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Author: Monica Bohm-Duchen
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848220331
Category : Art and design
Languages : en
Pages : 0
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Book Description
First published in 2013 by Lund Humphries.
Author: Monica Bohm-Duchen
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848220331
Category : Art and design
Languages : en
Pages : 0
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Book Description
First published in 2013 by Lund Humphries.
Author: Asato Ikeda
Publisher: University of Hawaii Press
ISBN: 0824872126
Category : Art
Languages : en
Pages : 165
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Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786409853
Category : Art
Languages : en
Pages : 180
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Book Description
Analyzes American painting depicting various aspects of World War II, including battle, prisoners, the homefront, recreation, and victory.
Author: Monica Bohm-Duchen
Publisher:
ISBN: 9781848220348
Category : Art
Languages : en
Pages : 0
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Book Description
Art and the Second World War is the first book in English to provide a comprehensive and detailed international overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history. This generously illustrated volume starts by examining the art produced in reaction to the Spanish Civil War (often viewed as 'the first battle of World War II'), and then looks at painting, sculpture, prints, and drawing in each of the major combatant nations, including Japan and China. Breathtaking in scope, this scholarly yet accessible publication places wartime art within its broader cultural, political, and military contexts while never losing sight of the power and significance of the individual image and the individual artist. Monica Bohm-Duchen's thought-provoking analysis ranges from iconic paintings such as Picasso's Guernica to unfamiliar works by little-known artists.She reinstates war art by major artists as an integral part of their oeuvres and examines neglected topics such as the art produced in the Japanese-American and British internment camps, by victims of the Holocaust, and in response to the dropping of the atom bomb in 1945. In so doing, Bohm-Duchen addresses a host of fundamental issues, including the relationship between art and propaganda and between art and atrocity, and the role of gender, religion, and censorship, both external and internal. Art and the Second World War offers an unparalleled comparative perspective that will appeal to anyone interested in art history, military history, or political and cultural studies.
Author: Stuart Sillars
Publisher: Springer
ISBN: 134909918X
Category : Art
Languages : en
Pages : 257
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Book Description
An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.
Author: Kathleen Broome Williams
Publisher: US Naval Institute Press
ISBN: 9781682474266
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This is a book about a Scottish artist George Plante and how his art served an alliance between Britainand the United States during WorldWar II.
Author: David Welch
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 320
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Book Description
Shows in illuminating detail how the Allied and Axis forces used visual images and other propaganda material to sway public opinion during World War II. Author David Welch provides a neatly organized primary resource that focuses on key themes associated with World War II propaganda. Readers will not only be engrossed with a wide range of propaganda artifacts, they will also receive a better and more nuanced understanding of the nature of this propaganda and how it was disseminated in different cultural and political contexts. This book reveals how leaders and spin doctors operating at behest of the state sought to shape popular attitudes both at home and overseas. A comprehensive introductory essay sets out the principles of propaganda theory in World War II, while the subsequent material provides examples of Allied- and Axis-generated propaganda and presents them in a readily accessible way that will help readers understand the context.
Author: Robert Cozzolino
Publisher: Princeton University Press
ISBN: 0691172692
Category : Art
Languages : en
Pages : 320
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Book Description
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
Author: Rick Beyer
Publisher:
ISBN: 9780615534343
Category : World War, 1939-1945
Languages : en
Pages : 48
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Book Description
"The Ghost Army" is full of art and photographs telling the story of the 23rd Headquarters Special Troops, an extraordinary US Army unit that used inflatable tanks and sound effects records to stage a traveling road show of deception on the battlefields of Europe during WWII. Many who served in this to-secret unit were artists destined for illustrious post-war art careers, including a budding fashion designer named Bill Blass. In their spare time they painted and sketched their way across war-torn Europe. The book is a catalog for a museum exhibit about the unit, and a companion to the forthcoming documentary film.
Author: Alfred Emile Cornebise
Publisher: Texas A&M University Press
ISBN: 1623492025
Category : History
Languages : en
Pages : 174
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Book Description
Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.
