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Author: Alexander Tzonis
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Alexander Tzonis
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Alexander Tzonis
Publisher:
ISBN: 9780500341414
Category : Architecture
Languages : en
Pages : 312
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Book Description
This work traces the evolution of North American architectual work from 1960 to 1995. The book explores its developments and innovations through the themes of ideology, place, social change, technology, the city and the environment. It features 78 projects and both examines and offers critical insights into the debates surrounding architecture today.
Author: Leland M. Roth
Publisher: Routledge
ISBN: 0429973837
Category : Architecture
Languages : en
Pages : 1251
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Book Description
More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States.
Author: Thomas S. Hines
Publisher: Getty Publications
ISBN: 1606065815
Category : Architecture
Languages : en
Pages : 210
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Book Description
A comprehensive and fascinating look at the history of the Museum of Modern Art’s Architecture and Design Department under the leadership of the influential curator Arthur Drexler. Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986—the longest curatorship in the museum’s history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA’s founding director, Alfred Barr, and the department’s first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler’s tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects—from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden—Drexler’s boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department’s public and educational programs projected a culture of popular accessibility, offsetting MoMA’s reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines’s firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.
Author: Gwendolyn Wright
Publisher: Reaktion Books
ISBN: 1861895402
Category : Architecture
Languages : en
Pages : 324
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Book Description
From the Reliance Building and Coney Island to the Kimbell Museum and Disney Hall, the United States has been at the forefront of modern architecture. American life has generated many of the quintessential images of modern life, both generic types and particular buildings. Gwendolyn Wright’s USA is an engaging account of this evolution from the late nineteenth century to the twenty-first. Upending conventional arguments about the origin of American modern architecture, Wright shows that it was not a mere offshoot of European modernism brought across the Atlantic Ocean by émigrés but rather an exciting, distinctive and mutable hybrid. USA traces a history that spans from early skyscrapers and suburbs in the aftermath of the American Civil War up to the museums, schools and ‘green architecture’ of today. Wright takes account of diverse interests that affected design, ranging from politicians and developers to ambitious immigrants and middle-class citizens. Famous and lesser-known buildings across America come together--model dwellings for German workers in rural Massachusetts, New York’s Rockefeller Center, Cincinnati’s Carew Tower, Frank Lloyd Wright’s Taliesin West in the Arizona desert, the University of Miami campus, the Texas Instruments Semiconductor Plant, and the Corning Museum of Glass, among others--to show an extraordinary range of innovation. Ultimately, Wright reframes the history of American architecture as one of constantly evolving and volatile sensibilities, engaged with commerce, attuned to new media, exploring multiple concepts of freedom. The chapters are organized to show how changes in work life, home life and public life affected architecture--and vice versa. This book provides essential background for contemporary debates about affordable and luxury housing, avant-garde experiments, local identities, inspiring infrastructure and sustainable design. A clear, concise and richly illustrated account of modern American architecture, this timely book will be essential for all those who wonder about the remarkable legacy of American modernity in its most potent cultural expression.
Author: Liane Lefaivre
Publisher: Routledge
ISBN: 1000221067
Category : Architecture
Languages : en
Pages : 374
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Book Description
This book remains the definitive introductory text on the theory and history of regionalist architecture in the context of globalization. It addresses issues of identity, diversity, community, inequality, geopolitics, and sustainability. From the authors who coined the concept of Critical Regionalism, this new edition enhances the understanding of the complex evolution of regionalism and its rival, unchecked globalization. Covering a rich selection of the most outstanding examples of design from all over the world, Liane Lefaivre and Alexander Tzonis, who introduced the concept of Critical Regionalism to architecture, present an enlightening, concise historical analysis of the endurance of regionalism and the ceaseless drive for globalization. New case studies include current cutting-edge projects in Japan, Africa, China, and the United States. Architecture of Regionalism in the Age of Globalization offers undergraduate and graduate students of architecture, geography, history, environmental studies, and other related fields an accessible, vivid, and scholarly perspective of this major conflict as it relates to the design and to the future of the human-made environment.
Author: Liane Lefaivre
Publisher: 010 Publishers
ISBN: 9064506027
Category : City planning
Languages : en
Pages : 129
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Book Description
Author: Luca Molinari
Publisher: Skira
ISBN:
Category : Architecture
Languages : en
Pages : 256
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Book Description
This book contains a selection of 18 projects completed in North America by American architects and offers the broadest possible overview of the vast and complex architectural output of the 1990s. This decade marked an important transitional phase and the metamorphosis of the work of the American masters of the 1960s and 1970s (e. g. Robert Venturi, Cesar Pelli, Charles Gwathmey) with the full affirmation of new masters (e. g. Frank Gehry, Steven Holl and Peter Eisenman) and the emergence of new generations represented by Asymptote, William and Tsien, Ro. To. and Erik Owen Moss. This journey through contemporary American architecture also tries to tell of a new geographical complexity no longer restricted to the major urban centres - the traditional locations for avant- garde architecture e. g. New York and Los Angeles. It has thus been extended to show the work of the Patkau group in Canada, Will Bruder in Arizona and Antoine Predock in New Mexico as new examples of research attentive to traditional production and to the context. Also of interest are the various building types represented, ranging from new museum complexes (e. g. Richard Meier's Getty Center, Robert Venturi's ethnographic museum in Seattle and Frank Gehry's Weisman Art Center) to residential projects (e. g. Erik Owen Moss's Samitaur, a New York residence by William and Tsien and the Carlson- Reges residence in Los Angeles by Ro. To.) and a number of public works such as Bruder's new library in Phoenix, the extension of the New York Stock Exchange by Asymptote and Steven Holl's chapel of St. Ignatius in Seattle.
Author: Aron Vinegar
Publisher: MIT Press
ISBN: 0262220822
Category : Architectural writing
Languages : en
Pages : 249
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Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Author: Alexander Tzonis
Publisher: Taylor & Francis
ISBN: 131701006X
Category : Architecture
Languages : en
Pages : 303
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Book Description
Times of Creative Destruction is about the years that followed the end of WWII, one of the most seminal and dramatic epochs in human history, during which extraordinary star-buildings were born, cities exploded, and an unprecedented world of a ‘Third Ecology’ emerged. Never before was there such a flurry of daring mega-constructions, such daring spatial acrobatics, ‘star’ buildings by star architects attained by star developers, mega-constructions, technological feats, and flourishing spatial acrobatics. But, for all its exhilarating creativity, this was also an era of unanticipated, intractable, irreversible destruction reducing the uniqueness and diversity of cultural, social and ecological peaks and valleys of our world, to a ‘desert flatland’, environmental inequality and unhappiness. This book critically discusses and revaluates these contradictory events, bringing together and commenting on a selection of shorter key texts by Tzonis and Lefaivre, the product of a rare research and writing partnership. The texts, published between the early 1960s and the present, are significant as documents that inform about the period. They are also important and timely because of their critical and influential role in the debates of this era, both creative and destructive.
