Author: Andrew Stewart
Publisher: Cambridge University Press
ISBN: 0521853214
Category : Art
Languages : en
Pages : 0
Book Description
Addresses the 'Classical Revolution' in Greek art, its contexts, aims, achievements, and impact.
Classical Greece and the Birth of Western Art
Author: Andrew Stewart
Publisher: Cambridge University Press
ISBN: 0521853214
Category : Art
Languages : en
Pages : 0
Book Description
Addresses the 'Classical Revolution' in Greek art, its contexts, aims, achievements, and impact.
Publisher: Cambridge University Press
ISBN: 0521853214
Category : Art
Languages : en
Pages : 0
Book Description
Addresses the 'Classical Revolution' in Greek art, its contexts, aims, achievements, and impact.
An Art of Desire
Author: Bernd Herzogenrath
Publisher: Rodopi Bv Editions
ISBN: 9789042004535
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
An Art of Desire. Reading Paul Auster is the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's notion of the 'death drive; ' as well as the philosophical underpinnings of his work. At the focus of this study, however, is the concept of desire, an important concept in the writings of both Auster and Lacan, and the various manifestations of this concept in Auster's novels. Auster's novels always emphasize a kind of outside of the text (chance, the real, the unsayable), a kind of hope for a 'transparent language, ' a hope, however, that is exactly posited as impossible to fulfill. The relation of Daniel Quinn, Anna Blume, Marco Fogg and Jim Nashe to this lack is the motor of their desire, the driving force for the subject that has always already left the real and has been inscribed into the representational system called 'reality.' It is here, in its relation to the signifier, that the subject's desire is played out, that its experience is ordered, interpreted, and articulated. It is their ability to make connections, to proliferate, to 'affirm free-play, ' their ability 'not to bemoan the absence of the centre' that ultimately decides over success or failure of Auster's subjects - whether they partake in the 'joyous errance of the sign, ' or whether their fate is that of the 'unfortunatetraveler.'
Publisher: Rodopi Bv Editions
ISBN: 9789042004535
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
An Art of Desire. Reading Paul Auster is the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's notion of the 'death drive; ' as well as the philosophical underpinnings of his work. At the focus of this study, however, is the concept of desire, an important concept in the writings of both Auster and Lacan, and the various manifestations of this concept in Auster's novels. Auster's novels always emphasize a kind of outside of the text (chance, the real, the unsayable), a kind of hope for a 'transparent language, ' a hope, however, that is exactly posited as impossible to fulfill. The relation of Daniel Quinn, Anna Blume, Marco Fogg and Jim Nashe to this lack is the motor of their desire, the driving force for the subject that has always already left the real and has been inscribed into the representational system called 'reality.' It is here, in its relation to the signifier, that the subject's desire is played out, that its experience is ordered, interpreted, and articulated. It is their ability to make connections, to proliferate, to 'affirm free-play, ' their ability 'not to bemoan the absence of the centre' that ultimately decides over success or failure of Auster's subjects - whether they partake in the 'joyous errance of the sign, ' or whether their fate is that of the 'unfortunatetraveler.'
Art & Fear
Author: David Bayles
Publisher: Souvenir Press
ISBN: 1800815999
Category : Self-Help
Languages : en
Pages : 109
Book Description
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Publisher: Souvenir Press
ISBN: 1800815999
Category : Self-Help
Languages : en
Pages : 109
Book Description
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Desire and Excess
Author: Jonah Siegel
Publisher: Princeton University Press
ISBN: 9780691049144
Category : Art
Languages : en
Pages : 384
Book Description
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Publisher: Princeton University Press
ISBN: 9780691049144
Category : Art
Languages : en
Pages : 384
Book Description
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Imaging Desire
Author: Mary Kelly
Publisher: MIT Press
ISBN: 9780262611411
Category : Architecture
Languages : en
Pages : 288
Book Description
In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and discussed in catalogues, and long before the debut of the "bad girls" in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today.
Publisher: MIT Press
ISBN: 9780262611411
Category : Architecture
Languages : en
Pages : 288
Book Description
In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and discussed in catalogues, and long before the debut of the "bad girls" in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today.
Technology and Desire
Author: Rania Gaafar
Publisher:
ISBN: 9781783201679
Category : ART
Languages : en
Pages : 415
Book Description
Technology and Desire argues that innovations in digital media technology are behind a growing shift toward digitally enhanced realism in the arts and, in particular, the art of the moving image. It provides insights into the rapidly expanding field of film and media studies, and presents a philosophy of new technology in the arts.
Publisher:
ISBN: 9781783201679
Category : ART
Languages : en
Pages : 415
Book Description
Technology and Desire argues that innovations in digital media technology are behind a growing shift toward digitally enhanced realism in the arts and, in particular, the art of the moving image. It provides insights into the rapidly expanding field of film and media studies, and presents a philosophy of new technology in the arts.
Abject Art
Author: Jack Ben-Levi
Publisher: Whitney Museum of American Art
ISBN:
Category : Art
Languages : en
Pages : 116
Book Description
Publisher: Whitney Museum of American Art
ISBN:
Category : Art
Languages : en
Pages : 116
Book Description
Essential Desires
Author: Brian Curtin
Publisher: Reaktion Books
ISBN: 9781789142938
Category :
Languages : en
Pages : 256
Book Description
Essential Desires: Contemporary Art in Thailand is the first major, fully illustrated survey of Thai art in thirty years. Brian Curtin shows how Thai artists negotiated their emergence on the global art stage while dealing with pan-Asian regionalism and nationalism at home. This book traces the influences on contemporary Thai artists, from the impact of consumerism in Bangkok in the 1990s to the waning legacies of tradition, and their relationship to the nation's often-volatile political stage. Curtin, in his exploration of Thailand's fascinating art scene, shows how Thai artists are generating new ideas about their country.
Publisher: Reaktion Books
ISBN: 9781789142938
Category :
Languages : en
Pages : 256
Book Description
Essential Desires: Contemporary Art in Thailand is the first major, fully illustrated survey of Thai art in thirty years. Brian Curtin shows how Thai artists negotiated their emergence on the global art stage while dealing with pan-Asian regionalism and nationalism at home. This book traces the influences on contemporary Thai artists, from the impact of consumerism in Bangkok in the 1990s to the waning legacies of tradition, and their relationship to the nation's often-volatile political stage. Curtin, in his exploration of Thailand's fascinating art scene, shows how Thai artists are generating new ideas about their country.
Sex Objects
Author: Jennifer Doyle
Publisher: U of Minnesota Press
ISBN: 9780816645268
Category : Social Science
Languages : en
Pages : 228
Book Description
The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one. Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role of women in Andy Warhol's Factory films, “bad sex” and Tracey Emin's crudely evocative line drawings, and L.A. artist Vaginal Davis's pornographic parodies of Vanessa Beecroft's performances, Sex Objects challenges simplistic readings of sexualized art and instead investigates what such works can tell us about the nature of desire. In Sex Objects, Doyle offers a creative and original exploration of how and where art and sex connect, arguing that to proclaim a piece of art “about sex” reveals surprisingly little about the work, the artist, or the spectator. Deftly interweaving anecdotal and personal writing with critical, feminist, and queer theory, she reimagines the relationship between sex and art in order to better understand how the two meet-and why it matters. Jennifer Doyle is associate professor of English at the University of California, Riverside. She is coeditor, with Jonathan Flatley and Jos Esteban Muoz, of Pop Out: Queer Warhol.
Publisher: U of Minnesota Press
ISBN: 9780816645268
Category : Social Science
Languages : en
Pages : 228
Book Description
The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one. Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role of women in Andy Warhol's Factory films, “bad sex” and Tracey Emin's crudely evocative line drawings, and L.A. artist Vaginal Davis's pornographic parodies of Vanessa Beecroft's performances, Sex Objects challenges simplistic readings of sexualized art and instead investigates what such works can tell us about the nature of desire. In Sex Objects, Doyle offers a creative and original exploration of how and where art and sex connect, arguing that to proclaim a piece of art “about sex” reveals surprisingly little about the work, the artist, or the spectator. Deftly interweaving anecdotal and personal writing with critical, feminist, and queer theory, she reimagines the relationship between sex and art in order to better understand how the two meet-and why it matters. Jennifer Doyle is associate professor of English at the University of California, Riverside. She is coeditor, with Jonathan Flatley and Jos Esteban Muoz, of Pop Out: Queer Warhol.
The Making of an Artist
Author: Kristin G. Congdon
Publisher: Intellect (UK)
ISBN: 9781783208517
Category : Artists
Languages : en
Pages : 0
Book Description
What drives an artist to create? And are there common traits that successful artists possess? In The Making of an Artist, Kristin G. Congdon draws on her years of studying and teaching art at all levels--from universities to correctional settings--to identify three traits that are regularly found in successful artists: desire, courage, and commitment. In this collection Congdon explores each of those traits, as well as giving ethnographic case studies of six visual artists from diverse backgrounds and locations whose practices embody them. Marrying the work of biography, journalism, sociology, and psychology, the book opens up the often mysterious process of making art, showing us how those characteristics play into it, as well as how other factors, such as trauma, madness, class, and gender, affect the ways that people approach the creative process. Powerfully insightful and fully accessible, The Making of an Artist will be an invaluable resource for practicing artists, those just setting out on artistic careers, and art teachers alike.
Publisher: Intellect (UK)
ISBN: 9781783208517
Category : Artists
Languages : en
Pages : 0
Book Description
What drives an artist to create? And are there common traits that successful artists possess? In The Making of an Artist, Kristin G. Congdon draws on her years of studying and teaching art at all levels--from universities to correctional settings--to identify three traits that are regularly found in successful artists: desire, courage, and commitment. In this collection Congdon explores each of those traits, as well as giving ethnographic case studies of six visual artists from diverse backgrounds and locations whose practices embody them. Marrying the work of biography, journalism, sociology, and psychology, the book opens up the often mysterious process of making art, showing us how those characteristics play into it, as well as how other factors, such as trauma, madness, class, and gender, affect the ways that people approach the creative process. Powerfully insightful and fully accessible, The Making of an Artist will be an invaluable resource for practicing artists, those just setting out on artistic careers, and art teachers alike.