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Author: Jürgen Lawrenz
Publisher: Cambridge Scholars Publishing
ISBN: 1443830208
Category : Philosophy
Languages : en
Pages : 290
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Book Description
For two millennia philosophy has restlessly stalked a fundamental problem—the answer to the question “what is art, really?” Aesthetic discourse, focused on the Platonic Matrix of truth and beauty, arthood and object, imitation and representation, form and idea, has not delivered on its promise, leaving us in bewilderment over principles that are either ignored or contradicted by the arts themselves. In this searching critique, some astonishing faux pas are brought to light. Notably that aesthetics makes do without a knower, the heuristics of art, and the dynamics of self-exploration that are central to the aesthetic experience. What this book seeks to accomplish is a thorough reformulation of the terms of reference, based on the actual “form of life” that is art. This amounts to a framework for a wholly new philosophy of art. It demonstrates that art is quintessentially involved in the meaning of life, and through its heuristic dimension serves our impulse for self-knowledge and an understanding of the human condition. The book is in the first instance a philosophical treatise and therefore suitable for academic study in all grades, though perhaps with greatest benefit at post-graduate level. But it has been written in an approachable style to encourage a wider audience to engage with its tenets: accordingly it seeks also to address art aficionados, whether professional or dilettante, as well as general readers with an interest in these ever perplexing and profoundly intriguing issues of our human estate.
Author: Jürgen Lawrenz
Publisher: Cambridge Scholars Publishing
ISBN: 1443830208
Category : Philosophy
Languages : en
Pages : 290
Get Book Here
Book Description
For two millennia philosophy has restlessly stalked a fundamental problem—the answer to the question “what is art, really?” Aesthetic discourse, focused on the Platonic Matrix of truth and beauty, arthood and object, imitation and representation, form and idea, has not delivered on its promise, leaving us in bewilderment over principles that are either ignored or contradicted by the arts themselves. In this searching critique, some astonishing faux pas are brought to light. Notably that aesthetics makes do without a knower, the heuristics of art, and the dynamics of self-exploration that are central to the aesthetic experience. What this book seeks to accomplish is a thorough reformulation of the terms of reference, based on the actual “form of life” that is art. This amounts to a framework for a wholly new philosophy of art. It demonstrates that art is quintessentially involved in the meaning of life, and through its heuristic dimension serves our impulse for self-knowledge and an understanding of the human condition. The book is in the first instance a philosophical treatise and therefore suitable for academic study in all grades, though perhaps with greatest benefit at post-graduate level. But it has been written in an approachable style to encourage a wider audience to engage with its tenets: accordingly it seeks also to address art aficionados, whether professional or dilettante, as well as general readers with an interest in these ever perplexing and profoundly intriguing issues of our human estate.
Author: William Irwin
Publisher: Open Court Publishing
ISBN: 9780812695014
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Presents essays exploring the philosophical themes of the motion picture "The Matrix," which portrays a false world created from nothing but perceptions.
Author: Cynthia Freeland
Publisher: OUP Oxford
ISBN: 0191504254
Category : Art
Languages : en
Pages : 254
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Book Description
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
Author: Matthew Potolsky
Publisher: Routledge
ISBN: 1135996040
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
A topic that has become increasingly central to the study of art, performance and literature, the term mimesis has long been used to refer to the relationship between an image and its ‘real’ original. However, recent theorists have extended the concept, highlighting new perspectives on key concerns, such as the nature of identity. Matt Potolsky presents a clear introduction to this potentially daunting concept, examining: the foundations of mimetic theory in ancient philosophy, from Plato to Aristotle three key versions of mimesis: imitatio or rhetorical imitation, theatre and theatricality, and artistic realism the position of mimesis in modern theories of identity and culture, through theorists such as Freud, Lacan, Girard and Baudrillard the possible future of mimetic theory in the concept of ‘memes’, which connects evolutionary biology and theories of cultural reproduction. A multidisciplinary study of a term rapidly returning to the forefront of contemporary theory, Mimesis is a welcome guide for readers in such fields as literature, performance and cultural studies.
Author: Matthew Del Nevo
Publisher: Routledge
ISBN: 1351531069
Category : Music
Languages : en
Pages : 309
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Book Description
Listening to music is not merely something one does, but something central to a way of living. Listening has the power to transport one into another way of being. It is a mode of feeling and forms the bedrock of deep emotion. Written from the viewpoint of a philosophy of sensibility, Matthew Del Nevo notes that this perspective may not be in fashion, but it follows a long tradition.Del Nevo emphasizes the aesthetic experience of listening to art music as it has developed and disintegrated in Western civilization. He recognizes a deep psychological element to what he calls soul—or more accurately sensibility. He addresses music in a non-technical way, taking up the powerful art theory of Charles Baudelaire, the music philosophy of Schopenhauer and Richard Wagner, and takes a strong critical stand against modernist intellectual art music.The importance of this book for the musically- literate reader is its insight into the metaphysics of nostalgia. This comprehension is missing from nearly all musical instruction because we have lost sight of it. Del Nevo asserts that this understanding must be brought back into our culture. And since this is a book about listening to art music, it is no less about sensibility and its cultivation, which in its object form we call culture. An engaging book, Art Music will appeal to those interested in music, culture, and philosophy.
Author: Daniel Meyer-Dinkgräfe
Publisher: Cambridge Scholars Press
ISBN: 1904303595
Category : Aesthetics, Modern
Languages : en
Pages : 182
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Book Description
In recent years, philosophical debate of the concept of beauty has seen a remarkable renaissance. The twelve essays presented in this book provide a broad basis for a thorough reassessment of the European traditions of beauty in the arts (fine arts, performing arts, media arts) and in literature and film, not as a return to some distant, and allegedly ideal past, but as a constructive means of realising the potential of the arts for the 21st century.
Author: Jürgen Lawrenz
Publisher: Cambridge Scholars Publishing
ISBN: 1443850896
Category : Science
Languages : en
Pages : 290
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Book Description
In this book, modern scientists and philosophers of science confront the prophetic legacy of the 17th century philosopher Leibniz—a metaphysical agenda full of ideas presaging today’s state of the art research into relativity and quantum cosmology; the physics of force, mass, momentum, time and space; complexity and chaos theories; fundamental particles and multiple worlds; and of the electronic cosmos of our computer era. Their immense relevance to us is demonstrated by the engagement with them of over 200 present-day scientific minds. In essence this monograph comprises a survey and critical comparison of interlocking texts, and will serve philosophers as a gateway into fundamental science from the angle of metaphysics, as well as scientists as a documentation of Leibniz’s profound philosophical impact on their own fields.
Author: Jürgen Lawrenz
Publisher: Cambridge Scholars Publishing
ISBN: 1527529495
Category : Philosophy
Languages : en
Pages : 331
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Book Description
This book consists of a series of essays which concern themselves with the persisting relevance of metaphysical speculation in our time. It delves into Hegel’s politics, the ethics of Confucius and Aristotle, the research of Leibniz, with its astonishing anticipations of modern ideas, Wittgenstein’s reflections on language, the meaning of music and art and a capital instance of a failed enquiry into life and mind from a scientific point of view. In all these instances, the focus is on the autonomous agency of the human being. Metaphysics as a philosophical discipline has long been under fire for its doctrinal presumptions, but never more so than under the hegemony of science. Yet, as the essays in this volume demonstrate, it remains an indispensable tool for thinkers in all areas of research in which the human creature is under the spotlight. That this involves a reversal of competences has not been seriously accepted—predominantly in terms of the gulf between autonomous agency and the mechanistic doxa under which science is compelled to operate. This volume seeks to put the torch on these discrepancies, where presuppositions end and understanding must take over.
Author: Lloyd P. Gerson
Publisher: Cornell University Press
ISBN: 0801469171
Category : Philosophy
Languages : en
Pages : 317
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Book Description
Was Plato a Platonist? While ancient disciples of Plato would have answered this question in the affirmative, modern scholars have generally denied that Plato’s own philosophy was in substantial agreement with that of the Platonists of succeeding centuries. In From Plato to Platonism, Lloyd P. Gerson argues that the ancients were correct in their assessment. He arrives at this conclusion in an especially ingenious manner, challenging fundamental assumptions about how Plato’s teachings have come to be understood. Through deft readings of the philosophical principles found in Plato's dialogues and in the Platonic tradition beginning with Aristotle, he shows that Platonism, broadly conceived, is the polar opposite of naturalism and that the history of philosophy from Plato until the seventeenth century was the history of various efforts to find the most consistent and complete version of "anti-naturalism."Gerson contends that the philosophical position of Plato—Plato’s own Platonism, so to speak—was produced out of a matrix he calls "Ur-Platonism." According to Gerson, Ur-Platonism is the conjunction of five "antis" that in total arrive at anti-naturalism: anti-nominalism, anti-mechanism, anti-materialism, anti-relativism, and anti-skepticism. Plato’s Platonism is an attempt to construct the most consistent and defensible positive system uniting the five "antis." It is also the system that all later Platonists throughout Antiquity attributed to Plato when countering attacks from critics including Peripatetics, Stoics, and Sceptics. In conclusion, Gerson shows that Late Antique philosophers such as Proclus were right in regarding Plotinus as "the great exegete of the Platonic revelation."
Author: Jürgen Lawrenz
Publisher: Cambridge Scholars Publishing
ISBN: 1443843970
Category : Philosophy
Languages : en
Pages : 420
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Book Description
In this bold, provocative account, the author argues that the phenomena of life and mind elude purely materialistic explanations. Living matter occupies a unique phase of existence which results from the complex transformation of its biochemical synergies. Analogous phase changes account for mind and self-reflexive consciousness. A central role in the living state is played by intelligence, which has not been recognised as a non-negotiable precondition of organic existence. Yet the concept of evolutionary adaptivity relies tacitly on it. Thus the book amounts to a serious challenge to the overly theoretical paradigmata of the last half-century with their timorous evasion of biological fundamentals. However, although the work relies on up-to-date research of the life sciences, it is a primarily philosophical enquiry, dealing head on with many unsolved problems of life and mind, and culminating in a detailed “ontological proof” of the mind system.
