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Author: Thomas Ruff
Publisher: Peter Blum Edition
ISBN: 9780935875126
Category : Architecture
Languages : en
Pages : 35
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Book Description
Published on the occasion of the exhibition Herzog & de Meuron held in summer, 1994 at Peter Blum and the Swiss Institute in New York.
Author: Thomas Ruff
Publisher: Peter Blum Edition
ISBN: 9780935875126
Category : Architecture
Languages : en
Pages : 35
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Book Description
Published on the occasion of the exhibition Herzog & de Meuron held in summer, 1994 at Peter Blum and the Swiss Institute in New York.
Author: Herzog & de Meuron
Publisher: Springer Science & Business Media
ISBN: 9783037780497
Category : Architecture
Languages : en
Pages : 468
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Book Description
More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
Author: Rowan Moore
Publisher: Tate
ISBN: 9781854373311
Category : Art
Languages : en
Pages : 0
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Book Description
Standing on the south bank of the Thames opposite the dome of St. Paul's Cathedral, Sir Giles Gilbert Scott's vast brick edifice, with its tower of 325 feet, dominates the scenery and ranks among the most imposing structures of central London. Yet, after its closure in 1981, the Bankside Power Station was rendered invisible to the public eye by its redundancy and the frequent threat of demolition. The reopening of Bankside in May 2000 as London's first national gallery of modern and contemporary art restores the grandeur of Scott's design and regenerates a much neglected area of the city.The conversion to art gallery by the Swiss architects Herzog and de Meuron is marked by its extreme simplicity, at once enhancing the physical presence of the original architecture and completely transforming its derelict and impenetrable interior into an accessible, light-filled exhibition center. The tremendous affinity of contemporary art with ex-industrial settings has inspired a design that retains the monumental scale of the Turbine Hall and skillfully offers a range of spaces for widely differing types of art on the multiple floors of the Old Boiler House.This publication follows the story of the Bankside project and presents a stunning photographic account of every stage of its transformation. Including an interview with Jacques Herzog and Nicholas Serota, director of the Tate, it provides a detailed analysis of Herzog and de Meuron's design and redefines the Tate's role within contemporary culture.
Author: Rémy Zaugg
Publisher: Springer Science & Business Media
ISBN: 9783764366223
Category : Architecture
Languages : en
Pages : 142
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Book Description
Between 1996 and 2000 the renowned architects Herzog & de Meuron built a new research centre together with a library, auditorium and cafeteria for the pharmaceutical company Roche in Basle. Situated on the outskirts of the town on the edge of the industrial area, the building was to include a closed section for laboratories yet should also be publicly accessible: the ideal starting point for an interdisciplinary solution. Artist Rémy Zaugg worked together with the architects developing the colours used. In particular he created a dramatic blue wall which separates public and restricted areas. This publication documents the entire project from its genesis to the completed construction, using texts, sketches, plans and photographs. More than a mere monograph, this book provides a fascinating glimpse into the creative collaboration occuring between architects and artists.
Author: Gerhard Mack
Publisher: Birkhauser
ISBN: 9783035610079
Category : Architecture
Languages : en
Pages : 304
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Book Description
Author: Jacques Herzog
Publisher: Actar D, Inc.
ISBN: 1945150254
Category : Architecture
Languages : en
Pages : 102
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Book Description
Treacherous Transparencies analyzes transparency as expressed in architecture and art in an attempt to understand the intentions and objectives that underlie its use by pertinent architects and artists. The publication looks at a few important works by selected artists and architects who work with transparency as an artistic strategy, which they implement primarily by using glass and mirrors but other media as well. e architects and artists listed together in this context form an unlikely alliance: Bruno Taut, Ivan Leonidov, Marcel Duchamp, Mies van der Rohe, Dan Graham, and Gerhard Richter. But they do have something in common: their work marks salient way stations in the story of modernism up to the present day. Concept & text by Jacques Herzog and photographs of Farnsworth House by Pierre de Meuron.
Author: David Leatherbarrow
Publisher: MIT Press
ISBN: 9780262621946
Category : Architecture
Languages : en
Pages : 294
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Book Description
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.
Author: Michel Kessler
Publisher:
ISBN: 9783906313252
Category :
Languages : en
Pages :
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Book Description
Author: Hans Ulrich Obrist
Publisher: Walther Konig Verlag
ISBN: 9783863352202
Category :
Languages : en
Pages : 0
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Book Description
The design team responsible for the celebrated Beijing National Stadium, which was built for the 2008 Olympic Games, comes together again in London in 2012 for the Serpentine's acclaimed annual commission, being presented as part of the London 2012 Festival, the culmination of the Cultural Olympiad. The Pavilion is Herzog & de Meuron and Ai Weiwei's first collaborative built structure in the UK.This year's Pavilion will take visitors beneath the Serpentine's lawn to explore the hidden history of its previous Pavilions. Eleven columns characterising each past Pavilion and a twelfth column representing the current structure will support a floating platform roof 1.4 metres above ground.The Pavilion's interior is clad in cork, a sustainable building material chosen for its unique qualities and to echo the excavated earth.
Author: Nederlands Architectuurinstituut
Publisher: Nai010 Publishers
ISBN:
Category : Architects
Languages : en
Pages : 98
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Book Description
The subject of this newly updated book is the building occupied by the Netherlands Architecture Institute (NAi), which was designed by the architect Jo Coenen and opened in 1993. NAi is one of the international centers for architectural thought and ideas, and its home has become Famous in its own right as a contemporary architectural landmark. Featuring a wealth of new photos, floor plans and cross sections, the book also includes extensive texts examining the history of NAi, the commissioning of the building, its collections, and its policies and mission. In addition Jo Coenen describes the background of his work as well as the sources that inspired him.
