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Author: Julius Shulman
Publisher: Taschen America Llc
ISBN: 9783822872048
Category : Architecture
Languages : en
Pages : 299
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Book Description
American photographer Julius Shulman's images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close Friend, Richard Neutra, was first brought to light by Shulman's photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Schulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst for his pioneering images is stronger than ever before. This is a vivid journey across six decades of great architecture and classic photography through the famously incomparable eyes of Julius Shulman.
Author: Julius Shulman
Publisher: Taschen America Llc
ISBN: 9783822872048
Category : Architecture
Languages : en
Pages : 299
Get Book Here
Book Description
American photographer Julius Shulman's images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close Friend, Richard Neutra, was first brought to light by Shulman's photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Schulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst for his pioneering images is stronger than ever before. This is a vivid journey across six decades of great architecture and classic photography through the famously incomparable eyes of Julius Shulman.
Author: Cervin Robinson
Publisher: Mit Press
ISBN: 9780262680646
Category : Photography
Languages : en
Pages : 203
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Book Description
Gathers photographs of interiors and exteriors, homes and office buildings, and churches and public buildings, and describes changes in photographic style
Author: Maria Antonella Pelizzari
Publisher: Montréal : Canadian Centre for Architecture
ISBN: 9780300098969
Category : Photography
Languages : en
Pages : 342
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Book Description
This book investigates the different cultural roles played by photographs of Indian architecture from the latter half of the nineteenth century, an inquiry stretching from their pre-history to their migration into book illustrations, calendar art, and religious imagery. Beyond the apparent purposes of these images - as picturesque views, scientific records of an architectural past, political memorials, travel mementos, textbook vignettes - deeper considerations influenced the way their makers worked in selecting, framing, composing, and populating their representations. Shaping the viewer's thinking about what they represented, these images remain enduring records of a way of seeing, of minds as well as monuments, and exist today as artefacts of the visual culture of colonialism. Twelve essays from scholars working in several disciplines (history, anthropology, art history, and the history of photography) show how photographs of architecture reveal the inescapable ways in which the practice of image making is aligned with the purposes of power, the presumptions accompanying the encounter with strangeness, the internal order of the colonial and the scientific mind, and even our metaphysical dispositions toward the world.
Author: Charles G. Salas
Publisher: Getty Publications
ISBN: 9780892366163
Category : Architecture
Languages : en
Pages : 344
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Book Description
In Looking for Los Angeles 12 contributors present their responses to the world's newest major city. A variety of perspectives and approaches are covered. The text balances the importance of place with the importance of culture.
Author: Micheline Nilsen
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409448334
Category : Art
Languages : en
Pages : 296
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Book Description
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism.Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.
Author: Andrew Higgott
Publisher: Routledge
ISBN: 1351953508
Category : Architecture
Languages : en
Pages : 525
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Book Description
Photography and architecture have a uniquely powerful resonance - architectural form provides the camera with the subject for some of its most compelling imagery, while photography profoundly influences how architecture is represented, imagined and produced. Camera Constructs is the first book to reflect critically on the varied interactions of the different practices by which photographers, artists, architects, theorists and historians engage with the relationship of the camera to architecture, the city and the evolution of Modernism. The title thus on the one hand opposes the medium of photography and the materiality of construction - but on the other can be read as saying that the camera invariably constructs what it depicts: the photograph is not a simple representation of an external reality, but constructs its own meanings and reconstructs its subjects. Twenty-three essays by a wide range of historians and theorists are grouped under the themes of ’Modernism and the Published Photograph’, ’Architecture and the City Re-imagined’, ’Interpretative Constructs’ and ’Photography in Design Practices.’ They are preceded by an Introduction that comprehensively outlines the subject and elaborates on the diverse historical and theoretical contexts of the authors’ approaches. Camera Constructs provides a rich and highly original analysis of the relationship of photography to built form from the early modern period to the present day.
Author: Paolo Rosselli
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 152
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Book Description
"The volume follows a dual track, represented by the written commentary of Dennis Sharp and of the author, which intersects with the dense sequence of images mounted in an arrangement that constantly moves on and around the theme of architecture lost in the contemporary metropolis." "The photographs cover the time span of the past twenty years, from Paolo Rosselli's early Indian travels exploring Chandigarh up to his more recent architectural inquiries, revealing a gradual evolution in his photographic vision and, more generally, the problematic course of contemporary photography."--BOOK JACKET.
Author: Elias Redstone
Publisher: Phaidon Press
ISBN: 9780714867427
Category : Architecture
Languages : en
Pages : 0
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Book Description
A visual survey of contemporary artists’ photography of architecture, featuring the work of Andreas Gursky, Iwan Baan, Wolfgang Tillmans, Catherine Opie, Thomas Ruff, Hiroshi Sugimoto, and more. Since the invention of photography, architecture has proved a worthy subject for photographers. Shooting Space: Architecture in Contemporary Photography showcases the relationship between the two practices. The book presents a broad spectrum of work from a diverse roster of renowned and emerging artists: Annie Leibovitz captures the construction of Renzo Piano’s New York Times building; James Welling revisits Philip Johnson’s iconic Glass House; Walter Niedermayr shifts perspectives on SANAA’s sculptural designs. The book is divided into five chapters, covering collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised Modernist icons, and imagined environments. Presenting a fresh study of outstanding work in contemporary architectural photography, Shooting Space not only provides an engaging display of beautiful photography, but will reward the reader with a considered survey of our built environment.
Author: Victoria Dailey
Publisher: Princeton Architectural Press
ISBN:
Category : Architecture
Languages : en
Pages : 338
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Book Description
Galka Scheyer, Walter and Louise Arensberg, Richard Neutra, Rudolph Schindler, Will Connell, Lloyd Wright, Norman Bel Geddes, Edward Weston, John Cage, Anais Nin, Jake Zeitlin, Merle Armitage, Harriet and Sam Freeman, and several dozen other artists and designers--this was a circle, not just a loose network of acquaintances. The modernist pioneers of Los Angeles art and architecture made statements in their work and legacies, but they were every bit as much a community as they were individual satellites of expression. These people gathered in solidarity, they met as friends and lovers, and they shared excitement over their important breaks with tradition. In modest but lasting ways, they changed Los Angeles forever. There is history in that, and there is inspiration as well. This book is about a secret Los Angeles, a Los Angeles filled with optimism about a different kind of "city of the future."
Author: Jesús Vassallo
Publisher: Park Publishing (WI)
ISBN: 9783038601623
Category : Architectural photography
Languages : en
Pages : 0
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Book Description
Architecture and photography share the condition of being suspended between fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is understood to be a record of what was in front of the camera--just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life. In Epics in the Everyday, Jes s Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers--in different ways--with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.
