with the architectural record and provides a new and exciting understanding of the lives of the royal families on the eve of conquest.Niles focuses on the life of Huayna Capac, the Inca king who ruled at the time of the first European incursions on the Andean coast. Because he died just a few years before the Spaniards overturned the Inca world, eyewitness accounts of his deeds as recorded by the invaders can be used to separate fact from propaganda. The rich documentary sources telling of his life include extraordinarily detailed legal records that inventory lands on his estate in the Yucay Valley. These sources provide a basis—unique in the Andes—for reconstructing the social and physical plan of the estate and for dating its construction exactly.Huayna Capac's country palace shows a design different from that devised by his ancestors. Niles argues that the radical stylistic and technical innovations documented in the buildings themselves can be understood by referring to the turbulent political atmosphere prevalent at the time of his accession. Illustrated with numerous photographs and reconstruction drawings, The Shape of Inca History breaks new ground by proposing that Inca royal style was dynamic and that the design of an Inca building can best be interpreted by its historical context. In this way it is possible to recreate the development of Inca architectural style over time.
Author: Andrew James Hamilton
Publisher: Princeton University Press
ISBN: 0691172730
Category : Art
Languages : en
Pages : 298
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Book Description
A groundbreaking work on how the topic of scale provides an entirely new understanding of Inca material culture Although questions of form and style are fundamental to art history, the issue of scale has been surprisingly neglected. Yet, scale and scaled relationships are essential to the visual cultures of many societies from around the world, especially in the Andes. In Scale and the Incas, Andrew Hamilton presents a groundbreaking theoretical framework for analyzing scale, and then applies this approach to Inca art, architecture, and belief systems. The Incas were one of humanity's great civilizations, but their lack of a written language has prevented widespread appreciation of their sophisticated intellectual tradition. Expansive in scope, this book examines many famous works of Inca art including Machu Picchu and the Dumbarton Oaks tunic, more enigmatic artifacts like the Sayhuite Stone and Capacocha offerings, and a range of relatively unknown objects in diverse media including fiber, wood, feathers, stone, and metalwork. Ultimately, Hamilton demonstrates how the Incas used scale as an effective mode of expression in their vast multilingual and multiethnic empire. Lavishly illustrated with stunning color plates created by the author, the book's pages depict artifacts alongside scale markers and silhouettes of hands and bodies, allowing readers to gauge scale in multiple ways. The pioneering visual and theoretical arguments of Scale and the Incas not only rewrite understandings of Inca art, but also provide a benchmark for future studies of scale in art from other cultures.
Author: Carolyn Dean
Publisher: Duke University Press
ISBN: 0822393174
Category : History
Languages : en
Pages : 325
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Book Description
A major contribution to both art history and Latin American studies, A Culture of Stone offers sophisticated new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry. A Culture of Stone is a compelling multidisciplinary argument for rethinking how we see and comprehend the Inka past.
