Arizona Journal of Hispanic Cultural Studies PDF Download
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Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 294
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Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 294
Get Book Here
Book Description
Author: Ron Butler
Publisher: University of Arizona Press
ISBN: 9780816520237
Category : Travel
Languages : en
Pages : 222
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Book Description
Ron Butler never dreamed Mexico would capture his heart and his soul. However after crisscrossing the country, he was seduced by its charms, rhythms and melodies. He goes off the beaten path in Acapulco and Cancun, and walks in the footsteps of movie stars who have been enamored of this land south-of-the-border. Informative and helpful, "Dancing Alone in Mexico" will help even seasoned travelers get the most out of their trips to Mexico.
Author: Charles M. Tatum
Publisher: University of Arizona Press
ISBN: 081653652X
Category : Art
Languages : en
Pages : 289
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Book Description
"An updated and expanded edition of Tatum's Chicano Popular Culture (2001), touching upon major developments in popular culture since the book's original publication"--Provided by publisher.
Author: Helen Graham
Publisher: Oxford University Press on Demand
ISBN: 9780198151999
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
This work adopts an interdisciplinary approach in its study of 20th-century Spanish culture and society, emphasizing contemporary developments. The contributors take into account major recent changes which have taken place in the context of higher education Spanish studies.
Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 0292783000
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Author: Aída Hurtado
Publisher: University of Arizona Press
ISBN: 081655238X
Category : Social Science
Languages : en
Pages : 173
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Book Description
What does it mean to be Chicana/o? That question might not be answered the same as it was a generation ago. As the United States witnesses a major shift in its population—from a white majority to a country where no single group predominates—the new mix not only affects relations between ethnic groups but also influences how individuals view themselves. This book addresses the development of individual and social identity within the context of these new demographic and cultural shifts. It identifies the contemporary forces that shape group identity in order to show how Chicana/os' sense of personal identity and social identity develops and how these identities are affected by changes in social relations. The authors, both nationally recognized experts in social psychology, are concerned with the subjective definitions individuals have about the social groups with which they identify, as well as with linguistic, cultural, and social contexts. Their analysis reveals what the majority of Chicanas/os experience, using examples from music, movies, and the arts to illustrate complex concepts. In considering ¿Quién Soy? ("Who Am I?"), they discuss how individuals develop a positive sense of who they are as Chicanas/os, with an emphasis on the influence of family, schools, and community. Regarding ¿Quiénes Somos? ("Who Are We?"), they explore Chicanas/os' different group memberships that define who they are as a people, particularly reviewing the colonization history of the American Southwest to show how Chicanas/os' group identity is influenced by this history. A chapter on "Language, Culture, and Community" looks at how Chicanas/os define their social identities inside and outside their communities, whether in the classroom, neighborhood, or region. In a final chapter, the authors speculate how Chicana/o identity will change as Chicanas/os become a significant proportion of the U.S. population and as such factors as immigration, intermarriage, and improvements in social standing influence the process of identification. At the end of each chapter is an engaging exercise that reinforces its main argument and shows how psychological approaches are applicable to real life. Chicana/o Identity in a Changing U.S. Society is an unprecedented introduction to psychological issues that students can relate to and understand. It complements other titles in the Mexican American Experience series to provide a balanced view of issues that affect Mexican Americans today.
Author: Ana del Sarto
Publisher: Duke University Press
ISBN: 9780822333401
Category : History
Languages : en
Pages : 834
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Book Description
Essays by intellectuals and specialists in Latin American cultural studies that provide a comprehensive view of the specific problems, topics, and methodologies of the field vis-a-vis British and U.S. cultural studies.
Author: David E. Lorey
Publisher: Rowman & Littlefield
ISBN: 9780842027564
Category : History
Languages : en
Pages : 212
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Book Description
The 2,000-mile-long international boundary between the United States and Mexico gives shape to a unique social, economic, and cultural entity. David Lorey here offers the first comprehensive treatment of the fascinating evolution of the region over the past century. Exploring the evolution of a distinct border society, Lorey traces broad themes in the region's history, including geographical constraints, boom-and-bust cycles, and outside influences. He also examines the seminal twentieth-century events that have shaped life in the area, such as Prohibition, World War II, and economic globalization. Bringing the analysis up to the present, the book considers such divisive issues as the distinction between legal and illegal migration, trends in transboundary migrant flows, and North American free trade. Informative and accessible, this valuable study is ideal for courses on the U.S.-Mexico borderlands, Chicano studies, Mexican history, and Mexican-American history.
Author: Tatjana Pavlovic
Publisher: State University of New York Press
ISBN: 0791487695
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
Focusing on Spanish culture and society in the second half of the twentieth century, Despotic Bodies and Transgressive Bodies traverses a variety of disciplines: literature, film studies, cultural studies, feminist theory, and history, to examine crucial moments of cultural transition. Beginning with an analysis of the period of autarky—Spain's economic, cultural, and ideological isolation under Francisco Franco's regime— Pavlović then explores the tumultuous passage to capitalism in the late 1950s and 1960s. She follows this by revisiting the complex political situation following Franco's death and points out the difficulties in Spain's transition from dictatorship to democracy. Combining a strong theoretical background with a detailed study of marginalized texts (La fiel infantería), genres (the Spanish comedy known as the comedia sexy celtibérica), and film directors (Jesús Franco), Pavlović reveals the construction of Spanish national identity through years of cultural tensions.
Author: Emily Hind
Publisher: University of Arizona Press
ISBN: 081653926X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.
