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Author: Nadir Lahiji
Publisher: Routledge
ISBN: 1000440915
Category : Architecture
Languages : en
Pages : 137
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Book Description
Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the ‘naked power’ behind its operation. It conforms to the principles of cultural logic of the society of the spectacle, consistent with neoliberal capitalism. The problem with this dominant pedagogy is that it violates the fundamental ethical imperative, putting architecture in direct contradiction with the ‘common good’. In addition, it has let architecture enter the brothel of pornographic capitalism which turns every object into an object of obscene gratification of the senses. In this book, Nadir Lahiji adopts Alain Badiou’s thesis from The Pornographic Age to demonstrate that contemporary architecture is in absolute complicity with the pornographic present. The traits that Badiou identifies in this age are manifestly visible in architectural surfaces which are subordinated to the same ‘regime of images’. Similarly to Badiou’s political indictments of the society which has given rise to the pornographic present, the book condemns the architecture that has lent its service to the same society with a license to consummate its transgression to better cater to the imperative of the ‘regime of images’. Transposing the conceptual categories in Badiou’s analysis to the critique of architecture’s pornographic turn in contemporary society, the book constructs a conceptual framework by which to demonstrate the specific manifestations of pornography in building. The book is aimed at architecture students at higher graduate and post-graduate levels.
Author: Nadir Lahiji
Publisher: Routledge
ISBN: 1000440915
Category : Architecture
Languages : en
Pages : 137
Get Book Here
Book Description
Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the ‘naked power’ behind its operation. It conforms to the principles of cultural logic of the society of the spectacle, consistent with neoliberal capitalism. The problem with this dominant pedagogy is that it violates the fundamental ethical imperative, putting architecture in direct contradiction with the ‘common good’. In addition, it has let architecture enter the brothel of pornographic capitalism which turns every object into an object of obscene gratification of the senses. In this book, Nadir Lahiji adopts Alain Badiou’s thesis from The Pornographic Age to demonstrate that contemporary architecture is in absolute complicity with the pornographic present. The traits that Badiou identifies in this age are manifestly visible in architectural surfaces which are subordinated to the same ‘regime of images’. Similarly to Badiou’s political indictments of the society which has given rise to the pornographic present, the book condemns the architecture that has lent its service to the same society with a license to consummate its transgression to better cater to the imperative of the ‘regime of images’. Transposing the conceptual categories in Badiou’s analysis to the critique of architecture’s pornographic turn in contemporary society, the book constructs a conceptual framework by which to demonstrate the specific manifestations of pornography in building. The book is aimed at architecture students at higher graduate and post-graduate levels.
Author: Nadir Lahiji
Publisher: Taylor & Francis
ISBN: 1003846955
Category : Architecture
Languages : en
Pages : 206
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Book Description
In this book, Nadir Lahiji introduces Kōjin Karatani’s theoretical-philosophical project and demonstrates its affinity with Kant’s critical philosophy founded on ‘architectonic reason’. From the ancient Greeks we have inherited a definition of the word ‘philosophy’ as Sophia—wisdom. But in his book Architecture as Metaphor Kōjin Karatani introduces a different definition of philosophy. Here, Karatani critically defines philosophy not in association with Sophia but in relation to foundation as the Will to Architecture. In this novel definition resides the notion that in Western thought a crisis persistently reveals itself with every attempt to build a system of knowledge on solid ground. This book reveals the implications of this extraordinary exposition. This is the first book to uncover Kōjin Karatani’s highly significant ideas on architecture for both philosophical and architectural audiences.
Author: Cambridge Women's Pornography Cooperative
Publisher: Chronicle Books
ISBN: 0811873714
Category : Photography
Languages : en
Pages : 97
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Book Description
Photos of the silver, sexy superheroes we deserve: mature men who can warm up your bed and fix your (obviously) broken scale. Just how long do you plan on defying the laws of gravity? Responding to overwhelming demand, the Cambridge Women’s Pornography Cooperative has researched deeply into the desires of women of a certain age. The result: forty steamy scenarios show hunky yet distinguished men catering to every whim. These handsome hotties insist she take an early retirement, delight in the silver in her hair, and best of all, take over the cooking and cleaning. Mrrow! Scientifically proven to make women swoon, Porn for Women of a Certain Age will leave the ladies begging for more. Praise for Porn for New Moms “Genius gift idea . . . (I’ll be getting one for each of the 10 baby showers I have in the next three months!)” —Glamour Magazine “It’s a book we wouldn’t mind sharing with every mother we know.” —Parenting.com “This new book from Chronicle has got to be my favorite baby shower gift idea this year.” —RookieMom.com
Author: Nadir Lahiji
Publisher: Routledge
ISBN: 1000392104
Category : Architecture
Languages : en
Pages : 218
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Book Description
Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as ‘mass art’, they tend to forget that architecture, before cinema, was the only existing ‘mass art’. In this work author Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture. Building art puts the collective mass in the position of an ‘expert critic’ who identifies themselves with the technical apparatus of architecture. Only then can architecture regain its status as ‘mass art’ and, as the book contends, only then can it resume its function as the only ‘artform’ that is designed for the political pedagogy of masses, which originally belonged to it in the period of modernity before the invention of cinema.
Author: Paul Preciado
Publisher: Princeton University Press
ISBN: 1942130260
Category : Social Science
Languages : en
Pages : 305
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Book Description
Published for the first time in 1953, Playboy was not only the first pornographic popular magazine in America; it also came to embody an entirely new lifestyle through the construction of a series of utopian multimedia spaces — from the Playboy Mansion and fictional Playboy’s Penthouse of 1959 to the Playboy Clubs and hotels appearing around the world in the 1960s. Simultaneously, the invention of the contraceptive pill provided access to a biochemical technique that separated (hetero) sexuality and reproduction. Addressing these concurrent cultural shifts, Paul Preciado investigates the strategic relationships between space, gender, and sexuality in popular sites related to the production and consumption of pornography that have tended to reside at the margins of traditional histories of architecture: bachelor pads, multimedia rotating beds, and design objects, among others. Combining historical perspectives with contemporary critical theory, gender and queer theory, porn studies, the history of technology, and a range of primary transdisciplinary sources — treatises on sexuality, medical and pharmaceutical handbooks, architecture journals, erotic magazines, building manuals, and novels — Pornotopia explores the use of architecture as a biopolitical technique for governing sexual relations and the production of gender in the postwar United States.
Author: Alain Badiou
Publisher: Bloomsbury Publishing
ISBN: 135001477X
Category : Philosophy
Languages : en
Pages : 137
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Book Description
Offering a piercing indictment of what we have let ourselves become, this short, critical work is a damning critique of the current age and of the democratic systems that characterize it. Alain Badiou argues that any truly radical politics must begin with dismantling the obscene (or pornographic) qualities of neoliberal capitalism. In The Pornographic Age he asks us to hold up a mirror to ourselves and confront the debasement of the political realities in which we live, the shock of which must galvanize us into action. It is only through this realization, this crucial confrontation with the perversity with which we conduct our daily lives that we can prompt true revolution. Including an afterword from international Badiou scholars A. J. Bartlett and Justin Clemens and a commentary by William Watkin, this book is a philosophical call to arms: Badiou's radical indictment of the current age is an exciting, no-holds-barred exploration of both how we live and how we might live.
Author: Zoya Kocur
Publisher: John Wiley & Sons
ISBN: 1444338579
Category : Art
Languages : en
Pages : 589
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Book Description
Updated and reorganized to offer the best collection of state-of-the-art readings on the role of critical theory in contemporary art, this second edition of Theory in Contemporary Art since 1985 brings together scholarly essays, artists’ statements, and art reproductions to capture the vibrancy and dissonance that define today’s art scene. Incorporates new and updated topics that have become central to art theory and practice over the past decade New and updated chapters cover such topics as: international biennials, historicizing of the term “contemporary art”, aesthetics, art and politics, feminism and pornography, ecology and art, the Middle East and conflict studies, Eastern European art and politics, gender and war, and technology Features a thematic reconfiguration of sections and new introductions to make readings user–friendly Extensively illustrated throughout with an expanded color-plate section New contributions to this edition include those by Alexander Alberro, Claire Bishop, T.J. Demos, Anthony Downey, Liam Gillick, Marina Gr?iniæ, Mary Kelly, Chantal Mouffe, Beatriz Preciado, Jacques Ranciere, Blake Stimson, and Chin-Tao Wu.
Author: Amy Werbel
Publisher: Columbia University Press
ISBN: 023154703X
Category : History
Languages : en
Pages : 589
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Book Description
Anthony Comstock was America’s first professional censor. From 1873 to 1915, as Secretary of the New York Society for the Suppression of Vice, Comstock led a crusade against lasciviousness, salaciousness, and obscenity that resulted in the confiscation and incineration of more than three million pictures, postcards, and books he judged to be obscene. But as Amy Werbel shows in this rich cultural and social history, Comstock’s campaign to rid America of vice in fact led to greater acceptance of the materials he deemed objectionable, offering a revealing tale about the unintended consequences of censorship. In Lust on Trial, Werbel presents a colorful journey through Comstock’s career that doubles as a new history of post–Civil War America’s risqué visual and sexual culture. Born into a puritanical New England community, Anthony Comstock moved to New York in 1868 armed with his Christian faith and a burning desire to rid the city of vice. Werbel describes how Comstock’s raids shaped New York City and American culture through his obsession with the prevention of lust by means of censorship, and how his restrictions provided an impetus for the increased circulation and explicitness of “obscene” materials. By opposing women who preached sexual liberation and empowerment, suppressing contraceptives, and restricting artistic expression, Comstock drew the ire of civil liberties advocates, inspiring more open attitudes toward sexual and creative freedom and more sophisticated legal defenses. Drawing on material culture high and low, including numerous examples of the “obscenities” Comstock seized, Lust on Trial provides fresh insights into Comstock’s actions and motivations, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.
Author: Philippe Duboy
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 378
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Book Description
Jean-Jacques Lequeu does in fact hide behind the most enigmatic and controversial smile in the history of art, writes Philippe Duboy in a book that is one of the most tantalizing examples of architectural investigation ever produced. It is an extraordinary compilation - part speculative biography, part meticulous research, with hundreds of intriguing drawings, many in color - that unravels the mystery of this eighteenth-century maverick artist whose drawings have established him variously as a visionary architect associated with Boullee and Ledoux, forerunner of surrealism, and inventor of bad taste. Lequeu's architectural drawings from the legendary portfolios Architecture civile and Nouvelle methode are presented here in their entirety, along with his Lewd Figures, perhaps the oddest feature of the whole collection. The drawings are accompanied by long captions, misspelt and ungrammatical, but written in a flawless bureaucratic hand. The artist's marginalia provide insights into his visions, which seem dominated by an obsession with petrified forms and a recurring preoccupation with sex. Interleaved with the drawings are curious autobiographical papers. And it is here that Duboy's investigation of Lequeu begins to reveal strange clues. He discovers that Lequeu was not an architect at all but a government bureaucrat, a draftsman who ended up living in a brothel. Between the brothel and the obscure office from which he was eventually fired, he produced his encyclopedia of the universe - bizarre portraits of nuns baring their breasts and other lewd figures, and architectural fantasies of vast imaginary cities. Duboy takes his study further, into the realm of Charles Fourier andhis brother-in-law Anthelme Brillat-Savarin and from there to the world of the dadaists, surrealists, and futurists, particularly the circles of Marcel Duchamp and Le Corbusier. He suggests that Duchamp and Raymond Rousell tampered with the Lequeu drawings to concoct a character and oeuvre even more puzzling. There are glimpses of Duchamp's convolutions of mind that will stir a reassessment of his work. Duchamp emerges here, for the first time, as an intrepid and unwavering despiser of Le Corbusier. Twentieth-century reputations are as much at stake in this study as those of the eighteenth-century artist, notes Robin Middleton. Philippe Duboy is Professor of the History of Cities, Paris-Belleville School of Architecture.
Author: Shira Tarrant
Publisher: Oxford University Press
ISBN: 0190205121
Category : Social Science
Languages : en
Pages : 209
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Book Description
The business of pornography is a surprisingly elusive subject, and debates on the subject can cause emotions to run high. Tarrant answers the most-asked questions about the performers, the viewers, the dangers and the economic impact of the porn industry. She sorts myths from reality, and the result allows readers to explore these provocative issues and make their own decisions.
