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Author: Richard Cándida Smith
Publisher: Routledge
ISBN: 1134471149
Category : History
Languages : en
Pages : 305
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Book Description
This book investigates the role that the visual and performing arts play in our experience and understanding of the past. The essays highlight the role of oral history in the documentation of the visual and performing arts.
Author: Richard Cándida Smith
Publisher: Routledge
ISBN: 1134471149
Category : History
Languages : en
Pages : 305
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Book Description
This book investigates the role that the visual and performing arts play in our experience and understanding of the past. The essays highlight the role of oral history in the documentation of the visual and performing arts.
Author: Sarah Trustman
Publisher:
ISBN: 9780578477961
Category :
Languages : en
Pages : 341
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Book Description
The Memory Arts is our most beautiful book to date. Full-color, with pictures on every page, this book details the simple, secret formula that will allow you to remember things better. This system, based on all the great pillars of mnemonics, was developed by husband and wife superteam Sarah and David Trustman. Apply the system to magic or everyday life. The choice is yours!
Author: Liedeke Plate
Publisher: Routledge
ISBN: 0415811406
Category : Art
Languages : en
Pages : 243
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Book Description
This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory.
Author: Bill Bissell
Publisher: Wesleyan University Press
ISBN: 0819577766
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
The Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists. Hardcover is un-jacketed.
Author: Bernadette Mayer
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 200
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Book Description
Author: Anna Maria Busse Berger
Publisher: University of California Press
ISBN: 0520314271
Category : Music
Languages : en
Pages : 304
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Book Description
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Author: Ron Hale-Evans
Publisher: "O'Reilly Media, Inc."
ISBN: 0596101538
Category : Computers
Languages : en
Pages : 330
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Book Description
"Tips & tools for overclocking your brain"--Cover.
Author: F A Yates
Publisher: Routledge
ISBN: 1136353615
Category : History
Languages : en
Pages : 445
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Book Description
First Published in 1999. This title is the third volume in the ten-volume set titled the Selected Works of Frances Yates. Greyscale illustrations and figures are included throughout - alongside the related descriptive work where applicable. The art in this volume seeks to memorise through a technique of impressing 'places' and 'images' on memory. It has usually been classed as 'mnemotechnics', which appears an unimportant branch of human activity. However, the author discusses in this title that the manipulation of images in memory must always, to some extent, involve the psyche.
Author: Mary Nooter Roberts
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
...In conjunction with an exhibition ... presented by the Museum for African Art, New York (2 february - 8 september 1996)
Author: Joan Gibbons
Publisher: Bloomsbury Publishing
ISBN: 085771161X
Category : Art
Languages : en
Pages : 204
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Book Description
Whether exploring the intimate recollections which make up the artist's own life history or questioning the way the gallery and museum present public memory, contemporary art, it would seem, is haunted by the past. "Contemporary Art and Memory" is the first accessible survey book to explore the subject of memory as it appears in its many guises in contemporary art. Looking at both personal and public memory, Gibbons explores art as autobiography, the memory as trace, the role of the archive, revisionist memory and postmemory, as well as the absence of memory in oblivion. Grounding her discussion in historical precedents, Gibbons explores the work of a wide range of international artists including Yinka Shonibare MBE, Doris Salcedo, Keith Piper, Jeremy Deller, Judy Chicago, Louise Bourgeois, Tracey Emin, Felix Gonzalez-Torres, Christian Boltanski, Janet Cardiff, Bill Fontana, Pierre Huyghe, Susan Hiller, Japanese photographer Miyako Ishiuchi and new media artist George Legrady."Contemporary Art and Memory" will be indispensable to all those concerned with the ways in which artists represent and remember the past.?????
